A co-founder of
Ealing Studios and a key figure there for some 30 years, 'Major' Reginald Baker became one of Britain's best-known producers. Following his WWI service, he worked in accountancy negotiating the purchase of
Gainsborough Pictures'
Islington site from
Famous Players–Lasky on behalf of
Michael Balcon. The studio was small but well equipped with the latest American cameras and lighting equipment and fully staffed. The staff included an ambitious young man,
Alfred Hitchcock. Before moving into film production, Baker was a partner in the firm of
Berger,
Baker and
co, Chartered Accounts and Business Consultants at
Southampton Row, London, the firm had connections in the film industry. When theatre producer
Basil Dean and actor
Gerald du Maurier founded Associated Talking Pictures (
ATP) in 1929, Baker was first to join the management team, quickly followed by textiles heir
Stephen Courtauld. Construction costs on the company's new studios at Ealing having doubled by late 1931, he and Courtauld arranged additional finance, ensuring production continued. All together about 60 pictures were made there over the seven years from 1931 to 1938 such as
Perfect Understanding starring
Gloria Swanson and
Laurence Olivier, other coming stars started their careers there like
Madeline Carroll,
Margaret Lockwood or director
Carol Reed In 1938, with ATP struggling, he invited his former Gainsborough employer Michael Balcon (at that time, head of
MGM-British) to take over the studio from Dean; Balcon subsequently hailed their 20-year partnership as the most successful of his career. An early collaboration was
The Ware Case, which helped move Ealing beyond the
Gracie Fields and
George Formby vehicles that the studio had previously produced. Ealing had its roster of personnel, directors, writers, and technicians on permanent salary. Their pool of actors and recurring preoccupations made a very recognizable style of film making. Baker was, like Balcon, a vocal critic of what he saw as the monopolisation of British film exhibition by the
Rank Organisation, and in 1944 he negotiated a more favourable co-production and distribution deal for Ealing. Backed by Rank's ample resources, Ealing entered into its finest period with the national epic
Scott of the Antarctic, classic adaptation
Nicholas Nickleby, romantic costume drama
Saraband for Dead Lovers, the supernatural with
Dead of Night. Most often remembered for its comedies such as
Hue and Cry,
Passport to Pimlico,
The Lavender Hill Mob,
Kind Hearts and Coronets starring
Dennis Price,
The Man in the White Suit and the black comedy
The Ladykillers. However, following the withdrawal of Courtauld's financing in 1952 having relocated to
Rhodesia the previous year due to failing health, he and Balcon were reluctantly forced to end this arrangement, selling the Ealing lot to the
BBC in 1955 and relocated to
MGM-British in Boreham Wood. The last Ealing film appeared in 1959. ==Later life==