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Idol (Yoasobi song)

"Idol" is a song by Japanese duo Yoasobi from their third EP, The Book 3 (2023). It was released as a single on April 12, 2023, by Sony Music Entertainment Japan, serving as the opening theme to the first season of the 2023 Japanese anime series Oshi no Ko. Written by Ayase and based on Aka Akasaka's short story 45510, "Idol" is a combination of pop, hip-hop, rock, and video game music with a complicated structure, and depicts the two-faced nature of a star in the Japanese idol industry. The lyrics delineate multiple different perspectives on the anime's central character, the idol Ai Hoshino, namely those of her fans, her fellow groupmates, and her own self. It additionally features shouts by B-boy group Real Akiba Boyz and gospel-like background vocals.

Background and release
An anime adaptation of manga series Oshi no Ko was announced in June 2022. During a livestream on its official YouTube channel on February 19, 2023, the anime series revealed the opening theme which would be performed by Yoasobi, titled "Idol". As a "super huge" fan of the manga, Ayase had personally read Oshi no Ko before and written a demo about it around 2022. It was initially titled "Kyūkyoku no Ōgi", portraying a girl who is the strongest and unbeatable fighter, showing some dark side, reminiscing about Street Fighter character Chun-Li. The demo was originally expected to be released as a Vocaloid song. However, Ayase abandoned the plan after the duo received an offer to perform the opening theme song for Oshi no Ko; he interwove the demo and the new composition to make the final version. The song first previewed on the anime's official trailer, uploaded on February 19, and the full-length song premiered in an extended 90-minute first episode, "Mother and Children", theatrically released on March 17 at selected cinemas in Japan. After the debut performance of the song at their Denkōsekka Arena Tour on April 5 at Nippon Gaishi Hall, Nagoya, Yoasobi announced that "Idol" would be available on digital music and streaming platforms on April 12, the same date as the anime's televised premiere. A month later, the duo teased a snippet of the English version as a video clip, showing Ikura recording the song in the studio, uploaded via Twitter; the full-length was issued digitally on May 26. The limited CD and 7-inch vinyl of the single were released on June 21 and July 26, respectively; both formats contains the Japanese, English, anime edit, and instrumental versions. Subsequently, "Idol" featured on Yoasobi's third EP The Book 3 (2023), and the English version on their third English-language EP E-Side 3 (2024). Milan Records released the single in 12-inch vinyl, along with the B-side "Tabun", in November 2024. ==Composition and production==
Composition and production
"Idol" is three minutes and thirty-three seconds long, and combines aspects from Japanese idol-styled pop, hip-hop, rock, and video game music, with a gospel choir-like rendition. Starting with programmed percussion sound, it is driven by the "bright and poppy", "idol-like bubblegum", and includes "complicated" structure and "dizzying" transitions, such as jazz-funk slap bass, "gritty" sub-bass, orchestral and electronic-sounded chorus, and "dark" trap metal-like melody. According to Ayase, who solely wrote and produced the song, the production of "Idol" was inspired by strong lows by American musician Ghostemane and bass guitar played during the live performance of Indonesia rapper Rich Brian at the 2022 Head in the Clouds Festival. The Japan Timess Patrick St. Michel described the song as "a mix of varied influences that draws from Akihabara livehouses and Atlanta hip-hop," that is "connected by a piano dash that has come to define Ayase's production." JX Soo of NME said the song "conjur[ing] up the technicolor pop" like Kyary Pamyu Pamyu and Yellow Magic Orchestra. Ikura's vocals in the song are described as alternating between "cutest idol in the world"-like "sweet and clear" voice and "frenzy" and "introspection" with "deep sarcastic" snarls and "K-pop-esque" "rapid-fire" trap beat-styled rapping. ==Lyrics and interpretations==
Lyrics and interpretations
Told only until the end of Oshi no Kos first episode, the lyrics of "Idol" express the two-faced nature of people in the entertainment industry, specifically Japanese idols, The second part sarcastically tells the story of the girl group B-Komachi's other members' jealousy of the "absolute" center, Ai, as they were relegated to her supporting roles as backup dancers. At the same time, the members are unable to tolerate Ai's whining and showing her true feelings and desire for Ai to always be perfect and stronger than anyone else, as an idol (also known as cult image). In the third and final part, the song depicts Ai's point of view on her reasons to lie, greed, and imperfection. She hides the secret of being the mother of twin children, Ruby and Aquamarine. She is convinced of the strength of her love and believes that the "singing and dancing" while hiding the truth, metaphorized as Mary, mother of Jesus. Though outsiders view her as a perfect idol, Ai describes herself as a "greedy idol" and expresses her honesty and the magnitude of her desire for love. In conclusion, she hopes someday her lies become true and does not lie about loving her children. before being included as a poster booklet on the single physical releases. ==Critical reception==
Critical reception
Upon its release, "Idol" received critical acclaim. Danny Guan from Game Rant praises "Idol" as a "perfect" representation of Ai Hoshino, and "jumping from brooding rap verses to energetic J-pop melodies with ease, flipping moods at the drop of a hat." Writing for Yahoo! News Japan, Suzie Suzuki compared the song as a parody of Kyoko Koizumi's 1985 single "Nantettatte Idol" and 2010s female idols, and commented, "It is too well done and has reached a metastructure of 'more idol song-like than a normal idol song.' " Real Sounds Mio Komachi dubbed the song "standing out" among Yoasobi discography, feeling "the essence of a Vocaloid song", and the "perfect" portrayal of Ai with an "almost inorganic" voice, while Tsuki no Hito described the song "having this chaotic sense of balance incorporated K-pop homage […], and exploded with a clear chorus that is typical of J-pop." Noriko Ashizawa from Spotify Japan described that "Idol" "has a composition in which the scene changes rapidly in a different sense from K-pop," and "the Vocaloid-like irregular melody progression is not similar to any overseas song." ''Rockin'On Japans Miho Takahashi called the song "a perfect work that could not be better." Mikiki''s S.H.I. "a song representing 2023", stated about "emphasiz[ing] the impression of the performer's presence rather than the musicality." Patrick St. Michel from The Japan Times wrote that the song is "disorienting […] but it's certainly catchy." Billboard Japans chart director Seiji Isozaki lauded "Idol" as a representative song of the Reiwa era, alongside Ado's "Usseewa" and Creepy Nuts' "Bling-Bang-Bang-Born". Nick Valdez from ComicBook.com praised the English version, "captured the spirit of the original version perfectly." Cinemas+s Gumi commended the English version for retaining most of the message conveyed by the Japanese original lyrics. Writing for Screen Rant, Joshua Fox gave the English version a mixed review, commenting, "while still great to listen to, falls short of the Japanese version"; "the lyrics are largely exact translations with little to no alterations," so "the flow of the English version ends up feeling off in some parts." Fox compared the song to the complete English-language re-writing of Hikaru Utada's "Simple & Clean". Economist and entrepreneur Yūsuke Narita dubbed both the Japanese and English versions as Matsuo Bashō's 1686 hokku "furu ike ya kawazu tobikomu mizu no oto" and its English translations in the 21st century. ==Commercial performance==
Commercial performance
Japan "Idol" was an immediate commercial success in Japan. According to Oricon and Billboard Japan, the song became the fastest song to reach 100 million on-demand streams in Japan within five weeks, breaking the six weeks of Official Hige Dandism's "Subtitle" and BTS's "Butter". It later broke a string of records for the fastest song to accumulate 200, 300, 400, 500, 600, 700, 800, 900 million, and one billion streams within 137 weeks. The single became the first-ever song to reach one billion streams in Oricon history, and diamond for streaming, surpassing 500 million times. The latter marked the song as the fastest song to achieve diamond certification in the RIAJ history within 295 days after the single release. The Japanese Society for Rights of Authors, Composers and Publishers (JASRAC) reported that "Idol" was the highest earned royalties in Japan for two consecutive years, from 2023 to 2024. Oricon For the issue dated April 24, 2023, "Idol" entered the Oricon Digital Singles Chart at number two, earning 33,867 digital sales, behind Man with a Mission and Milet's "Kizuna no Kiseki", and rose to the top the next week with 34,070 sales, making Yoasobi the most number-one song on the chart with 12 songs, tying with Kenshi Yonezu. It spent ten non-consecutive weeks atop the chart, the fifth song to reach it in history. The song debuted atop the Streaming Chart with 10,328,178 on-demand streams, the duo's third number-one following "Yoru ni Kakeru" and "Kaibutsu", and topped the chart for 22 consecutive weeks, the second most weeks at number one, behind Official Hige Dandism's "Pretender" (34), and the fifth song to reach number one on the chart for more than ten weeks. With 29,975,897 streams in the week of June 26, besting "Subtitle" (4). Moreover, "Idol" is the second song in 2023 since Be:First's "Boom Boom Back", and by the duo to reach number one on both the Oricon Digital Single and Streaming charts in the same week and ascended to number one in the week of May 29, as the duo's second song since "Yoru ni Kakeru", after staying in the top five for five weeks. The song returned to number one in the week dated January 22, 2024, eight months after the first top. The CD single debuted at number two on the Oricon Singles Chart for the week of July 3, selling 49,385 copies, behind King & Prince's "Nanimono", while the English version peaked at number eight on the Digital Singles Chart with 6,080 units. "Idol" finished at number one on three Oricon 2023 year-end charts: Combined Singles, Digital Singles, and Streaming, earning 557,295 downloads and 570,368,238 streams. Billboard Japan "Idol" debuted at number one on the Billboard Japan Hot 100 for the week of April 19, 2023, scoring Yoasobi's second number-one song in the country since "Yoru ni Kakeru" in 2020. It earned 29,327 digital sales, 8,868,810 streams, and 4,334,923 video views in its first week. The song stayed at the number-one position for 21 consecutive weeks, beating "Subtitle" as the song with the most both consecutive and total weeks at number one in the chart history, which previously was eight consecutive weeks and 13 overall weeks, respectively. In the week of September 13, the song was finally unseated in the top position by Snow Man's "Dangerholic" and descended to number four. Four months later, the song re-peaked at number one in the week of January 17, 2024, expanding the longest number-one song record to 22 total weeks. "Idol" also topped the specific-genre Hot Animation, the third song following "Kaibutsu" and "Shukufuku", for 21 consecutive weeks, tying with Yonezu's "Kick Back"; and 37 total weeks, the second longest after 39 weeks of Lisa's "Gurenge". During that time, it was succeeded by King Gnu's "Specialz" for two weeks, and the duo's "Yūsha" for one week, and finally dethroned by Creepy Nuts' "Bling-Bang-Bang-Born" in the week of January 31, 2024. For component charts, "Idol" opened at number two on the Download Songs, blocked from Man with a Mission and Milet's "Kizuna no Kiseki", and surged up to the top the next week with 30,505 downloads and spent ten non-consecutive weeks on the chart. On the Streaming Songs, the song debuted at number one, and topped for 24 non-consecutive weeks. It received 25,860,696 streams in the week of May 17, giving the song the second most streams overall in a single week at that time, behind BTS's "Butter" (30 million streams). The "Idol" CD single sold 53,589 copies on its release week, landing at number two on the Top Singles Sales dated June 26, behind only King & Prince's "Nanimono". Following the 7-inch vinyl release, the single jumped from number 84 to 12 in the week of August 2 with 3,884 copies. Billboard Japan named "Idol" the best-performing song of 2023 on the Japan Hot 100. It became the most-streamed, most-downloaded, and most-heard-on-the-radio song in the country that fiscal year, receiving 527,143,965 streams, 148,838,759 video views, and 509,751 digital sales in 2023, which topped both the year-end Streaming Songs and Download Songs. Worldwide Music critic Motohiko Tokuriki compared the success of "Idol" to Fujii Kaze's "Shinunoga E-Wa", which was a hit overseas in 2022, and commented that it "has the potential to be a big step for the Japanese music industry in that it has clearly seen the world from the beginning and has been successful." Two weeks after its release, Yoasobi's distributor The Orchard reported that "Idol" had been streamed and viewed over 100 million times. The song first entered the Billboard Global Excl. US at number 135 for the issue dated April 22, 2023, within two days of tracking and then surged up 130 spots to number five the next week. Following the English version release and spent the first six of seven weeks in the top ten, the song rose atop the Global Excl. US—collecting 24,000 digital sales and 45.7 million streams in that week—becoming the first-ever Japanese-language song to top the chart, and stayed on it for three non-consecutive weeks. On the Billboard Global 200, "Idol" debuted at number 14 dated April 29, 2023, and peaked at number seven nine weeks later, setting a new record as the highest position by Japanese act on the chart at that time, surpassing Lisa's "Homura" (8). According to Luminate, as of June 2023, "Idol" had been streamed 722.71 million times worldwide in both audio and video platforms. In the inaugural week of September 14, 2023, the song debuted at number one on the Billboard Japan newly launched Global Japan Songs Excl. Japan, which tracks the most streamed and digitally sold Japanese songs outside Japan in over 200 territories, and topped for 12 non-consecutive weeks. The song was the highest charted song at number 42 and 19 on the 2023 year-end Global 200 and Global Excl. US, respectively, the highest Japanese song in history. For music streaming services, the song reached number one on the global charts of both Apple Music and YouTube Music. On Apple Music, the song was the eighth most streamed song globally in 2023, the best-performing Japanese act, and the 291st most listened song of all time, during 2015–2025. The International Federation of the Phonographic Industry (IFPI) reported that "Idol" was the nineteenth best-selling song in 2023, earning 1.01 billion subscription streams equivalents globally. ==Music video==
Music video
seeing their teen children Aqua and Ruby watching her on a television. An accompanying music video for "Idol" premiered on Yoasobi's YouTube and Ayase's Niconico channels on April 13, 2023, at 0:30 JST, shortly after Oshi no Ko televised premiere. Directed by Naoya Nakayama, and produced by Doga Kobo, who also was in charge of anime production, the visual features the same animated visuals as the anime, depicting the "bright and dark" symbolism of Ai Hoshino, and her twin children, Aqua and Ruby. In the end, it shows Aqua and Ruby as high school students watching her mother Ai performing on television, which does not appear in the anime. The director described the scene as "the world that Ai wanted to see". The "Idol" music video became the duo's fourth music video to accrue 100 million views, following "Yoru ni Kakeru", "Kaibutsu", and "Gunjō", as well as the fastest music video to reach this mark by any Japanese act within 35 days, surpassing the 62 days of NiziU's "Make You Happy". It became the 2023 most-viewed music-related video on YouTube in Japan, and has gained over 600 million views as of May 2025. The English version's music video was released later in conjunction with the song on May 26, 2023. ==Live performances==
Live performances
Yoasobi debuted the performance of "Idol" on April 5, 2023, a week before the song's release, on their first show of Denkōsekka Arena Tour at Nippon Gaishi Hall, Nagoya, and included it on the tour's setlist as the only song of the encore. The duo also performed the song at the free TikTok special live concert at Theater Milano-za in Shinjuku, Tokyo on April 24 as the last song. Since then, "Idol" became a part of setlists for the duo's several music festivals and concert tours, including the 2023–2024 Asia tour, the Pop Out Zepp Tour (2024), the 2024 US tour, 2024 Coachella and Lollapalooza, the Chō-genjitsu Dome Live (2024), and Asia Tour (2024–2025), the Wandara Hall Tour (2025), etc. The performance of "Idol" at the 2023 Summer Sonic Festival was recorded and broadcast via television special NHK Music Expo 2023 on September 14, 2023, while the Clockenflap festival via the 65th Japan Record Awards on December 30. In South Korea, Yoasobi gave the debut televised performance of the song at M Countdown on September 21, 2023, which has been rarely for Japanese artists to appear on South Korean music shows. In 2024, the duo performed "Idol" at the 8th Crunchyroll Anime Awards after they won Best Anime Song, the 16th Melon Music Awards, where they received J-pop Favorite Artist award and music show The Show, the latter two along with "New Me". 74th NHK Kōhaku Uta Gassen On November 13, 2023, NHK announced the lineup for the 2023 edition of New Year's Eve television special NHK Kōhaku Uta Gassen, held at NHK Hall, Shibuya, Tokyo on December 31, which Yoasobi would participate as a part of red team. It was the duo's third appearance on the television special after the attendances in 2020 and 2021 and the absence in 2022. A song to perform, "Idol", was revealed on five days before the show. Choreographed and staged by Ganmi's Sota Kawashima, "Idol" was presented as the 42nd show (excluding special performances), preceded by Fumiya Fujii's "True Love" and "Shiroi Kumo no Yō ni" with Hiroiki Ariyoshi, and succeeded by Masaharu Fukuyama's "Hello" and "Sōbō" medley. Alongside the duo and the band members, the show featured numerous guests, beginning with dance group Avantgardey and B-boy group Real Akiba Boyz. Following the first verse, selected members from that year's ten participating Japanese and Korean idol groups—Seventeen (Hoshi, DK, Mingyu, and Seungkwan), Nogizaka46 (Minami Umezawa, Renka Iwamoto, Mizuki Yamashita, Haruka Kaki, Mayu Tamura, and Nao Yumiki), NiziU (Mako, Riku, Ayaka, Mayuka, and Miihi), Be:First (Sota, Leo, Junon, and Manato), NewJeans (Minji, Hanni, and Danielle), JO1 (Shosei Ohira, Syoya Kimata, Sukai Kinjo, Junki Kono, and Ruki Shiroiwa), Stray Kids (Felix, Seungmin, and I.N), Sakurazaka46 (Yui Kobayashi, Rina Matsuda, Yui Takemoto, Hikaru Morita, and Rena Moriya), Le Sserafim (Sakura, Kim Chaewon, Huh Yunjin, and Kazuha), and MiSaMo—performed one after another. Next, singer Ano and actress and the program's host Kanna Hashimoto—former member of idol groups You'll Melt More! and Rev. from DVL, respectively—who both gained attention from fan-taken photos comparison of the two during their idol career, nicknamed "the final battle between angel and devil", appeared and did their viral posture. The show concluded by all performers performing together. Despite the lowest rating (31.9% audience share) since 1989, the "Idol" show was considered to be the "highlight" and "the most attracted attention" of the event, especially online. The Japan Newss Yohei Kitagawa praised the duo having a "strong and unrivaled" presence and "unifying force for all of the other stars on stage". The show recorded viewership rating of 34.2% in the Kantō region, the third highest following Misia's medley of "Ai o Arigatō", "Kizu-darake no Ōja", and "Ai no Katachi" and Pocket Biscuits and Black Biscuits' "Yellow Yellow Happy" and "Timing". The partial performance uploaded on NHK Music YouTube channel received 11.28 million views before it had been made private, the most among the channel's video. ==Cover versions and other uses==
Cover versions and other uses
"Idol" has been covered by several other singers, musicians and idols, notably including singer and actress Airi Suzuki, who performed the song at TV Asahi YouTube program Dōga, Hajimete Mimashita on June 10, 2023, which accumulated ten million views as of September. Later, she included the song on the "Self-Cover Medley" of her performance at the 2023 Rock in Japan Festival in August. YouTuber Hikakin uploaded his parody music video for "Idol" on July 22, which replaced Ai Hoshino by himself. Dance group Avantgardey performed a routine to the song mashed up with the Japanese and English versions combined at the semi-final round of the 18th season of American talent show competition ''America's Got Talent''. Rie Takahashi, who voiced Ai for the anime, covered "Idol" on November 26 at Ichigo Production Fan Thanksgiving 2023, and uploaded her cover's music video on February 2, 2024. Retired figure skater Marin Honda, wearing as Ai, performed Oshi no Ko-themed ice skate show, featuring "Idol", at the BISF25 × The World of Anime on January 28, 2025, at Ovision Ice Arena, Fukuoka. Other notable covers included Yuya Tegoshi, Ayaka Hirahara and Avantgardey, Aya Shimazu, Toshi, Junretsu, La Diva, NiziU, Me:I, Fruits Zipper, Candy Tune, Sweet Steady and Cutie Street, etc. In December 2024, "Idol" featured on a projection mapping created by Yukihiro Oka for the Tokyo Night & Light project at the exterior of the Tokyo Metropolitan Government Building No. 1. ==In popular culture==
In popular culture
In late April 2023, Shortly after "Idol" release, a recreated video of the title sequence of Oshi no Ko connecting to the title sequence of Shin Getter Robo vs Neo Getter Robo, in which "Idol" was changed in the middle of the chorus to JAM Project's "Storm", "Kimi wa kanpeki de kyūkyoku no Gettā", went viral and became an Internet meme, which both Yoasobi and JAM Project former member Ichirou Mizuki's official Twitter accounts each responded the video. This meme resulted in "Storm" being officially released to the music streaming services on July 3, 2023. The phrase "Kimi wa kanpeki de kyūkyoku no Gettā" won Gold Award at the 2023 Internet Buzzword Award, and Niconico Award and second place of Top 20 Words Award at the 2023 Internet Buzzwords 100. Fan-made choreography created by dancer and singer Kotaro Ide and wotagei-styled dance of "Idol" also gained attraction as an Internet challenge on video hosting service TikTok, covered by Japanese and Korean idols among others. As of December 2023, the song garnered 7.9 billion views on TikTok. The song was chosen as the best anime song of the Reiwa era by the survey from 10,000 people by TV Asahi television special 1 Man Nin ga Erabu! Tsui ni Kettei! Reiwa vs Heisei vs Shōwa Anison Ranking, and the second-most voted best anime song on the survey by 1,740 overseas anime fans from the TV Asahi television special Gaikokujin ga Gachi de Tōhyō! Sekai Anison Sōsenkyo, behind only Yoko Takahashi's "A Cruel Angel's Thesis". ==Accolades==
Accolades
At the 65th Japan Record Awards in 2023, despite the success of the song, "Idol" did not receive the Song of the Year award, which is a nomination for the main Grand Prize. Instead, Ayase won Best Composition Award for composing the song, and Yoasobi won the Special International Music Award. The gesture spawned several media and fans questioning how the nomination process for the Japan Record Awards works. ==Track listing==
Track listing
Digital download and streaming • – 3:33 • Digital download and streaming – English version • "Idol" (English version) – 3:33 • CD single and 7-inch vinyl • "Idol" – 3:31 • "Idol" (English version) – 3:31 • "Idol" (anime edit) – 1:29 • "Idol" (instrumental) – 3:31 • 12-inch vinyl • "Idol" – 3:31 • "Idol" (English version) – 3:31 • "Idol" (anime edit) – 1:29 • "Idol" (sped up and pitch up version) – 2:56 • "Idol" (instrumental) – 3:31 • "Tabun" – 4:16 • "Tabun" (sped up and pitch up version) – 2:59 • "Tabun" (instrumental) – 4:16 ==Credits and personnel==
Credits and personnel
Ayase – writer, producer • Ikura – vocals • Aka Akasaka – based story writer • Konnie Aoki – background chorus lyrics, English lyrics, English lyrical and vocal direction • BFNK – English lyrical and vocal direction • Real Akiba Boyz – background shouts • Ebony Bowens – background chorus • Chloe Kibble – background chorus • Marista Stubbs – background chorus • Imani J. Dawson – background chorus • Kyte – background chorus • Lyle Carr – background chorus • Andrew Soda – background chorus • Takayuki Saitō – vocal recording • Kunio Nishikawara – vocal recording (English version) • Hiroaki Okuda – background chorus and shouts recording • Masahiko Fukui – mixing • Hidekazu Sakai – mastering ==Charts==
Charts
Weekly charts Monthly charts Year-end charts ==Certifications and sales==
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