Box office Pretty in Pink was the top-grossing film for the week of March 12, 1986. The film earned
US$6.1 million during its opening weekend and $40.5 million during its theatrical run. It was the 22nd-highest-grossing film of 1986.
Reception On
review aggregator Rotten Tomatoes the film holds an approval rating of 75% based on 117 reviews. The site's consensus reads: "Molly Ringwald gives an outstanding performance in this sweet, intelligent teen comedy that takes an ancient premise and injects it with insight and wit." Audiences polled by
CinemaScore gave the film an average grade of "B+" on an A+ to F scale.
Roger Ebert gave the film three stars out of four, criticizing the "old, old, old" plot but praising the performances of Molly Ringwald and Annie Potts, and calling it "a heartwarming and mostly truthful movie, with some nice touches of humor."
Janet Maslin of
The New York Times wrote, "Fortunately, the actors are mostly likable, and the story is told gently enough to downplay both its trendiness and its conventionality." James Harwood of
Variety wrote, "In his mid-30s, John Hughes' much-vaunted teen thinking now seems to be maturing a bit in
Pretty in Pink, a rather intelligent (if not terribly original) look at adolescent insecurities ... Teamed with Hughes for the third time, Molly Ringwald is herself growing as an actress, lending
Pink a solid emotional center that largely boils down to making the audience care about her."
Pauline Kael of
The New Yorker wrote that Ringwald "carries the movie, though she has nothing particularly interesting to do or say," and called the film "slight and vapid, with the consistency of watery Jello."
Gene Siskel of the
Chicago Tribune gave the film one-and-a-half stars out of four, faulting a "tired script" and Cryer's "one-note performance," though he found Ringwald "absolutely beguiling." Patrick Goldstein of the
Los Angeles Times called the film "delightful," adding that "what makes
Pretty in Pink such a satisfying, big-hearted film isn't its creaky story line or its somewhat unconvincing conclusion, but the way it lets us watch kids through their own eyes, exploring feelings instead of making caricatures of them. Written by Hughes and directed by newcomer Howard Deutch, the movie neatly captures the nuances of youth, reminding us how the most casual remark can unleash a flood of insecurities."
Paul Attanasio of
The Washington Post wrote that "for the most part,
Pretty in Pink works from a standard formula—rich boy, poor girl—and does little to tweak or reinvent it." ==Legacy==