The
siddha Saraha (8th century CE) was the key figure of the
Vajrayana Buddhist
Sahajayana movement, which flourished in
Bengal and
Odisha. Sahajiya
mahasiddhas (great adepts or yogis) like Saraha,
Kanha, Savari,
Luipāda,
Kukkuripāda,
Kānhapāda and
Bhusukupāda were
tantric Buddhists who expounded their beliefs in songs and
dohas in the
Apabhraṃśa languages and
Bengali. Many of the songs in this tradition are preserved in the
Charyapada, a work of Buddhist tantric songs in the
Abahaṭṭha languages written between the 8th and 12th centuries
. The songs were often sung in tantric feasts called
ganachakras which included dance, music and improvised songs or poems called
caryagiti. Sahajiyas such as Saraha also believed that enlightenment could be achieved in this lifetime, by laypersons living in
samsara. The sahajiyas also practiced a form of
tantric sex which was supposed to bring the female and male elements together in balance. Saraha and his disciples were also master practitioners of
Mahamudra meditation, and Saraha composed a famous Mahamudra meditation text along with his 'Three Cycles of Doha', a series of yogic songs. Sahajayana Buddhism became very popular in the
Pala Empire, especially among commoners. One of the classic texts associated with the Sahajiya Buddhists is the
Hevajra Tantra. The tantra describes four kinds of Joy (ecstasy): From Joy there is some bliss, from Perfect Joy yet more. From the Joy of Cessation comes a passionless state. The Joy of Sahaja is finality. The first comes by desire for contact, the second by desire for bliss, the third from the passing of passion, and by this means the fourth [Sahaja] is realized. Perfect Joy is samsara [mystic union]. The Joy of Cessation is nirvana. Then there is a plain Joy between the two. Sahaja is free of them all. For there is neither desire nor absence of desire, nor a middle to be obtained.The siddha, Indrabhuti, wrote a commentary on Sahaja teachings called the
. == In the Nāth tradition ==