Desiring to study sculpture, he moved to
New York City on July 5, 1936, and found lodging at a
YMCA on 135th Street in
Harlem, then "the culture capital of black America". on the first racially integrated psychiatric clinic called Lafargue Clinic in Harlem, along with other photography projects over the years. Ellison's essay "The Pictorial Problem" was meant to be a manifesto of how images could psychologically impact the viewer. While working with Gordon Parks, Ellison was an inspiration to Gordon on creating impactful photographs. Ellison's essay would later become a guiding principle for Parks's photography. Wright was then openly associated with the
Communist Party, and Ellison was publishing and editing for communist publications, although his "affiliation was quieter", according to historian Carol Polsgrove in
Divided Minds. Both Wright and Ellison lost their faith in the Communist Party during World War II, when they felt the party had betrayed African Americans and replaced
Marxist class politics with social reformism. In a letter to Wright, dated August 18, 1945, Ellison poured out his anger with party leaders: "If they want to play ball with the
bourgeoisie they needn't think they can get away with it. ... Maybe we can't smash the atom, but we can, with a few well chosen, well written words, smash all that crummy filth to hell." In the wake of this disillusion, Ellison began writing
Invisible Man, a novel that was, in part, his response to the party's betrayal. While he wrote
Invisible Man, she helped support Ellison financially by working for American Medical Center for Burma Frontiers (the charity supporting
Gordon S. Seagrave's medical missionary work From 1947 to 1951, he earned some money writing book reviews but spent most of his time working on
Invisible Man. Fanny also helped type Ellison's longhand text Published in 1952,
Invisible Man explores the theme of a person's search for their identity and place in society, as seen from the perspective of the first-person narrator, an unnamed African-American man, first in the Deep South and then in the New York City of the 1930s. In contrast to his contemporaries such as Richard Wright and
James Baldwin, Ellison created characters that are dispassionate, educated, articulate, and self-aware. Through the protagonist, Ellison explores the contrasts between the Northern and Southern varieties of racism and their alienating effect. The narrator is "invisible" in a figurative sense, in that "people refuse to see" him, and also experiences a kind of dissociation. The novel also contains taboo issues such as
incest and the controversial subject of
communism. == Later years ==