Box office The film
premiered on November 1, 1996, in the United States and Canada, in 1,276 theaters, and grossed $11.1 million its opening weekend, ranking
number one at the US box office. It went on to gross $46.3 million in the United States and Canada. In Australia, the film opened on
Boxing Day and was
number one at the Australian box office with a gross of A$3.3 million (US$2.6 million) for the week. It remained number one for a second week and returned to the top in its fourth week. It was the ninth highest-grossing film in Australia for 1997 with a calendar year gross of A$12.9 million. Overall, it has grossed US$12.6 million in Australia and US$147,554,998 worldwide.
Metacritic gives the film a weighted average score of 60 out of 100 based on 20 critics, indicating "mixed or average reviews". Audiences polled by
CinemaScore gave the film an average grade of "A−" on an A+ to F scale.
James Berardinelli gave the film three out of four stars and wrote, "Ultimately, no matter how many innovative and unconventional flourishes it applies, the success of any adaptation of a Shakespeare play is determined by two factors: the competence of the director and the ability of the main cast members. Luhrmann, Danes, and DiCaprio place this
Romeo and Juliet in capable hands." Conversely,
Roger Ebert gave the film a mixed review of only two stars out of four, saying, "I've seen
King Lear as
a samurai drama and
Macbeth as
a Mafia story, and two different
Romeo and Juliets about ethnic difficulties in Manhattan (
West Side Story and
China Girl), but I have never seen anything remotely approaching the mess that the new punk version of
Romeo & Juliet makes of Shakespeare's tragedy." Some reviewers significantly revised their opinions of the film as time passed. For example,
Stephanie Zacharek went from describing it as "destined for the trash heap of Shakespeare adaptations" in her original review in Salon, to writing "I Panned Romeo + Juliet in 1996. Now I Think It’s One of the Best Shakespeare Adaptations" when revisiting the movie in her 25-year retrospective review for
Time magazine.
Accolades Romeo + Juliet competed for the
Golden Bear at the
47th Berlin International Film Festival, winning the
Alfred Bauer Prize for Luhrmann and the
Silver Bear for Best Actor for DiCaprio. It received seven nominations at the
51st British Academy Film Awards and won in four categories, including
Best Direction and
Best Adapted Screenplay. The film received a single nomination for
Best Art Direction at the
69th Academy Awards. Other notable ceremonies where it received much recognition included audience oriented award shows, such as the
Blockbuster Entertainment Awards, and the
MTV Movie Awards.
American Film Institute recognition •
AFI's 100 Years ... 100 Passions – Nominated
Home media The film was originally released on DVD on March 19, 2002, by 20th Century Fox Home Entertainment. A 10th anniversary special edition DVD containing extra features and commentary was released on February 6, 2007, and a Blu-ray edition was released on October 19, 2010.
Retrospective reviews Despite its initially mixed reception,
Romeo + Juliet has since become a
cult classic. The film maintains a popular reputation among English teachers, as a means through which to introduce secondary school students to the play. Although not to every critic's taste, the film is now recognised as one of the most influential Shakespeare film adaptations ever made. Retrospective reviews are generally positive. While discussing Luhrmann's adaptation there are comments that include "... the most consistent source of delight in Luhrmann’s movie: the way he sticks so close to Shakespeare yet manages to update the Bard’s play so
thoroughly" and lamenting the lack of Oscar success ("though it was sadly overlooked at the Academy Awards" The film's timelessness is another theme of these retrospective reviews, as is praise for the mix of modern images with traditional languages which challenged some early reviewers, leading to comments including "he proved you don’t need to change the language to make Shakespeare accessible". Miriam Margolyes, who played the nurse in the film, wrote about her experiences on the film in her 2021
memoir This Much Is True. On her co-star
Leonardo DiCaprio, she wrote: Leonardo has grown into an extremely fine actor but back then he was just a handsome boy who didn't always wash; he was quite smelly in that very male way some young men are. Sometimes he wore a dress. "Leonardo, I think you're gay," I said. He laughed and said, "No Miriam. I'm really not gay." But I was wrong. We filmed in
Mexico City, paradise for someone like me who loves fossicking around flea markets and antiques shops, and, like me, Leonardo was into bling in a big way, too. We'd spend hours going through the markets together. I don't know that I've ever had such fun." She further commented on the chemistry between the film's two leads: I liked [DiCaprio] tremendously and admired his work, but luckily I was immune from his groin charms, unlike poor
Claire Danes, then only 17. It was obvious to all of us that she really was in love with her Romeo, but Leonardo wasn't in love with her. She wasn't his type at all. He didn't know how to cope with her evident infatuation. He wasn't sensitive to her feelings, was dismissive of her and could be quite nasty in his keenness to get away, while Claire was utterly sincere and so open. It was painful to watch. Many years later, I was in a restaurant and she came up to me and said: "We worked together on a film once, I don't know if you remember me? My name is Claire Danes." It was the opposite of the arrogant behaviour of some stars and so typical of her. ==Soundtrack==