Rolle probably began writing in the early 1330s, and continued until his death – but there is no certain chronology of his various works. He wrote in both Latin and English, with his English works apparently all dating from after c. 1340. The precise dating of Rolle's works is a matter of much modern dispute. The dates set out by
Hope Emily Allen in 1927 have been widely used by later writers, but in 1991 Nicholas Watson set out a rather different vision of the chronology of Rolle's writing. In one of his best-known works,
Incendium Amoris (
The Fire of Love), Rolle provides an account of his mystical experiences, which he describes as being of three kinds: a physical warmth in his body, a sense of wonderful sweetness, and a heavenly music that accompanied him as he chanted the
Psalms. The book was widely read in the Middle Ages, and described the four
purgative stages that one had to go through to become closer to God: described as open door, heat, song, and sweetness. This was part of an important movement in medieval Christianity, in which the feeling of God's presence became central to devotional practice; Rolle is a key figure in the development of
affective mysticism. Similarly, as Andrew Kraebel has demonstrated, Rolle claims that his extensive commentary on scripture (in both Latin and the vernacular) is divinely inspired, giving his works an authority beyond that of the purely interpretive and academic (even as he drew on a wide range of Biblical scholarship). His last work was probably the English
The Form of Living, written in autumn 1348 at the earliest. It is addressed to Margaret Kirkby, who entered her enclosure as a recluse on 12 December 1348, and is a
vernacular guide for her life as an anchorite. His works are often classified into commentaries, treatises and epistles. As such, the commentaries are: •
Commentary on the Readings in the Office of the Dead taken from Job. This commentary on nine readings from the
Book of Job which form part of the readings for the office of the dead was used extensively by York clergy in the fifteenth century. Surviving in forty-two manuscripts, it was the first of Rolle's works to be printed, in Oxford in 1483. •
Commentary on the Canticles, a commentary on the first two and a half verses of the
Song of Songs. It survives in thirty manuscripts. •
Treatise on Psalm 20, in Latin •
Super Threnos, a commentary on the
Lamentations of Jeremiah •
Commentary on the Apocalypse, on the first six chapters of the
Book of Revelation • Other commentaries on the
Lord's Prayer, the
Magnificat and the
Apostles' Creed • An English explication of the
Ten Commandments •
Super Mulierem Fortem, a comment on Proverbs 31:10 Other works include: • Two English
Meditations on the Passion •
Judica me Deus, probably his first work, written around 1330. This survives in four versions, and is an
apologia for his hermit lifestyle, making use of the pastoral manual of a fellow Yorkshireman,
William of Pagula. •
Contra Amatores Mundi (
Against the Lovers of the World), which survives in 42 manuscripts. •
Incendium Amoris (
The Fire of Love), written before 1343 (the date of Rolle's marginal note), which survives in 44 manuscripts (15 from the Continent) and one Middle English translation. •
Melos Amoris (or
Melum Contemplativorum) (
The Melody of Love), which survives in 10 manuscripts. •
Emendatio Vitae (
Emending of Life). This was the most popular work of Rolle, with 110 manuscripts (17 from the Continent), and seven independent Middle English translations. •
Ego Dormio, a Middle English
prosimetrum, one of two letters written for nuns. (the title comes from the incipit of the work, and is from
Song of Songs 5.2) •
The Commandment, one of two letters written for nuns. Works once thought to be Rolle's: • While the most popular poem in Middle English,
The Pricke of Conscience, was once attributed to him, it is now known to have been written by an anonymous
Yorkshire author in the 14th century. • It is now thought that
De Dei Misericordia, a comment on Psalm 88:2, was written by John Waldeby in the later fourteenth century. ==Later reputation and veneration==