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Postcard

A postcard or post card is a piece of thick paper or thin cardboard, typically rectangular, intended for writing and mailing without an envelope. Non-rectangular shapes may also be used but are rare.

History
1840 to 1864 Cards with messages have been sporadically created and posted by individuals since the beginning of postal services. The earliest known picture postcard was a hand-painted design on card created by the writer Theodore Hook. Hook posted the card, which bears a Penny Black stamp, to himself in 1840 from Fulham (part of London). In 2002 the postcard sold for a record £31,750. The first commercially produced card was created in 1861 by John P. Charlton of Philadelphia, who patented a private postal card, and sold the rights to Hymen Lipman, whose postcards, complete with a decorated border, were marketed as "Lipman's Postal Card". He proposed that one side would be reserved for a recipient address, and the other for a brief message. The year 1871 saw Belgium, Canada, Denmark, Finland, the Netherlands, Norway, and Sweden introduce their own postals. The Treaty of Bern was ratified in the United States in 1875. While these are certainly the first known picture postcards, there was no space for stamps and no evidence that they were ever posted without envelopes. In Germany, the bookdealer August Schwartz from Oldenburg is regarded as the inventor of the illustrated postcard. On July 16, 1870, he mailed a post correspondence card with an image of a man with a cannon, signaling the looming Franco-Prussian war. In the following year the first known picture postcard in which the image functioned as a souvenir was sent from Vienna. The first advertising card appeared in 1872 in Great Britain and the first German card appeared in 1874. Private advertising cards started appearing in the United States around 1873, and qualified for a special postage rate of one cent. The stage was now set for private postcard industry to boom, which it did once the United States government changed the postage rate for private cards from two cents to one in May 1898. Many postcards from this era were in fact never posted but directly acquired by collectors themselves. Cards were still useful for propaganda, and for boosting troop morale. Post-World War I (1918 to present) held at the Archives of Ontario After the war, the production of postcards continued, albeit in different styles than before. Demand for postcards decreased, especially as telephone usage grew. As tastes changed, publishers began focusing on scenic views, humor, and fashion. with the growing popularity of social media around 2007, resulting in closure of long-established printers such as J Salmon Ltd in 2017. ==Country specifics==
Country specifics
India In July 1879, the Post Office of India introduced a quarter anna postcard that could be posted from one place to another within British India. This was the cheapest form of post provided to the Indian people to date and proved a huge success. The establishment of a large postal system spanning India resulted in unprecedented postal access: a message on a postcard could be sent from one part of the country to another part (often to a physical address without a nearby post office) without additional postage affixed. This was followed in April 1880 by postcards meant specifically for government use and by reply postcards in 1890. The postcard facility continues to this date in independent India. Japan , 1912|alt= Official postcards were introduced in December 1873, shortly after stamps were introduced to Japan. Return postcards were introduced in 1885, sealed postcards in 1900, and private postcards were allowed from 1900. gives the following definition: Post Card is a standard rectangular form of a paper for public postings. According to the same state standards, cards are classified according to the type and kind. Depending on whether or not the image on the card printing postage stamp cards are divided into two types: • marked; • unmarked. Depending on whether or not the card illustrations, cards are divided into two types: • illustrated; • simple, that is non-illustrated. Cards, depending on the location of illustrations divided into: • Vector card at the location on the front side; • on the reverse side. Depending on the walking area cards subdivided into: • cards for shipment within the Russian Federation (internal post); • cards for shipment outside of the Russian Federation (international postage). United Kingdom History In Britain, postcards without images were issued by the Post Office in 1870, and were printed with a stamp as part of the design, which was included in the price of purchase. These cards came in two sizes. The larger size was found to be slightly too large for ease of handling, and was soon withdrawn in favour of cards 13mm ( inch) shorter. 75 million of these cards were sent within Britain during 1870. Two postmarked examples of the September 1894 ETW Dennis card have survived but no cards of Stewarts dated 1894 have been found. Early postcards were pictures of landmarks, scenic views, photographs or drawings of celebrities and so on. With steam locomotives providing fast and affordable travel, the seaside became a popular tourist destination, and generated its own souvenir-industry. In the early 1930s, cartoon-style saucy postcards became widespread, and at the peak of their popularity the sale of saucy postcards reached 16 million a year. They were often bawdy in nature, making use of innuendo and double entendres, and traditionally featured stereotypical characters such as vicars, large ladies, and put-upon husbands, in the same vein as the Carry On films. A notable artist of seaside postcards, often saucy, was the illustrator Thomas Henry, most known for his portrayal of William Brown in the Just William book series by Richmal Crompton. He started drawing postcards as early as 1913, continuing well into the 1950s. In the early 1950s, the newly elected Conservative government were concerned at the apparent deterioration of morals in the UK and decided on a crackdown on these postcards. The main target of their campaign was the postcard artist Donald McGill. In the more liberal 1960s, the saucy postcard was revived and later came to be considered, by some, as an art form. Original postcards are now highly sought after, and rare examples can command high prices at auction. The best-known saucy seaside postcards were produced by the publishing company Bamforths of Holmfirth, West Yorkshire. Despite the decline in popularity of postcards that are overtly "saucy", postcards continue to be a significant economic and cultural aspect of British seaside tourism. Sold by newsagents and street vendors, as well as by specialist souvenir shops, modern seaside postcards often feature multiple depictions of the resort in unusually favourable weather conditions. John Hinde used saturated colour and meticulously planned his photographs, which made his postcards of the later twentieth century become collected and admired as kitsch. Such cards are also respected as important documents of social history, and have been influential on the work of Martin Parr. United States The United States Postal Service defines a postcard as: rectangular, at least high × long × thick and no more than high × long × thick. However, some postcards have deviated from this (for example, shaped postcards). ==Controversies ==
Controversies
Legalities and censorship The initial appearance of picture postcards (and the enthusiasm with which the new medium was embraced) raised some legal issues. Picture postcards allowed and encouraged many individuals to send images across national borders, and the legal availability of a postcard image in one country did not guarantee that the card would be considered "proper" in the destination country, or in the intermediate countries that the card would have to pass through. Some countries might refuse to handle postcards containing sexual references (in seaside postcards) or images of full or partial nudity (for instance, in images of classical statuary or paintings). For example, the United States Postal Service would only allow the delivery of postcards showing a back view of naked men from Britain if their posteriors were covered with a black bar. Early postcards often showcased photography of nude women. Illegal to produce in the United States, these were commonly known as French postcards, due to the large number of them produced in France. Other countries objected to the inappropriate use of religious imagery. The Ottoman Empire banned the sale or importation of some materials relating to the Islamic prophet Muhammad in 1900. Affected postcards that were successfully sent through the Ottoman Empire before this date (and are postmarked accordingly) have a high rarity value and are considered valuable by collectors. Lynchings In 1873, the Comstock Act was passed in the United States, which banned the publication of "obscene matter as well as its circulation in the mails". In 1908, §3893 was added to the Comstock Act, stating that the ban included material "tending to incite arson, murder, or assassination". World War I Censorship played an important role in the First World War. Each country involved utilized some form of censorship. This was a way to sustain an atmosphere of ignorance and give propaganda a chance to succeed. Some would go on "home leave" and take messages with them to post from a remote location. Unfortunately, censors often disapproved of picture postcards. In one case, French censors reviewed 23,000 letters and destroyed only 156 (although 149 of those were illustrated postcards). Censors in all warring countries also filtered out propaganda that disparaged the enemy or approved of atrocities. For example, German censors prevented postcards with hostile slogans such as "" ("Every hit a Frenchman") among others. == Historical value ==
Historical value
from 1971. Motive: 1960s Eiffel Tower Stool. Postcards document the natural landscape as well as the built environment—buildings, gardens, parks, cemeteries, and tourist sites. They provide snapshots of societies at a time when few newspapers carried images. Cards have also been sent to convey news of death and birth, store purchases, and employment. Efforts are continuously being made by professionals in these fields to digitize these materials to make them more widely accessible to the public. For those interested, there are already several large collections viewable online. Some large digital collections of postcards include: • OldNYC (New York Public Library) • Digital Collections (New York Public Library) • These collections include the Detroit Publishing Company, holiday postcards, WWI postcards, and more. • Curt Teich Postcard Archives Digital Collection (Newberry Library) • Historische Bildpostkarten Universität Osnabrück (Osnabrueck University Library, Germany) • The Pendergast Years (Kansas City Public Library) • Northwest Historical Postcards Collection (University of Idaho) • Kansas City, Kansas Postcard Collection (Kansas City, Kansas Public Library) • Ernest G. Best postcard collection of merchant vessels, naval vessels and sailing vessels, 1900–1940. State Library of New South Wales, PXE 722/Items 1–4961. == Collecting ==
Collecting
It is likely that postcard collecting first began as soon as postcards were mailed. One could argue that actual collecting began with the acquisition of souvenir postcards from the world's fairs, which were produced specifically with the collector (souvenir hunter) in mind. Clubs such as The Jolly Jokers, The Society for the Promulgation of Post Cards, and the Post Card Union sprang up to facilitate postcard exchanges, each having thousands of members. Postcard albums were commonly seen in Victorian parlors, and had a place of prominence in many middle and upper class households. These catalogs provide detailed information about each postcard alongside their picture. In addition, these websites include collection management tools, trading platforms, and forums to assist with discussions between collectors. The oldest continuously run club in the United States is the Metropolitan Postcard Club of New York City, founded in 1946. ==Glossary of terminology==
Glossary of terminology
Most of the terms on this list were devised by modern collectors to describe cards in their possession. For the most part, these terms were not used contemporaneously by publishers or others in the industry. ; 3D Postcard : Postcards with artwork that appears in 3D. This can be done with different techniques, such as lenticular printing or hologram. ; Advertising Postcard : Specialist marketing companies in many countries produce and distribute advertising postcards which are available for free. These are normally offered on wire rack displays in plazas, coffee shops and other commercial locations, usually not intended to be mailed. ; Appliqué : A postcard that has some form of cloth, metal or other embellishment attached to it. ; Art Déco : Artistic style of the 1920s, recognizable by its symmetrical designs and straight lines. costume, ; Art Nouveau : Artistic style of the turn of the century, characterized by flowing lines and flowery symbols, yet often depicting impressionist more than representational art. ; Artist Signed : Postcards with artwork that has the artist's signature, and the art is often unique for postcards. ; Bas Relief : Postcards with a heavily raised surface, giving a papier-mâché appearance. ; Big Letter : A postcard that shows the name of a place in very big letters that do not have pictures inside each letter (see also Large Letter). ; Composites : A number of individual cards, that when placed together in a group, form a larger picture. Also called "installment" cards. ; Court Card : The official size for British postcards between 1894 and 1899, measuring . ; Divided Back : Postcards with a back divided into two sections, one for the message, the other for the address. British cards were first divided in 1902 and American cards in 1907. ; Early : Any card issued before the divided back was introduced (pre-1907). ; Embossed : Postcards with a raised surface. ; Exaggeration : Postcards featuring impossibly large animals and crops, created using trick photography and other methods. ; Folded : Postcards that are folded, so that they have at least 4 pages. Most folded cards need to be mailed inside an envelope, but there are some that can be mailed directly. , hand-tinted postcard ; Hand-tinted : Black-and-white images were tinted by hand using watercolors and stencils. ; Hold-to-Light : Also referred to as 'HTL', postcards often of a night time scene with cut out areas to show the light. ; Intermediate Size : The link between Court Cards and Standard Size, measuring . ; Kaleidoscope : Postcards with a rotating wheel that reveals a myriad of colours and patterns when turned. ; Large Letter : A postcard that has the name of a place shown as a series of very large letters, inside of each of which is a picture of that locale (see also Big Letter). ; Maximum Card : Postcards with a postage stamp placed on the picture side of the card and tied by the cancellation, usually the first day of issue. ; Midget Postcard : Novelty cards of the size . ; Novelty : Any postcard that deviates from the norm. These include cards which do something (such as mechanical postcards) or which have articles attached to them. They could also be printed in an unusual size or shape, or made of strange materials (including leather, wood, metal, silk, or coconut). They are not printed. ; Reward Card : Cards that were given away to school children for good work. ; Special Property Card : Postcards that are made of a material other than cardboard or contains something made not of cardboard. ; Standard Size : Introduced in Britain in November 1899, measuring . , featuring a vignette, therefore likely an undivided back (pre-1907) ; Topographical : Postcards showing street scenes and general views. Judges Postcards produced many British topographical views. ; Undivided Back : Postcards with a plain back where all of this space was used for the address. This is usually in reference to early cards, although undivided were still in common use up until 1907. In 1907, the Universal Postal Congress published a series of decrees that permitted postcards to bear messages on the left half of the card's back. This allowed printers to eschew the vignette in favor of extending the picture to the edges, ensuing the divided-back "Golden Age of Postcards." ; Vignette : Usually found on "undivided back" cards, consisting of a design that does not occupy the whole of the picture side. Vignettes may be anything from a small sketch in one corner of the card, to a design cover three quarters of the card. The purpose is to leave some space for the message to be written, as the entire reverse of the card could only be used for the address. ; Write-Away : A card with the opening line of a sentence, which the sender would then complete. Often found on early comic cards. == Gallery ==
Gallery
File:Entry - Great Mosque of Kairouan - Postcard 1900.jpg|Entry of the Great Mosque of Kairouan, postcard from 1900 File:Fortress in Vyborg.jpg|Fortress in Vyborg, postcard from 1917 File:Theatrical District, Richmond, Virginia, 1923.jpg|Richmond, Virginia, . The intersection shown is at 8th & Broad streets. File:Aloha nui cook.jpg|Hawaiian Aloha nui Postcard File:Dackel mit Bierkrug.jpg|German postcard with inscription "This beer belongs to my master!" File:Bayreuth Purger 142.jpg|Gruss aus–type postcard, published by the Munich-based German printing house Purger & Co. == See also ==
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