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Snug Harbor

Snug Harbor is an 83-acre (34 ha) campus containing more than two dozen architecturally significant buildings set along the Kill Van Kull on the North Shore of Staten Island in New York City, New York, US. It functioned as Sailors' Snug Harbor, a retirement home for sailors, during the 19th and 20th centuries. Since 1976, the buildings and grounds have been managed by Snug Harbor Cultural Center and Botanical Garden as a cultural center complex and used by various cultural and arts organizations. The entire complex is a National Historic Landmark, and several structures are New York City designated landmarks.

Use as sailors' home
Creation Randall will and challenges Snug Harbor was founded through a bequest after the 1801 death of Revolutionary War soldier and ship master Captain Robert Richard Randall. US Founding Father Alexander Hamilton and later US Vice President Daniel D. Tompkins are sometimes credited with having written Randall's will, though the extent of their involvement is disputed. His country manor in what is now Greenwich Village, Manhattan, was reserved as an institution "aged, decrepit and worn-out sailors", which he called "Sailors' Snug Harbor"; the phrase "snug harbor" referred to a comfortable retreat. The tract, which Randall had acquired in 1790, was assembled from the land grants of two 17th-century Dutch colonists. and sailors could not receive such benefits until well into the 20th century. Randall's will provided for the establishment of a board of trustees, which included the mayor of New York City, the president and vice president of the Marine Society, senior ministers of Trinity Church and First Presbyterian Church, the head of the New York Chamber of Commerce, and some later-abolished government positions. and external gifts were banned. the board of trustees was incorporated on February 6, 1806. In the meantime, the Manhattan property was leased as a farm. Several challenges to Randall's will were also initiated, delaying further progress. One challenge came from a Stephen Brown, who alleged that Randall had been derelict in his duty as the executor of Brown's grandfather's estate; the trustees did not acknowledge Brown's claim. Another was initiated in 1826 by Anglican Bishop John Inglis of Nova Scotia, a distant cousin of Randall's, who claimed he was an heir to Randall's estate. Inglis, one of his cousins, and Brown filed claims against Randall's Manhattan property. Inglis's lawsuit was eventually escalated to the Supreme Court of the United States, which ruled in favor of the trustees. New site and first building By the time the will challenges were settled, the once-rural land around the Manhattan site had been developed, and Snug Harbor's trustees decided to maximize profits by renting out the land. They changed the proposed site of the institution to a plot on Staten Island overlooking the Kill Van Kull, The initial site was purchased in May 1831. their assemblage gradually expanded to . Structures such as apartment buildings, department stores, the campus of New York University, and Washington Mews were developed on the sites. The institution then looked to develop the first of what was to become five Greek Revival buildings. The trustees began soliciting construction bids after buying the site Minard Lafever was involved with the original design but departed abruptly, leaving Samuel Thomson & Son to finish the work. Building C was completed in August 1833, initially housing 37 retired sailors. John Whetten was appointed as the institution's first governor that year. Snug Harbor may have been one of the US's first retirement homes, though it was patterned after older institutions abroad, such as the Greenwich Hospital, London. Operation }} Tenancy at Snug Harbor was granted only to US citizens, who had served at least ten years on a foreign vessel or five years in the United States Navy or on an American civilian vessel. Residents were generally accepted if they were at least 60 years old or disabled, and sailors with sufficient tenure were accepted regardless of their demographics or rank. The residents were described by 19th-century sources as "inmates", Residents were locally also known as "snugs" While staff addressed all residents as "captain" regardless of their real-world rank, in practice, there was an implicit hierarchy based on residents' real-world ranks and service. There were relatively few rules, other than that residents be well-behaved, keep their rooms tidy, and abide by a curfew. Outside of curfew hours, residents were welcome to come or go as they pleased, Initially, the only exception was Sunday, when they were required to attend church on-site, though even this was no longer compulsory by the 1890s. It had a dedicated fire department, power plant, and stores. Three meals were served daily in the complex's mess halls. along with other structures such as a greenhouse, piggery, and creamery. Residents grew food and crops such as tobacco and games such as cribbage, billiards, and pinochle. and it employed matrons, who did housework. 1830s to 1870s Starting with John Whetten, and with few exceptions, most of Snug Harbor's governors from 1831 to the 1960s were Marine Society members. Randall's corpse was disinterred from St. Mark's Church in-the-Bowery in 1834 and reinterred at Snug Harbor, The complex had 85 residents by 1839, This prompted the construction of wings on either side between 1840 and 1842. The same year, to address Whetten's concerns about misdeeds committed by Snug Harbor's more alcoholic residents, Whetten retired in 1844. A purpose-built chapel was constructed on the grounds in 1856; previously, residents had prayed in building C. became the third governor of Snug Harbor in 1867. Under Melville's tenure, the trustees began paying residents to help with chores. He also oversaw the construction of the final two buildings in Temple Row, which were finished in 1879–1880. Melville was a strict disciplinarian, frequently punishing residents who broke the rules by putting them on the "taboo list". Residents on the list were denied their tobacco ration and could not leave the premises. He commissioned Augustus Saint-Gaudens to design a statue of Randall, Trask also commissioned a church and a music hall, both designed by Robert W. Gibson. Snug Harbor's Music Hall was finished in July 1892, followed by the Randall Memorial Church the next year. During that decade, the trustees unsuccessfully attempted to obtain tax exemptions. Trask resigned in 1898 following accusations of misconduct, being replaced by Daniel Delehanty. Subsequently, Delehanty instituted several major reforms, including eliminating several rules, hiring additional staff, and expanding the hospital. Snug Harbor had about 1,000 residents at the beginning of the 20th century, many of whom had decades of service as sailors; they occupied rooms with one to five people each. The complex had grown to include numerous buildings, along with forests and the complex's farm. earning about $400,000 annually. It earned an annual surplus of $100,000 from renting out the Manhattan sites By then, many of the residents were nearing or above age 90, and an average of fifty residents died every year. Delehanty banned non-smoking residents from receiving tobacco in 1907, following reports that some residents were illicitly reselling tobacco, and a dispute regarding rental rates for the Manhattan property arose the same year. Delehanty resigned that December and was succeeded by A. J. Newbury. One magazine wrote in 1908 that the institution was no longer using rental income to help the sailors, instead using the funds for real estate investment. Since Randall's will had prohibited the land from being sold, the trustees sought to change the will. The New York Supreme Court ruled in 1912 that the trustees could sell the Manhattan land; disputes over the ruling continued until 1914, when the state's high court, the New York Court of Appeals, upheld the sale. New stained glass windows were installed at Randall Memorial Church in 1915. The trustees hired Louis Jallade that year to design a new recreation building, which opened in 1917 as the Great Hall. when George Ernest Beckwith was appointed in his place. The trustees loosened the bylaws during Beckwith's tenure. Snug Harbor continued to host events for its residents, many of whom were elderly. The complex had 30 buildings across . The institution's holdings were valued at $20 million enough to sustain it despite the Great Depression. The number of residents began to decline in the mid-20th century due to several factors. additionally, revenues from the Manhattan properties decreased, and resources were diverted after the outbreak of World War II. The New York City Board of Estimate ultimately accepted the land donation in 1943. The city government also considered taking over Snug Harbor, particularly the Randall Memorial Church, but the city's corporation counsel determined that Randall's will prohibited such a gift. The American entry into World War II prompted many residents to enter or re-enter the armed forces. Flynn served as the institution's governor until 1947, and he was succeeded by Henry R. Patterson. Mayor William O'Dwyer announced his intention to leave the board of trustees in 1949, receiving judicial approval. Also in 1949, the state attorney general sued the trustees after finding that residents were being charged fees; the suit was dropped when the fees were ended. Snug Harbor was in financial difficulty by 1950, with about 375 remaining residents. the first major change to the campus since World War I. The trustees announced plans in 1951 to demolish the Randall Memorial Church. Despite proposals to save the chapel, it was demolished in 1952. The complex's farm, the only one surviving on Staten Island's North Shore in the 1940s, was leased to developers who built apartments there. Patterson retired in 1952, and his successor, Charles Baldwin, promised not to make further changes or sell property. After Baldwin died in early 1955, Frank Hickok served as interim governor until William C. Twigg was appointed permanently in 1956. By that decade, Snug Harbor was struggling financially; rental income from the Manhattan sites was insufficient to finance even a renovation of the Staten Island buildings. Though the trustees initially disagreed on whether to transfer many management duties to a new director's position, they eventually employed a succession of directors. and art shows. The institution still operated with few rules, though they did start charging fees for items to raise money. and the next year he was replaced by Sidney Trew. By then, younger sailors were increasingly living with their families, and retirement benefits had reduced demand by so much that each remaining resident had their own room. including constructing an apartment building on some vacant land. the proposal did not proceed due to financial difficulties. which the leases in Manhattan could not cover. The complex admitted its first female resident in 1965, The trustees also contemplated allowing married couples to live at the complex, which previously had been restricted to men without spouses. The new structures would replace dormitory buildings A, B, D, and E, which had been cited for building-code violations. Snug Harbor's trustees generally opposed the four dormitories' designations, which the Board of Estimate ratified that December. In 1966, Snug Harbor's trustees asked the court for permission to charge fees and admit sailors' wives for the first time. New York Attorney General Louis J. Lefkowitz endorsed admitting women but initially opposed the planned rental fees; he later approved the fees. The institution began charging rent in May 1967, and residents unsuccessfully sued to stop it. The ruling effectively voided the designation, allowing redevelopment to resume, but the LPC sued to have the designation restored. The Cultural Arts Council made a competing proposal in December 1967, which called for the buildings to be converted into a cultural center. Separately, Lefkowitz sued the trustees on allegations of "mismanagement and waste"; the suit was dropped for a lack of evidence. but Snug Harbor trustees dropped their plans to demolish some buildings. Trew resigned the same year, and Leo Kraszeski took over, quickly being promoted to Snug Harbor's directorship. 1970s proposals and sales By the 1970s, the New York State Department of Health found that Snug Harbor's infirmary building did not meet modern building codes. The trustees were losing money operating the Staten Island campus—wished to move into one of the buildings. The trustees asked the Manhattan surrogate's court for permission to sell the existing site and relocate to Sea Level, North Carolina, which the trustees chose after considering several other sites in the American South. Lefkowitz opposed the move, accusing the trustees of neglecting the site, and many of the 170 remaining residents also lodged objections. The builder Sigmund Sommer offered to buy of the remaining land in February 1972, with plans to develop 21 buildings there. The city-owned site was designated as parkland the next month. The city finalized the purchase of its portion of the site that September, and the Manhattan surrogate's court approved the Snug Harbor trustees' relocation in November. Following objections to Sommer's plans, the city announced plans to acquire his land as well, and the Board of Estimate designated Sommer's site as parkland in August 1973. which paid for Sommer's land. or $9.7 million. The sailors' home remained open temporarily, despite multiple inspections that discovered violations of health codes, as the construction of the Sea Level facility had been delayed. Officials from the city government and the retirement home also argued over who should repair the buildings, some of which were unusable. The 1975 New York City fiscal crisis left the city government unable to finance even minor maintenance; it eventually managed to procure $82,000 for emergency repairs in mid-1976. By that decade, the complex regularly hosted parties and other events. having dwindled to about 100 or 200 people. The institution's expenses had increased to $9,000 annually per resident. they, too, left in September 1976. Kraszeski remained with the relocated institution until 1986. The original institution considered returning to building C in the late 1990s, shuttering its remaining retirement-home operations. This did not occur, The retirement home continued to operate until 2019, when it closed permanently due to damage from Hurricane Florence and Hurricane Dorian. The original board of trustees, known formally as '''Trustees of the Sailors' Snug Harbor in the City of New York''', still exists and is headquartered in Manhattan. The Sailors' Snug Harbor Archives are preserved at the Stephen B. Luce Library at the State University of New York's Maritime College. == Use as cultural center ==
Use as cultural center
After the city acquired the land, the Staten Island Museum announced plans to move there, while Children's Aid agreed to maintain Snug Harbor's burial ground. The group was incorporated that December as a nonprofit organization, the Snug Harbor Cultural Center, to maintain the facility and host events. The cultural center requested that the sailors' home lend them two paintings, a tray, a uniform, and a portrait of Thomas Melville. In conjunction with the United States Bicentennial, the complex hosted its first public event on September 12, 1976, with 15,000 attendees. Early years From the outset, Snug Harbor faced funding shortages, Although the grounds were in good condition, the buildings needed upgrades to varying degrees. The cultural center's first director, Michael T. Sheehan, was appointed the next year. Although the entire complex had been designated as a National Historic Landmark district in 1976, making it eligible for federal preservation funds, cultural center officials were not notified for more than two years. In 1979, the US government provided a $100,000 grant for the renovation of Snug Harbor's chapel, though it rejected another grant of $588,000 to restore building C. Another $650,000 was donated by the Staten Island War Memorial Association, later increased to $800,000, which was used to renovate the complex's chapel. The city and state government provided funding to pay annual expenses, while the cultural center raised additional funds raised independently from donations, memberships, and other sources. this was not being planned yet. and the grounds staged live performances and shows during the summers. Mid-1980s to 1990s The cultural center raised millions of dollars to renovate multiple buildings in the 1980s. A renovation for the Staten Island Museum was announced in 1984, covering buildings A and B. The chapel was restored as well; Other projects planned at the complex included new parking lots, the repainting of buildings A–E, upgrades for the Botanical Garden, and restoration of building C's main hall. The cultural center hired the preservation consultant Phillip Neuberg in 1985 to oversee the multi-year renovation program. and the recreation hall reopened that year as an event venue called the Great Hall. The cultural center's annual operating expenses had increased to over $1.7 million by then. Renovations of buildings A and B for the Staten Island Museum were delayed by cost overruns, and the structures remained empty for decades. Rafael Viñoly won a design competition in 1987 to redesign the Music Hall as part of a $12 million project. The Music Hall renovation was downsized and delayed after costs reached nearly $20 million. The cultural center presented a multi-phased renovation plan in 1989, which included landscaping the grounds, renovating the existing buildings, and constructing new buildings for up to $100 million. Quennell Rothschild Associates presented a master plan for the site that year, and the Dormitory Authority of the State of New York received authorization to issue bonds to fund the renovation of several cottages. Four cottages were subsequently converted to artist dormitories, and some recital halls were also built. the gatehouse was being restored, Workers also began restoring building C's main hall after part of the ceiling fell down. The complex scaled back its event offerings after experiencing major funding reductions in the early 1990s, and many renovation projects stalled; there were 250,000 annual visitors by then. Building D, which was leased to the Noble Maritime Collection in 1991, was in such poor condition that volunteers spent several years restoring it. The same year, the city government hired Jan Hird Pokorny to renovate ten of the buildings. Building C's main hall was rededicated in 1993, In addition, work on the Music Hall began in 1996, The New York Chinese Scholar's Garden was completed at Snug Harbor in June 1999. Other renovation projects in the late 1990s included a new dock and restorations of the cottages. 2000s to present Connie Gretz's Secret Garden was dedicated at Snug Harbor in 2000, and the Noble Maritime Collection opened that October. During the early 2000s, the barn occupied by the Staten Island Children's Museum was expanded, and a basement gallery and an enclosed breezeway were built between the museum's two buildings. and a second phase of the Music Hall project was completed the next year. which was decrepit and unfit for habitation. Three other landscape projects at Snug Harbor, announced in 1998, were delayed due to a lawsuit that was voided in 2004. though its leadership sought further funding to renovate four more buildings. The city provided more funds for the long-stalled renovation of buildings A and B in 2007, and a conservation center between buildings B and H was built that year. and the Tuscan Garden opened in October 2010. Work on the Staten Island Museum buildings resumed in 2011. The Veterans Memorial Hall was damaged by a burst pipe in 2014; it remained closed for years because the cultural center did not prioritize repairing it. After cultural center officials reported a severe funding shortage in 2015, saying that the city's $950,000 annual appropriation was insufficient, the city increased the annual appropriation and provided $10.5 million in capital funds. Although the cultural center had struggled to attract visitors in previous years, city officials believed the redevelopment of nearby St. George would entice more visitors. The Staten Island Museum moved into Building A in September 2015, following a full reconstruction. but was delayed. Also postponed was the Staten Island Museum's plan to expand into building B by 2022. Snug Harbor remained open during the COVID-19 pandemic in New York City but postponed many programs and temporarily closed its buildings and Chinese garden. The city government provided funding in 2021 for the renovation of buildings B, G, and K, and the Children's Museum, and it subsequently allocated funds for mechanical upgrades. and a boardwalk, observation platform, and new entrance opened the next year. ==Site and layout==
Site and layout
Snug Harbor is located in Randall Manor on the North Shore of Staten Island in New York City. It faces the Kill van Kull, a strait separating New York and New Jersey, The grounds originally covered but have been reduced over the years to . The complex also includes a gazebo and numerous lawns, including the South Meadow. Snug Harbor also has botanical gardens (see ), which span , The fence, dating from 1842, is variously attributed to William Alexander The main vehicular entrance is the western gatehouse, which dates from 1880. The north gatehouse on Richmond Terrace, build in 1874, is a designated city landmark. After the original was relocated to Sea Level in the 1980s, Burial ground Deceased residents were buried in a graveyard called Monkey Hill, covering about . Much of the land was sold to the city in 1975 and turned into a public park with hiking trails, the majority of the bodies lie in unmarked graves. A brick wall surrounds the plot. == Architecture ==
Architecture
The Snug Harbor Cultural Center has more than two dozen remaining structures from the retirement home. Minard Lafever's original structure, building C, was designed in the Greek Revival style. Later structures were designed in a variety of styles, such as the Beaux-Arts, Gothic Revival, Italianate, Second Empire, and Victorian styles; many of the buildings have since been demolished. At its peak, the site may have had either 50, are located on the northern end of the grounds (near Richmond Terrace) and are known as buildings A through E from west to east. The buildings are parallel to each other, but due to the differing facade designs, buildings B and D appear set back from buildings A, C, and E. These buildings were originally incorrectly attributed to Martin E. Thompson, an architect whom Lafever had followed. According to the researcher Barnett Shepherd, Lafever was mentioned in documents from building C's construction, while Thompson, who was not, was inaccurately given credit in a book by the historian Talbot Hamlin. Building C Building C, also known as the Administration Building, was completed in 1833 and is Lafever's oldest surviving work. The building consists of two stories, a raised basement, and an attic; it is rectangular in plan with a gable roof. The main entrance contains a set of steps underneath a stone portico, consisting of eight columns supporting a classic pediment. Early renderings show that the columns had no fluting and that the frieze and door frames were unornamented. and a hallway connects with the infirmary. Some interior decorations have been replaced over the years. Buildings A, B, D, and E Buildings B and D were both designed by Minard Lafever and completed around 1840–1842. Both are two stories high with an attic and a high basement, and they are rectangular in plan with gable roofs. The front facades are made of smooth stone and contain a small porch with a gable and a simple stoop. is not open to the public. decorated in the Ionic order. It is located south of the Snug Harbor Music Hall, near the campus's east end. The chapel contains a gable roof. The front entrance consists of a tower with a belfry projecting from the front end of the chapel. The entrance leads to a plaster-walled vestibule with three round arches and three plaques. The brick facade has six round-arched windows on each side, separated by pilasters. At the rear is a one-story extension with an office and sacristy. The space also contains wooden pews and wainscoted walls. The coved ceiling has a recessed panel with two lamps. A gallery on the north end is supported by two cast-iron columns and has recessed wood paneling. An apse at the south end surrounds a raised former altar area. At the center of an apse is a doorway to the office, which has plastered walls with bookcases built into them, as well as a stone fireplace. There are also plaques honoring Vietnam veterans. The chapel's bell tower and stained glass date to 1883, When the cultural center opened, building H was used as a visitor center and concession shop, while building G was used by the Newhouse Center.The and are located east of buildings H through F. Inside are a chandelier, wood panels, and vaulted ceiling; was designed by Robert W. Gibson and opened in 1892. the orchestra level originally had 600 seats, while the balcony had 300 seats for trustees and their guests. A matron's house and a maintenance building are south of buildings H through F and east of the chapel. The Staten Island Children's Museum and World Trade Center Educational Tribute are in the center of the grounds, south of the maintenance building and matron's house, while the Snug Harbor Administration building is south of the museum. The building, completed in 1893, was patterned after St. Paul's Cathedral, London. There was also a theater with a curtain depicting the Vanderbilt family's Staten Island farmhouse. ==Management==
Management
The Snug Harbor Cultural Center and the Staten Island Botanical Garden merged in 2008 to become the Snug Harbor Cultural Center and Botanical Garden, four years after the merger was first proposed. The combined entity is a Smithsonian Institution–affiliated nonprofit organization that operates the Snug Harbor complex. , it recorded revenue of $5.56 million, expenses of $5.48 million, assets of $5.12 million, and liabilities of $435,000. The Snug Harbor Cultural Center and the Staten Island and Children's museums are members of the city's Cultural Institutions Group (CIG), a partnership of cultural and educational institutions; Although the grounds are accessible free of charge, some institutions and attractions charge a fee. Staten Island Botanical Garden The Staten Island Botanical Garden, part of the cultural center since 1977, is managed directly by the Snug Harbor Cultural Center. which hosts exhibits corresponding to three biomes. along with a wetland. hosts urban-agriculture training programs. There are over 20 special gardens at the Botanical Garden. and the Lions Sensory garden, which includes plants selected for their texture, smell, and sound. Connie Gretz's Secret Garden, named for the late wife of a local resident, contains a moat, castle, maze, and walled secret garden. Although the Newhouse was founded with a focus on artists who live or have their studios on Staten Island and art that reflects the history of Staten Island or Snug Harbor, Noble Maritime Collection . The Noble Maritime Collection is a museum in building D, with a particular emphasis on the work of artist, lithographer, and sailor John A. Noble (1913–1983). The museum also includes exhibits such as an interactive old printing press, The Washington Post called the houseboat "a home on the water and an artist's lair all in one", Staten Island Children's Museum The Staten Island Children's Museum, which has a collection of hands-on exhibits, has been located at Snug Harbor since 1986. later moving all its operations from its previous St. George location to building A. The museum includes artwork, documents, scientific exhibits, and objects relating to the history of Staten Island. which has been operating at Snug Harbor since 2000. Over the years, Snug Harbor has also hosted a variety of smaller organizations. The Snug Harbor Cultural Center provides space for artists and arts organizations as well. eight artists are selected each year, creating artworks that are exhibited at the end of the residency. The complex also hosts activities such as dance, yoga, and martial arts, and it is sometimes used for weddings. Walking tours of the complex are hosted as well. ==Transportation==
Transportation
When Snug Harbor opened, it was served by a dock, where a boathouse was built in 1879. The Staten Island Railway and local streetcars began traveling to the Staten Island Ferry at St. George Terminal in 1886, providing additional means of access. a retaining wall and stairways from the station still exist. The bus, which travels to and from St. George Terminal, stops at Snug Harbor's front gate. which stopped running in the early 1990s. == Impact ==
Impact
Reception and media Because of the architectural styles used, Snug Harbor is sometimes described as having a Victorian feel. describing Temple Row as having a "substantial and artistic" appearance. and "an incomparable remnant of New York's 19th-century seafaring past". After the cultural center opened to the public, the architect David Gibson compared it to "an architectural catalog of stylistic development in the United States for 90 years". while another book called the row "the most ambitious moment of the classic revival in the United States". Of the cultural center, a Times writer said in 2001 that the complex "offers an escape for every taste and age", a sentiment repeated in New York magazine. and numerous residents have published books as well. The complex includes eight city landmarks designated by the New York City Landmarks Preservation Commission (LPC), Except for the eight existing city landmarks, most of the complex lacks a corresponding city landmark designation, which would have covered another 22 buildings. The more restrictive city historic district status would have mandated LPC approval for all modifications to the district, potentially increasing renovation costs. The LPC proposed designating the complex as Staten Island's first city historic district in the 1980s, Amid the cultural center's continued opposition, the LPC deferred a decision on the historic-district designation until 2016, when the agency declined to designate the district. ==See also==
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