Brahmsambandha and Initiation The formal initiation into the Pushtimarg is through the administration of the
Brahmasambandha mantra. The absolute and exclusive rights to grant this mantra, in order to remove the
doṣas (faults) of a
jīva (soul) lie only with the direct male descendants of Vallabhācārya. According to Vallabha, he received the
Brahmasambandha mantra from Kr̥ṣṇa one night in Gokula. The next morning, Vallabha administered the mantra to Damodaradāsa Harasānī, who would become the first member of the
sampradāya. In Vallabhācārya's time, an (adult) devotee to-be would ask Vallabha to admit him, and if Vallabha was willing to take the potential devotee, he would ask him to bathe and return. Vallabha would then administer the mantra, asking the devotee to use Kr̥ṣṇa's name and to devotee everything he had to Kr̥ṣṇa, after which Vallabha would begin the spiritual education on doctrines and texts. In modern times, the majority of members of the sect are born into Pushtimarg families, with the administration of the mantra split into two ceremonies. The first ceremony is known as
śaraṇa mantropadeśa (or traditionally as
nāma lenā and
kaṇṭhī lenā). This occurs in the initiate's infancy or at any age if requested. The guru has the initiate repeat the
aṣṭākṣara mantra ("
śrī Kṛṣṇaḥ śaraṇaṃ mama") 3 times. The initiate is then given a
kaṇṭhī made of
tulasi. The second ceremony is known as
Brahma-sambandha (a state of union with
Kṛṣṇa). This usually occurs before the initiate is married or as soon as they are considered mature enough to understand the significance of the ceremony. The initiate is made to fast the day prior, bathe, hold a tulasi leaf in the palm of the right hand and repeat the
Ātmanivedana-mantra mantra after the guru. After this, the initiate places the
tulasi leaf at the feet of the image of
Kṛṣṇa. After this he or she is considered a proper member of the
sampradāya. The mantra and initiation may only be performed by the direct male descendants of Vallabha.
Houses and Svarūpas in the Puṣṭimārga Viṭṭhalanātha had seven sons among whom he distributed nine major
svarūpas of Kr̥ṣṇa that are worshipped by the Puṣṭimārga. Each son founded a lineage that served as leaders of each house or seat of the
sampradāya. The sons of Viṭṭhalanātha, the svarūpas, and where they currently reside are: • Giridhara, whose descendants hold Śrī Nāthajī (
Nāthadvāra, Rajasthan), Navanītapriya (Nāthadvāra, Rajasthan), and Mathureśa (
Koṭā, Rajasthan) • Govindarāya, whose descendants hold Viṭṭhalanātha (Nāthadvāra, Rajasthan) • Bālakr̥ṣṇa, who descendants hold
Dvārakānātha (
Kāṁkarolī, Rajasthan) •
Gokulanātha, whose descendants hold Gokulanātha (
Gokula, Uttar Pradesh) • Raghunātha, whose descendants hold Gokulacandramā (
Kāmabana, Rajasthan) • Yadunātha, whose descendants hold Bālakr̥ṣṇa (
Sūrata, Gujarat) • Ghanaśyāma, whose descendants hold Madanamohana (Kāmabana, Rajasthan) The nine
svarūpas listed in Puṣṭimārga theology are considered
svayambhu (self-born),
sevya-svarūpa (having been offered
sevā by Vallabha and Viṭṭhalanātha), and
nava-nīdhi (nine receptacles of treasure). The eldest
gosvāmi of the First House (descendants of Giridhara) holds the title of
tilakāyat, and is the custodian of Śrī Nāthajī. The
tilakāyat is considered the highest authority in the Puṣṭimārga.
Other svarūpas and the eighth house Yadunātha's descendants also hold Kalyāṇarāi (
Baroda, Gujarat) and Mukundarāya (
Vārāṇasī, Uttar Pradesh). The eighth house was founded by Tulasīdāsa, also known as Lālajī, whose descendants hold Gopinātha (
Br̥ndābana, Uttar Pradesh, until 1947 in
Ḍerāgāzīkhāṁ, Sindh). Tulasīdāsa was an adopted son of Viṭṭhalanātha, and the
svarūpa in his descendants' possession is less significant than the other
svarūpas.
Sevā The daily
sevā and
darśana periods are meant to portray a day in the life of
Kr̥ṣṇa Gopāla, or Kr̥ṣṇa as Cow-protector. In the Pushtimarg,
sevā is the unselfish worship of a
svarūpa, under the doctrine that the
svarūpa is sentient and appreciates refined food, clothing, and the arts. The themes of the
sevā are based on the
līlās (pastimes or play) of Kr̥ṣṇa as depicted in the
Bhāgavata Purāṇa. Based on the
līlā, appropriate pure and high quality food and clothing are offered to the
svarūpa. The
svarūpa is entertained by singers and poets, with paintings called
pichvaīs being placed in the background to enhance the
bhāva ("emotion") of the
sevā. Through
sevā, members of the
sampradāya are meant to experience
bhāva in order to understand the
rasa (essence) of Kr̥ṣṇa's
līlās, through which a devotee experiences unselfish love for Kr̥ṣṇa.
Sevā occurs privately in the home, but communal
sevā in a
haveli is also an important aspect. According to Barz, in the Puṣṭimārga, the icons of Kr̥ṣṇa are installed not in temples (
mandir) but in mansions (
havelī). Ho disagrees and states the temples have always been called
mandirs, not
havelis. Each
mandir/
havelī is considered to be the private dwelling of Kr̥ṣṇa and entrance is only granted at appointed
darśana times.
Daily Darśanas •
Maṅgalā, the awakening of the
svarūpa in the morning and serving of light breakfast •
Śr̥ṅgāra, the adorning of appropriate attire for the day •
Gvāla, the grazing of cows in pasture •
Rājabhoga, the eating of the main meal of the day, with the
svarūpa being put to sleep afterwards •
Utthāpana, the awakening from the afternoon nap •
Bhoga, the eating of the light afternoon dinner •
Sandhyārati, the evening worship with lighted lamps •
Śayana, the putting to sleep of the
svarūpa and closing of the
havelī Bhāva There are four main types of
bhāva:
dāsya,
sakhya,
madhura, and most importantly
vātsalya.
Vātsalya bhāva treats Kr̥ṣṇa as if he were a child and the devotee is his caring mother or father. Specifically, devotees aim to model Yashoda, imparting tender love and concern to Kr̥ṣṇa. This
bhāva manifests in acts of
sevā through providing toys and blankets, and cooling Kr̥ṣṇa's meals before serving them.
Madhura bhāva places the devotee in the role of a
gopī (cowherd-girl of Braj) who takes part in the love-play of Kr̥ṣṇa's
līlās in the nighttime.
Sakhya bhāva places the devotee in the role of
gopa (cowherd) as a friend of Kr̥ṣṇa's who takes part in games and cow herding activities in the daytime.
Dāsya bhāva treats the devotee as a humble servant of Kr̥ṣṇa as a king who praises his master while demeaning himself. This
bhāva has less presence in the Puṣṭimārga as Vallabha put a greater emphasis on the personal and emotional relationship on the first three
bhāvas.
Emphasis on Householder Life The Pushtimarg tradition is characterized by a strong emphasis on the householder lifestyle (
gṛhastha) and generally regards traditional practices of ascetic renunciation unfavorably. This philosophical stance is derived from interpretations of the teachings of the tradition’s founder,
Vallabhacharya (1479–1531), particularly the instruction encapsulated in the verse
gṛhe sthitvā svadharmataḥ ("remain a householder and follow one’s own dharma"). This teaching requires that the devotee remain within the social network of their family whenever possible, rather than living removed from the social world. Consequently, the philosophical system is viewed as a means to help devotees balance religious obligations with worldly life, affirming that one cannot simply renounce all life duties. This ethos is intrinsically linked to the Pushtimarg’s focus on the domestic worship of Kr̥ṣṇa icons (
svarūps).
Theological Basis The theological justification for rejecting asceticism is detailed in Vallabhacharya’s treatise
Saṃnyāsanirṇaya ("A Decision on Renunciation"). The text describes an episode involving a disciple named Narhar Sannyasi, who attempted to follow a path of renunciation through extreme austerities. Vallabhacharya corrected him, teaching that in the current degenerate age (
Kali Yuga), traditional forms of renunciation can lead to pride and egotism rather than genuine devotion. Modern hereditary leaders of the sect continue to reinforce this stance; the female leader Goswami Indirabetiji (d. 2016) stated that while marriage itself is not strictly required by scripture, "what is required is that the Vaishnava does not renounce the world." However, scholars such as John Stratton Hawley have noted that Vallabhacharya himself was much more ambivalent about the value of householdership than his later followers. In his writings, Vallabhacharya had openly acknowledged the difficulties that a householder’s life places onto the path of pure devotion. Moreover, near the end of his life, Vallabhacharya himself had renounced the householder's life and its material attachments. Hawley suggests that the sharp anti-renunciation stance was amplified by the tradition only after Vallabhacharya’s death, likely to ensure the continuance of a lineage of male heirs (the
Vallabha Kula) who could lead the denomination and secure its wealth.
Pilgrimage Baithak, literally "seat", is a site where a prominent Puṣṭimārga figure had taken a seat. These sites are spread across India but they are chiefly concentrated in Braj region in Uttar Pradesh and in western state of Gujarat. There are many
Baithaks that are considered sacred; 84 connected to Vallabha, 28 to Viṭṭhalanātha, 4 to Giridhara, 13 to Gokulanātha, 1 each to Raghunātha and Ghanaśyāma, 7 to Harirāya, 2 to Dāmodaradāsa Harasānī, and 2 to Śrī Nāthajī. There also exist 10
caraṇa caukīs or pedestals on which Śrī Nāthajī was placed when being taken from Govardhana to Nathdwara. Members of the Puṣṭimārga participate in the largest circumambulation of the
Braj region called the
baṛī yātrā. The pilgrimage lasts between six to seven weeks with several thousand participants and is led by a Maharaj. The pilgrimage starts in
Mathura, and then travels to
Jatipura (Govardhan),
Kaman,
Vrindavan,
Barsana,
Gokul, and other towns. The pilgrims are accompanied by pilgrimage priests called
Chaubes.
Festivals In the Puṣṭimārga, several festivals are celebrated including
Holī,
Kr̥ṣṇa Janmāṣṭamī,
Nāgapañcamī, and
Annakūṭa. On festival days, the
sevā is designed to match the
bhāva of the holiday.
Music Music plays a key role in
sevā in the form of
kīrtans. The
aṣṭachāp, or group of eight poets who composed
Braj Bhasha devotional poetry (
kīrtans) are revered in the sect. According to sectarian sources, the eight poets were
Kumbhanadāsa,
Sūradāsa, Nandadāsa, Paramānandadāsa, Kr̥ṣṇadāsa, Caturbhujadāsa, Govindasvāmī, and Chītasvāmī. The most famous of the eight is Sūradāsa, whose relationship with the Puṣṭimārga is most tenuous, and some of the other members also had historically unclear relations to the sect. In modern times, the musical liturgy contains nearly ten thousand
padas by thirty to forty poets including the
aṣṭachāp. The
kīrtans are categorized into five major groups:
Nitya (daily),
Utsav (festival),
Baddhāī (good wishes [used for birthdays]),
Malhār (rainy season), and
Dhamār (spring). In Gujarat,
lay devotees sing songs in the
dhoḷ tradition. The
dhoḷ originated as form of non-sectarian Gujarati folk song that later became identified with Vaishnavism as well as the Vallabhite sect in particular. In modern times, Mallison observed that only among the Vallabhans is the
dhoḷ likely to survive. They are sung only by lay Gujarati devotees, particularly women, and are not part of the formal temple Braj liturgy. The authors of
dhoḷs are generally not well known in literary circles except for
Dayārām.
Society Geographical Distribution The Puṣṭimārga has the general reputation of having most of its followers in Gujarat, Rajasthan, and Mumbai. However, the sect also has a large presence in Delhi, Madhya Pradesh, and Uttar Pradesh. Prior to the
Partition of India, there were also followers in Sindh and (West) Punjab who have since migrated to Delhi, Gujarat, and Maharashtra. The region of
Braj is theologically the most important region and the homeland of the sect. There also exist outposts of the sect in eastern India, namely
Varanasi and Champaranya. There is no presence of the sect in South India.
Caste Demography The followers in Gujarat usually belong to the
Bhatia,
Lohana,
Bania,
Marwari,
Kanbi/Patidar Patel (elite sections), and higher artisan castes (e.g.
Soni,
Kansara,
Kayasth), almost all of whom reside in urban areas. There are only a small number of Gujarati Brahmins, mainly Shastris, who study and expound upon sectarian texts and perform specialized rituals. In sectarian temples, the Mukhiyas (chief priests), cooks, and water-carriers are all Brahmins from a handful of subcastes (
Audichya,
Girnara, and
Sachora). According to Shah these Brahmins are initiated into the sect. However, it has been observed that many hired Brahmin
sevaks in havelis are only nominally followers of the Puṣṭimārga and actually follow other local traditions. That said, the sect's hereditary religious leaders (Goswamis) and their families are Brahmins. ==Notes==