Early research In 1811,
James Perchard Tupper authored
An Essay on the Probability of Sensation in Vegetables which argued that plants possess a low form of sensation, have sensitivity, and potentially have a nervous system. It was believed that thinkers like Tupper who believed in plant sensitivity credited God, who kindly designed all organisms with purpose. The notion that plants are capable of feeling emotions was first recorded in 1848, when
Gustav Fechner, an
experimental psychologist, suggested that plants are capable of emotions and that one could promote healthy growth with talk, attention, attitude, and affection.
Federico Delpino wrote about plant intelligence in 1867. The idea of cognition in plants was explored by
Charles Darwin in 1880 in the book
The Power of Movement in Plants, co-authored with his son Francis. Using a neurological metaphor, he described the sensitivity of plant roots in proposing that the tip of roots acts like the
brain of some lower animals. This involves reacting to sensation in order to determine their next movement. Darwin's "root-brain hypothesis" influenced those in the field of plant neurobiology many years later. He says that, "there can be no life absolutely without psychological action — that the latter is the result of the former." Captain Arthur Smith in the early 1900s authored the first article on "plant consciousness". In his article, Smith blurred the lines between plants and animals by pointing out the "sensibility" of plants, like animals, to outside stimuli as a form of consciousness.
Maurice Maeterlinck wrote about the intelligence of flowers in 1907.
Royal Dixon in his 1914 book,
The Human Side of Plants argued that plants are sentient and have minds and souls.
Jagadish Chandra Bose Jagadish Chandra Bose invented various devices and instruments to measure electrical responses in plants. Bose is considered an important forerunner of plant neurobiology by proponents of plant cognition. According to biologist
Patrick Geddes "In his investigations on response in general Bose had found that even ordinary plants and their different organs were sensitive— exhibiting, under mechanical or other stimuli, an electric response, indicative of excitation." One visitor to his laboratory, the
vegetarian playwright
George Bernard Shaw, was intensely disturbed upon witnessing a demonstration in which a
cabbage had "convulsions" as it boiled to death. Bose was the author of
The Nervous Mechanism of Plants, published in 1926. Karl F. Kellerman, Associate Chief of the Bureau of Plant Industry,
United States Department of Agriculture criticized Bose's interpretation of the results from his experiments, stating that he failed to prove the conclusions from his reports that plants feel pain. Kellerman commented that "Sir Jagadar passed an electric current through plants, and his instruments recorded a break in the current. Such variations in resistance to electric current are found even when passing a current through dead matter".
Cleve Backster in 1969 In the 1960s
Cleve Backster, an
interrogation specialist with the CIA, conducted research that led him to believe that plants can feel and respond to emotions and intents from other organisms including humans. Backster's interest in the subject began in February 1966 when he tried to measure the rate at which water rises from a
philodendron's root into its leaves. Because a
polygraph or "lie detector" can measure electrical resistance, which would alter when the plant was watered, he attached a polygraph to one of the plant's leaves. Backster stated that, to his immense surprise, "the tracing began to show a pattern typical of the response you get when you subject a
human to emotional stimulation of short duration". His ideas about primary perception (plants responding to emotions and intents) became known as the "Backster effect". In 1975, K. A. Horowitz, D. C. Lewis and E. L. Gasteiger published an article in
Science giving their results when repeating one of Backster's effectsplant response to the killing of
brine shrimp in boiling water. The researchers grounded the plants to reduce electrical interference and rinsed them to remove dust particles. As a control, three of five pipettes contained brine shrimp while the remaining two only had water; the pipettes were delivered to the boiling water at random. This investigation used a total of 60 brine shrimp deliveries to boiling water while Backster's had used 13. Positive correlations did not occur at a rate great enough to be considered statistically significant. Botanist
Arthur Galston and
physiologist Clifford L. Slayman who investigated Backster's claims wrote: There is no objective scientific evidence for the existence of such complex behaviour in plants. The recent spate of popular literature on "plant consciousness" appears to have been triggered by "experiments" with a lie detector, subsequently reported and embellished in a book called
The Secret Life of Plants. Unfortunately, when scientists in the discipline of plant physiology attempted to repeat the experiments, using either identical or improved equipment, the results were uniformly negative. Further investigation has shown that the original observations probably arose from defective measuring procedures. Backster's research was cited in the pseudoscientific book
The Secret Life of Plants in 1973. Whilst the book captured public attention it severely damaged the credibility of the field of plant intelligence. Philosopher Yogi H. Hendlin noted that the book's "combination of haphazard, panpsychist metaphysical speculations and unmethodical citizen science stigmatised legitimate progressive plant research, alongside the era's new-age pseudoscience, tarring the discipline's serious inquiry".
Dorothy Retallack In 1973, Dorothy Retallack authored
The Sound of Music and Plants. In the book, Retallack records experiments she conducted at
Colorado Women's College on applying different music to plants in controlled chambers. Retallack was ecstatic to find out that her and the plants had overlapping taste in music. Also, Retallack did not have scientific definitions for genres of music. == Modern research ==