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Red Barked Tree

Red Barked Tree is the twelfth studio album by the English post-punk band Wire, digitally released on 20 December 2010, and as a CD on 10 January 2011 on the Pinkflag label. Featuring eleven tracks covering a diverse range of musical styles, the record was well received by critics, who found the record representing "the essence of their best work", covering "virtually all aspects of Wire's varied history" to create "a stylistic best-of composed of new material".

Writing and recording
The departure of founding member Bruce Gilbert in 2006 left Wire as a trio composed of Colin Newman (vocals, guitar, various), Graham Lewis (bass, vocals, various) and Robert Grey (drums). Having released Object 47 in 2008, the band had originally intended to record Red Barked Tree in December 2009 at Githead and Wire soundman Frankie Lievaart's studio in Rotterdam, but Lievaart proved unable to trace having left the country with Gogol Bordello. The only alternative would have been Newman's Swim studio, but as Newman explained to emusic.com, this would not have been suitable: "I can produce fairly decent-sounding mixes here [at Swim], but for physical recording, if you're going to record drums in a nice room, first of all you've got to have a nice room and someone who knows how to record drums. If you're going to record a whole band, you've got to have the right place to do it." With their preferred option not being available the band decided to book four days in a commercial studio in London, Resident Studios, which put the recording date back to February 2010. By October, the mixing of the album was completed. ==Release==
Release
The album was released digitally on 20 December 2010, and in CD format on 10 January 2011, on the band's Pinkflag label. In 2020, the four tracks were included on the 10:20 album. While it had taken the band three months to come up with a title for their previous album, Object 47, they almost immediately agreed on naming the current record Red Barked Tree. According to Lewis, the cover artwork by Jon Wozencroft – based on a photograph showing a detail of an untitled work by Arte Povera artist Jannis Kounellis – reflects the idea of alchemy as a quest for knowledge. ==Style==
Style
A press release announcing the album stated that it "rekindles a lyricism sometimes absent from Wire's previous work and reconnects with the live energy of performance, harnessed and channeled from extensive touring over the past few years." Featuring songs that "range from the hymnal 'Adapt' to the barking sledgehammer art-punk of 'Two Minutes', the album encompasses the full palette of style and nuance that has always endeared Wire to pastel-tinged pop aficionados and bleeding-edge avant-rockers alike." As described by Pitchfork, the album's lyrics address "the emotional and environmental costs of modernity run amok". ==Reception==
Reception
The album has been well received by critics. The BBC review by Garry Mulholland described the record as "40 minutes of gorgeous nothings, full of intricate curlicues of sparkling Colin Newman guitar and synth given beef by the surging rhythms of Robert Grey aka Gotobed and Graham Lewis [...] if you love alternative guitar music, you will love this, because Wire play alternative guitar music better than any young British band you can name." PopMatters rated Red Barked Tree 8 out of 10, stating, "Selecting a standout track is no easy feat when there's so much to sink one's teeth into. [...] Over 11 tracks of fantastically unapproachable guitars and vocals, of deceivingly simple rhythms and unswerving purpose, Wire sound perfectly comfortable in their own skin and sense of history on Red Barked Tree." The Quietus described the record as "a Wire album, through and through [...] Red Barked Tree reclaims the essence of their best work – the irreverence, the serene self-assuredness and the melody, but it's their lesser recognized attribute – a gamely grace – that eclipses all else here [...] as products of the post-punk generation their songs are full of contradictions: simultaneously friendly and unfamiliar; arithmetical but rolling; and rabble-rousing but vaguely neutral. The overall outcome is a sound much like a summer cold – woebegone and chilled but caressed with ripples of tingly heat, valanced by Newman's nacreous rhythm guitar that twirls through the wet, refined production beautifying everything it touches." The Pitchfork review by Stuart Berman noted the presence of acoustic guitars in three tracks and the record's "impulsive stylistic shifts – from mechanized thrash to psychedelic folk to nervy power-pop – mirror[ing] the 'age of fragmentation' that Colin Newman is railing against. [...] Wire have successfully reinvented themselves, this time as wise elder statesmen cautioning against a world where over-reliance on GPS systems has replaced the basic survivalist skill of knowing your map references." The New Zealand Herald gave the record four stars out of five, stating that "aside from disconcerting lyrics throughout which are droll and sometimes sharply witty – there are blasts of their more recent musical menace here too: 'Two Minutes' is a mad but disciplined guitar thrash; 'Moreover' and 'Smash' are crafted Erasehead-grind metallic pop; the brooding 'Down to This' rides on electrostatic and repeated guitar and keyboard phrases. Smart, sharp, approachable and economic, Wire again give art-rock a very good name." The Kansas City Star commented, "virtually all aspects of Wire's varied history are covered, creating a stylistic best-of composed of new material. It may be the band's best work since 1979's 154. [...] If influence were sufficient currency to buy one's way into the Rock and Roll Hall of Fame, Wire would be a contender. You can count bands as diverse as R.E.M., Guided By Voices, the Manic Street Preachers, Minor Threat and the Cure as among those who confess a fondness for Wire that extends to inspiration. Red Barked Tree demonstrates that Wire can be a sustained influence; it's a most worthy addition to the band's estimable catalog." The Independent gave the album a 4-star rating, stating that "on this showing, the feral rage of [Wire's] punk youth has matured into a pleasingly poised disaffection, with no loss of acuity," The review by Tim Klingbiel on Australian music website FasterLouder noted that from "seething political references to prophetic statements about the environment. Red Barked Tree deals with a range of subjects in a magnificently compelling and thought provoking way", adding that the record "serves as an indication that Wire have returned to form in a massive way, and remain just as relevant today as they were 35 years ago". By contrast, longtime music critic Robert Christgau remarked in a two-star review, "Even formalists get the grays, well – especially formalists." Classic Rock reviewer John Doran awarded the album 8 points out of 10 and defined it as "yet another post-80s success of Wire." ==Track listing==
Track listing
;Bonus EP Strays Strays was recorded in November 2010 at Resident Studios in London and performed by Wire, augmented by guitarists Matthew Simms and Margaret Fiedler McGinnis. ==Personnel==
Personnel
Adapted from the album liner notes. ;Wire • Colin Newman – vocals, guitar, various, mixingGraham Lewis – bass, vocals, various • Robert Grey – drums ;Production • Sean Douglas – engineer (at Resident Studios) • Andy Ramsayengineer (at Press Play Studios) • Denis Blackham – masteringJon Wozencroftart direction, photography • Jannis Kounellis – cover image (Untitled, 2010) ==Charts==
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