The shorts did not have to be submitted for approval at the
Production Code Administration and so were not subject to the
Motion Picture Production Code. Most of the
Private Snafu shorts are educational, and although the
War Department had to approve the
storyboards, the Warner directors were allowed great latitude in order to keep the cartoons entertaining. Through his irresponsible
behavior, Snafu demonstrates to soldiers what
not to do while at war. In
Private Snafu vs. Malaria Mike, for example, Snafu neglects to take his
malaria medications or to use his repellent, allowing a suave
mosquito to get him in the end—literally. In
Gas Snafu throws away his gas mask and is almost killed by
poison gas. In
Spies, Snafu leaks classified information a little at a time until the
Axis enemies piece it together, ambush his transport ship, and literally blow him to hell. Six of Snafu's shorts actually end with him being killed due to his stupidity:
Spies (blown up by enemy submarine torpedoes),
Booby Traps (blown up by a bomb hidden inside a piano),
The Goldbrick (run over by an enemy tank),
A Lecture on Camouflage (large enemy bomb lands on him),
Private Snafu vs. Malaria Mike (malaria), and
Going Home (run over by a street car). Nine of the
Snafu shorts feature a character named Technical Fairy, First Class. The Technical Fairy is a crass, unshaven, cigar-smoking miniature G.I. whose fairy wings bear the insignia of a
technical sergeant, and who wears only socks, shorts, and a uniform hat. When he appears, he grants Snafu's wishes, most of which involve skipping protocol or trying to do things the quick and sloppy way. The results typically end in disaster, with the Technical Fairy teaching Snafu a valuable lesson about proper military procedure. For example, in the 1944 cartoon
Snafuperman, the Technical Fairy transforms Private Snafu into the superhero Snafuperman, who takes bungling to a super-powered level through his carelessness. Later in the war, however, Snafu's antics became more like those of fellow Warner character
Bugs Bunny, a savvy hero facing the enemy head on. The cartoons were intended for an audience of soldiers (as part of the bi-weekly
Army-Navy Screen Magazine newsreel), and so are quite risqué by 1940s standards, with minor cursing, bare-bottomed GIs, and plenty of scantily clad (and even semi-nude) women. The depictions of Japanese and Germans are hostile-comic, par for the course in wartime U.S. The
Snafu shorts are notable because they were produced during the Golden Age of Warner Bros. animation. Directors such as
Chuck Jones,
Friz Freleng,
Bob Clampett, and
Frank Tashlin worked on them, and their characteristic styles are in top form.
P. D. Eastman was a writer and storyboard artist for the Snafu shorts. Voice characterizations were provided by the celebrated
Mel Blanc (Private Snafu's voice was similar to Blanc's
Bugs Bunny characterization, and Bugs himself actually made cameos in the Snafu episodes
Gas and
Three Brothers). Toward the end of the war, other studios began producing Snafu shorts as well (the Army accused Schlesinger of padding his bills), though some of these were never filmed before the war ended.
William Hanna and
Joseph Barbera of
MGM Cartoons notably planned to direct a
Snafu short before production was cancelled prior to filming. ==Availability==