, presented by
Pittsburgh Filmmakers.
Room 237 opened to general acclaim from critics. On the
review aggregator website
Rotten Tomatoes, the film holds an approval rating of 94% based on 133 reviews, with an average rating of 7.5/10. The website's critics consensus reads, "Mysterious and provocative,
Room 237 is a fascinating journey into the world of obsessive cinephilles."
Metacritic, which uses a
weighted average, assigned the film a score of 80 out of 100, based on 30 critic reviews, indicating "generally favorable" reviews.
Manohla Dargis of
The New York Times praised the film as "an ode to movie love at its most deliriously unfettered" and wrote "The doc positions
The Shining as a comparably coiled, thematically overflowing microcosm—standing in for cinema, for history, for obsession, for postmodern theory buckling under the film's heft."
Owen Gleiberman of
Entertainment Weekly gave the film an "A", writing: "
Room 237 makes perfect sense of
The Shining because, even more than
The Shining itself, it places you right inside the logic of how an insane person thinks." Another positive review came from
Peter Travers of
Rolling Stone, who rated the film 3.5 stars out of 4 and called the "unique and unforgettable film" a "tribute to movie love". Mary Pols of
Time commented that the film was "as fresh, crisp and strangely exciting as a new dollar bill." She commented on the theories of the film: "Maybe they're all right. Or wrong. It can't be settled. What matters is that people are still crazy about the beauty of a beautiful movie about going crazy." Jim Emerson, writing for
RogerEbert.com, offered a mixed 2.5 stars out of a possible 4. He wrote that the documentary "isn't film criticism, it isn't coherent analysis, but listening to fanatics go on and on about their fixations can be kind of fun. For a while, at least." In a March 27, 2013 article in
The New York Times,
Leon Vitali, who served as personal assistant to Kubrick on the film, stated, "There are ideas espoused in the movie that I know to be total balderdash". For example, the documentary's theory concerning a poster of a skier is in fact referencing a minotaur, while the film's usage of a German typewriter, interpreted to be symbolic of the
Holocaust, was chosen by Kubrick for pragmatic reasons. He concluded that "[Kubrick] didn't tell an audience what to think or how to think and if everyone came out thinking something differently that was fine with him. That said, I'm certain that he wouldn't have wanted to listen to about 70, or maybe 80 percent [of
Room 237]... Because it's pure gibberish." In an October 2014 interview with
Rolling Stone, Stephen King (who has been vocal in his dislike for Kubrick's adaptation of his novel) said that he had seen the film and that he "watched about half of it and got impatient with it and turned it off". According to King, he "never had much patience for academic bullshit"; several of the interpretations of
The Shining come from academics and professors. King felt the film makers and theorists were "reaching for things that weren't there". ==References==