The Prince of Wales, who later became King George IV, first visited Brighton in 1783, at the age of 21. The seaside town had become fashionable as a result of the residence of George's uncle,
Prince Henry, Duke of Cumberland, whose tastes for fine cuisine, gambling, the theatre, and general fast living the young prince shared, and with whom he lodged in Brighton at Grove House. In addition, the Prince of Wales was advised by his physician that the seawater and fresh air would be beneficial for his
gout. In 1786, under a financial cloud with investigations by Parliament for the extravagances incurred in building
Carlton House, London, the prince rented a modest, erstwhile farmhouse facing the
Old Steine, a grassy area of Brighton used as a promenade by visitors. Remote from the royal court in London, the pavilion was a discreet location for the prince to enjoy private liaisons with his long-time companion,
Maria Fitzherbert. The prince had wished to marry her, and did so in secrecy as her
Roman Catholic religion prohibited his marrying her under the
Royal Marriages Act 1772. 's
Views of the Royal Pavilion (1826) In 1787, the prince commissioned the designer of Carlton House,
Henry Holland, to enlarge the existing building. It became one wing of the
Marine Pavilion, flanking a central rotunda, which contained three main rooms: a breakfast room, dining room, and library, fitted out in Holland's French-influenced
neoclassical style, with decorative paintings by
Biagio Rebecca. In 1801–02, the pavilion was enlarged with a new dining room and conservatory, to designs of
Peter Frederick Robinson, who worked in Holland's office. The Prince also purchased land surrounding the property, on which a grand riding school and stables were built in an Indian style in 1803–08, to designs by
William Porden, along with a famous onion garden to feed the Prince's well-known addiction. These provided stabling for 60 horses and dwarfed the Marine Pavilion. Between 1815 and 1822, the designer
John Nash redesigned and greatly extended the pavilion, and it is his work that is still visible today. Nash brought to Brighton structural innovations pioneered in his earlier work on the
Rotunda at
Carlton House, particularly in the construction of the Music and Banqueting Rooms' distinctive tented roofs. These employed laminated timber construction techniques developed by Nash and his assistant William Nixon for the Carlton House Rotunda in 1814—a pioneering system using specialised iron connectors that allowed the roofs to span large ceremonial spaces without central supporting columns. Nixon, who had designed the Rotunda's innovative divided tie-beam truss system, continued working with Nash at Brighton Pavilion until his death in 1826. The palace is striking in the middle of Brighton, for its unique
Indo-Islamic exterior. The fanciful interior design, primarily by
Frederick Crace and the little-known decorative painter Robert Jones, was heavily influenced by both Chinese and Indian fashion (with
Mughal and
Islamic architectural elements). The architectural design of the Royal Pavilion has drawn comparisons to the
Taj Mahal due to its prominent onion domes, minarets, and Indo-Saracenic influences. While the Taj Mahal is a Mughal mausoleum built in the 17th century, the Pavilion was designed in the early 19th century by John Nash as a seaside retreat for
King George IV. Despite their different historical and cultural contexts, the Pavilion's exterior bears a visual resemblance to the iconic Indian monument, reflecting the 19th-century British fascination with South Asian architecture. It is a prime example of the exoticism that was an alternative to more classicising mainstream taste in the
Regency style. ==Purchase by Brighton==