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Rogers Covey-Crump

Rogers Henry Lewis Covey-Crump is an English tenor noted for his performances in both early music and contemporary classical music. He has sometimes been identified as an haute-contre tenor. He has performed for over 50 years in choirs and ensembles such as the Hilliard Ensemble, and as a soloist. He has been especially in demand for the part of the Evangelist in Bach's St Matthew Passion and St John Passion. He also specialises in vocal tuning, and has written articles on the subject.

Background
Covey-Crump's paternal grandfather was Canon Walter William Covey-Crump. His uncle was Commander A. T. L. Covey-Crump. His father Lewis Charles Leslie Covey-Crump was a musician, and his mother Joyce () was a violinist. He was born in St Albans, Hertfordshire, in 1944. Covey-Crump's unusual name has sometimes been misremembered; for example as "Corey-Grunt" or Covery-Crumb". Education and training Covey-Crump was a boy chorister in the chapel choir of New College, Oxford. He graduated from London University as a Bachelor of Music, gaining prizes and diplomas in organ-playing. Vocal quality Covey-Crump has the natural range of a tenor but has had to develop a high-lying tessitura to accommodate the requirements of certain early music pieces. However the Phoenix Choir, Eastbourne, says: Wells Cathedral Oratorio Society says, "[Covey-Crump's] example has led to a revival in singing certain music by tenors". George Pratt writes, "[Covey-Crump] has made a major contribution in reinstating the high tenor voice in music often thought accessible only to falsettists, notably in the recordings for Hyperion of the complete odes and church music of Purcell". ==Career==
Career
Overview of choral and ensemble performance In the 1970s Covey-Crump sang Anglican church music as a tenor lay clerk in St Albans Cathedral Choir, while becoming increasingly well-known for his concert work. the Taverner Consort, Deller Consort, Landini Consort, Medieval Ensemble of London, Consort of Musicke and Baccholian Singers, Following the closure of the Hilliard Ensemble, John Potter, Christopher O'Gorman and Covey-Crump started the Conductus Project, an academic project which included performance of the conductus, and workshops on performance. The project toured Brighton, England, Radovljica, Slovenia, Brussels, Belgium, Durham and Beverley, England, and Bratislava, Slovakia. He has also taken part in ensembles as a continuo player, and has given master classes for choral scholars at Merton College, Oxford. Hilliard Ensemble Covey-Crump had a long association with the Hilliard Ensemble, although he was not a founder member. With the Hilliard Ensemble he sang "ancient and modern, secular and religious" music besides early music and new compositions, although the ensemble's vocal range precluded performance of many of the Classical and Romantic works. The ensemble did not prioritise the sartorial aspect of its image; the performers have been "described as looking like four used-car salesmen, or even four funeral directors on one occasion". Covey-Crump took part in the ensemble's "annual schedule of up to one hundred concerts", its Festival in Cambridge, and its Summer School which moved to Germany in 2000. Thereafter, he was recording with the Hilliard Ensemble for the German recording ECM instead of Hyperion, Harmonia Mundi and EMI. He was involved in the ensemble's collaborations with Jan Garbarek (Officium, 1994) which spawned many live performances over 20 years. He also collaborated with Arvo Pärt, and took part in the group's Hilliard Live recordings of concerts. He has performed the works of Bach at the Symphony Hall, Birmingham, King's College, Cambridge, and Eton College, the Christmas Oratorio with the Amsterdam Bach Soloists in the Netherlands, and the St John Passion at the Three Choirs Festival at Hereford Cathedral, besides the cantatas alongside the Orchestra of the Age of Enlightenment, with whom he also performed in Haydn's The Creation. He took part in St Albans International Organ Festival in 1975, and again in 1977 when he assumed 17th-century costume and performed in a cabaret entitled Pepys Night. On 3 March 1979, Covey-Crump was soloist with the Tilford Bach Choir and Orchestra in a performance of Bach's St John Passion at the Queen Elizabeth Hall. On 23 March 1996 he was soloist in Bach's St Matthew Passion with the Derby Bach Choir and the Baroque orchestra Musica Donum Dei at Derby Cathedral. At Christmas 2009 he was a soloist in Bach's Christmas Oratorio at St Alban's Abbey. In 2018 he was soloist at Terence Charlston's organ recital at St Mary-le-Bow. Covey-Crump has performed solo at premieres of some contemporary works, and has recorded compositions by Geoffrey Burgon. ==Reviews==
Reviews
• Bach St Matthew Passion (Vanguard 99068/70 DDD). "The role of the Evangelist, crucial to Bach’s Passions on a number of levels, is sensitively realised, lightly and with clarity of diction by Rogers Covey-Crump." Nicholas Anderson 20 January 2012, Classical Music. • "Covey-Crump is known as one of the leading Evangelists in the Passions". Wells Cathedral Oratorio Society, 2014. "Three tenors – John Potter, Christopher O’Gorman and Rogers Covey-Crump – deliver these explorations with unerring skill and conviction". Andrew Pinnock, Southampton University, 2016. "Covey-Crump in Stephani sollempnia [track 12] has no need to anchor events as the almost giddy paean of joy rolls out. It's given just enough air to work a kind of magic which – strangely – succeeds by retaining some of the mystery of St Stephen's Day". Mark Sealey, Music Web International. • Monteverdi's Vespro della Beata Vergine at Keble College Chapel. "Rogers Covey-Crump was somewhat tremulous and insecure as the third vocal part of [the Sanctus], as also in the cleverly echoed words of Audi, coelum, for which he was stationed behind the audience, back at the entrance to the Chapel." Curtis Rogers, 26 February 2019. • "[Covey-Crump has been] "renowned as Evangelist in the great Bach Passion settings for nearly half a century". The Villages Music Festival, 2022. ==Other interests==
Other interests
Vocal tuning Covey-Crump's interest in tuning stems from his early days as an organist. George Pratt writes in ''Grove's Dictionary'': "[Covey-Crump's] keen interest in vocal tuning and historical temperaments, refreshingly audible in his performances, has generated several writings from him on the subject". In connection with vocal tuning, Covey-Crump has run choral workshops for amateurs and professionals, and has given lectures. ==Publications==
Publications
• and . • and . • Hilliard Live recording; sleeve notes. ==Discography==
Discography
Choir and ensemble recordings Covey-Crump has recorded worldwide. Recordings as a soloist • Bach, St John Passion, BWV 245, singing St John the Evangelist and some arias with Andrew Parrott (EMI). • Bach, Mass in B minor, BWV 232, with Andrew Parrott (EMI). • Bach, St Matthew Passion, BWV 244, singing John the Evangelist with Roy Goodman and the Choir of King's College, Cambridge, 1995, (Vanguard). • Bach reconstruction of St Mark Passion, BWV 247, by Simon Heighes, with Roy Goodman and the European Union Baroque Orchestra. This album was broadcast on BBC Radio 3 on 24 December 2005 at midday as part of its Bach Christmas event. • Bach, with Simon Preston and Christopher Hogwood (Decca). plus three other recordings of 18th-century song with Café Mozart (Hyperion). • Shakespeare settings, with the Folger Consort of Washington, D.C. ==Notes==
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