In
Tibetan Buddhism, the practice of and is strongly influenced by the Mahāyāna text called the
Bhavanakrama of Indian master
Kamalaśīla. Kamalaśīla defines as "the discernment of reality" () and "accurately realizing the true nature of ". According to
Thrangu Rinpoche, when and are combined (as in the mainstream approach of
Shantideva and
Kamalashila), through disturbing emotions are abandoned, which thus facilitates , "clear seeing". is cultivated through reasoning, logic, and analysis in conjunction with . In contrast, in the tradition of the direct approach of
Mahamudra and
Dzogchen, is ascertained directly through looking into one's own mind. After this initial recognition of , the steadiness of is developed within that recognition. According to Thrangu Rinpoche, it is also common in the direct approach to first develop enough to serve .
Dzogchen Ponlop Rinpoche charts the developmental relationship of the practices of and this way: ====== Tibetan writers usually define practice as when one's mind remains fixed on a single object without moving.
Dakpo Tashi Namgyal for example, defines as: by fixing the mind upon any object so as to maintain it without distraction... by focusing the mind on an object and maintaining it in that state until finally it is channeled into one stream of attention and evenness. According to Geshe
Lhundup Sopa, is: just a one-pointedness of mind () on a meditative object (). Whatever the object may be... if the mind can remain upon its object one-pointedly, spontaneously and without effort (), and for as long a period of time as the meditator likes, it is approaching the attainment of meditative stabilization (). , " has five characteristics:
effortlessly stable attention (),
powerful mindfulness (), joy (), tranquility (), and equanimity (). The complete state of results from working with stable attention () and mindfulness () until joy emerges. Joy then gradually matures into tranquility, and equanimity arises out of that tranquility. A mind in is the ideal instrument for achieving Insight and Awakening". The idea here is that in order to achieve awakening, you have to master both attention, and peripheral awareness. Such as focusing on the breath and being aware of one's peripheral awareness simultaneously.
Nine Stages of Tranquility This formulation is found in various
Yogācāra sources such as the Abhidharma-samuccaya| and the chapter of the . It is also found in the Mahayana-sutra-alamkara-karika|, which shows considerable similarity in arrangement and content to the . In this scheme, śamatha practice is said to progress through nine "mental abidings" or "nine stages of training the mind" (Skt. , Tib.
sems gnas dgu), leading to śamatha proper (the equivalent of "access concentration" in the Theravāda system), and from there to a state of meditative concentration called the first Dhyāna in Buddhism| (Pāli: ; Tib.
bsam gtan) which is often said to be a state of tranquility or bliss. The "Nine Mental Abidings" as described by
Kamalaśīla are: •
Repeated placement (Skt. , Tib. བླན་ཏེ་འཇོག་པ –
slan-te ’jog-pa) is when the practitioner's attention is fixed on the object for most of the practice session; and, further, he or she is able both to immediately realize when his or her mental hold on the object has been lost, and to restore that attention quickly. Sakyong Mipham Rinpoche suggests that being able to maintain attention for 108 breaths is a good benchmark for this stage has been reached. •
Close placement (Skt. , Tib. ཉེ་བར་འཇོག་པ –
nye-bar ’jog-pa) occurs when the practitioner is able to maintain attention throughout the entire meditation session (an hour or more) without losing their mental hold on the meditation object at all. In this stage, the practitioner achieves the power of mindfulness. Nevertheless, this stage still contains subtle forms of excitation and dullness or laxity. •
Taming (Skt. , Tib. དུལ་བར་བྱེད་པ –
dul-bar byed-pa) is the level wherein the practitioner achieves deep tranquility of mind, but must still be watchful for subtle forms of laxity or dullness—peaceful states of mind which may be misinterpreted as the desired calm abiding. By focusing on the future benefits of gaining śamatha, the practitioner can "uplift" (Tib.
gzengs-bstod) their mind and become more focused and clear. •
Pacifying (Skt. , Tib. ཞི་བར་བྱེད་པ་ –
zhi-bar byed-pa) is the stage during which subtle mental dullness or laxity is no longer a great difficulty, but the practitioner is yet prone to subtle excitements which arise at the periphery of meditative attention. B. Alan Wallace contends that this stage is achieved only after thousands of hours of rigorous training. •
Fully pacifying (Skt. , Tib. རྣམ་པར་ཞི་བར་བྱེད་པ་ –
nye-bar zhi-bar byed-pa) is a refinement of the previous state; although the practitioner may still experience subtle excitement or dullness, they are rare, and the practitioner can easily recognize and pacify them. •
Single-pointing (Skt. , Tib. རྩེ་གཅིག་ཏུ་བྱེད་པ་ –
rtse-gcig-tu byed-pa) is the penultimate "abiding"; this is the stage of practice at which the practitioner can reach high levels of concentration with only a slight effort, and without being interrupted by even subtle laxity or excitement during the entire meditation session. •
Balanced placement (Skt. , Tib. མཉམ་པར་འཇོག་པ་བྱེད་པ་ –
mnyam-par ’jog-pa) is the final stage of śamatha practice, in this model, and entails that the meditator may now effortlessly reach absorbed concentration (Skt. , Tib.
ting-nge-‘dzin) and maintain it for about four hours without any interruption whatsoever. One scholar describes his approach thus: "the overall picture painted by Kamalaśīla is that of a kind of serial alternation between observation and analysis that takes place entirely within the sphere of meditative concentration" in which the analysis portion consists of
Madhyamaka reasonings. In Tibet direct examination of moment-to-moment experience as a means of generating insight became exclusively associated with .
Mahāmudrā and Dzogchen is approached somewhat differently in the
mahāmudrā tradition as practiced in the Kagyu lineage. As
Traleg Kyabgon Rinpoche explains, For the Kagyupa, in the context of mahāmudrā, by means of
mindfulness of breathing is thought to be the ideal way for the meditator to transition into taking the mind itself as the object of meditation and generating on that basis. Quite similar is the approach to found in
dzogchen semde (Sanskrit:
mahāsandhi cittavarga). In the
semde system, is the first of the four yogas (Tib.
naljor, ), the others being (), nonduality (
advaya, Tib.
nyime,), and spontaneous presence (
anābogha or
nirābogha, Tib.
lhundrub, ). These parallel the four yogas of
mahāmudrā. Ajahn Amaro, a longtime student in the
Thai Forest Theravādin tradition of
Ajahn Chah, has also trained in the
dzogchen semde approach under
Tsoknyi Rinpoche. He found similarities in the approaches of the two traditions to .
Mahāmudrā and
Dzogchen use extensively. This includes some methods of the other traditions, but also their own specific approaches. They place a greater emphasis on meditating on symbolic images. Additionally in the Vajrayāna (
tantric) path, the true nature of mind is
pointed out by the guru, and this serves as a direct form of insight. ==Similar practices in other religions==