Satyavati

Little is said about Satyavati in the Mahabharata; however, later texts – the Harivamsa and the Devi-Bhagavata Purana – elaborate her legend. Satyavati is known by numerous names in the Mahabharata, among them Daseyi, Gandhakali, Gandhavati, Kali, Matysyagandha, Satya, Vasavi and Yojanagandha. Vasavi means "daughter of king Vasu". Her birth name, Kali indicates her dark complexion. Her other name, Satyavati means "truthful"; Satya means "veracity". As noted above, she was also known as Matsyagandha or Matsyagandhi in her earlier life – and Gandhakali (lit. fragrant dark one), Gandhavati, Kastu-gandhi and Yojanagandha in later life. ==Birth and early life==

According to the Harivamsa, Satyavati in her previous life was Achchoda, daughter of the Pitrs (ancestors) and cursed to be born on earth. Consequently, the fish became pregnant. Soon, A fisherman caught the pregnant fish and cut it open to find two babies in the womb of the fish, one male and one female. The fisherman presented the children to the king, who kept the male child. The boy grew up to become King Matsya, the founder of the Matsya Kingdom. The king gave the female child back to the fisherman, naming her Matsya-gandha ("She who smells like fish"). The fisherman raised the girl as his daughter and named her Kali ("the dark one") because of her complexion. Over the course of time, Kali earned the name Satyavati ("truthful"). The fisherman was also a ferryman, ferrying people across the river in his boat. Satyavati helped her father in his job and grew up into a beautiful maiden. According to historian Romila Thapar, the narrative of Satyavati being the daughter of a king was plausibly a later insertion, as attempts were made to suggest that she was of Kshatriya origin rather than of lower-class fisherfolk. ==Seduction by Parashara and birth of Vyasa==

The Devi Bhagavata Purana narrates that when Satyavati was ferrying the rishi Parashara across the river Yamuna, the sage wanted Satyavati to satisfy his lust and held her right hand. She tried to dissuade Parashara but finally gave in, realizing the desperation and persistence of the sage. Satyavati agreed and told Parashara to be patient until the boat reached the bank. On reaching the other side the sage grabbed her again, but she declared that her body stank and coitus should be pleasurable to them both. At these words, Matsyagandha was transformed (by the powers of the sage into Yojanagandha ("she whose fragrance can be smelled from across a yojana"). After this, Satyavati returned home to help her father. ==Marriage with Shantanu==

. Bhishma (earlier known as Devavrata) pledges to be celibate before Satyavati and her family.|alt=Painting of dark-skinned prince taking Satyavati's hand One day Shantanu, the Kuru king of Hastinapur, came to the forest on a hunting trip and was mesmerized by the musk-fragrance emanating from Satyavati. Allured by her sweet scent, Shantanu reached Satyavati's house and, seeing her, fell in love at first sight. The king asked the fisherman-chief for his daughter's hand; the fisherman Dashraj said his daughter would marry the king if – and only if – her sons would inherit the throne. The king, shocked and dejected, returned to the palace since he had already appointed his son, Devavrata, who was mothered by Goddess Ganga, as heir apparent. Devavrata was distressed by his father's condition; he learned about the promise asked by the fisherman-chief from a minister. Immediately, Devavrata rushed to the hut of the fisherman-chief and begged for Satyavati's hand on his father's behalf. The fisherman repeated his condition and told Devavrata that only Shantanu was worthy of Satyavati; she had rejected marriage proposals from even Brahmarishis like Asita. In the Devi Bhagavata Purana, Satyavati's premarital first-born, Vyasa, laments that his mother abandoned him to fate immediately after birth. He returns to his birthplace in search of his mother who, he finds out, is now the queen of Hastinapur. ==Birth of children and grandchildren==

kulit'' shadow puppetry|alt=Javanese stick-puppet of Satyavati After their marriage, Satyavati bore Shantanu two sons: Chitrangada and Vichitravirya. The Harivamsa tells of Bhishma recalling events after Shantanu's death. During the period of mourning after Shantanu's death, Ugrayudha Paurava (usurper of the throne of Panchala) demanded that Bhishma hand over Satyavati in return for wealth. Bhishma killed Ugrayudha Paurava, who had lost his powers because he lusted after another's wife. Chitrangada was later killed by a namesake gandharva (a celestial musician). With no heir to the throne, Satyavati asked Bhishma to marry the widows of Vichitravirya (following the practice of niyoga in its narrower sense, as a levirate marriage) and rule as king. Bhishma refused, reminding Satyavati of the promise he made to his father and his vow of bachelorhood. He suggests that a Brahmin could be hired to father children on the widows, thus preserving the dynasty. Revealing to Bhishma the tale of her encounter with Parashara, Satyavati well knew that this was the time to call her son Vyasa to aid her. Satyavati coaxed Vyasa to have niyoga with his brother's widows, saying: "from affection for thy brother Vichitravirya, for the perpetuation of our dynasty, for the sake of this Bhishma's request and my command, for kindness to all creatures, for the protection of the people and from the liberality of thy heart, O sinless one, it behooveth thee to do what I say." After convincing Vyasa, Satyavati managed (with great difficulty) to obtain the consent of her "virtuous" daughters-in-law. ==Last days==

Consequently, due to Dhritarashtra's blindness and Vidura's birth from a maid, Pandu was crowned king of Hastinapur. However, he was cursed (by a sage) that he could not bear any children, renounced the kingdom and went to the forest with his wives Kunti and Madri. There, his wives had children – the Pandavas, or "sons of Pandu" – for him through niyoga with the gods. Pandu died in the forest; Madri ended her life with her husband. Kunti returned to Hastinapur with the Pandavas. Satyavati was grief-stricken because of her grandson's untimely death and did not wish to live any longer. After the funerary rites for Pandu, Vyasa warned Satyavati that happiness would end in the dynasty and devastating events would occur in the future (leading to the destruction of her kin), which she would not be able to bear in her old age. At Vyasa's suggestion, Satyavati left for the forest to do penance with her daughters-in-law Ambika and Ambalika. In the forest, she died and attained heaven. Within some days her daughters-in-law died too. ==Assessment==

Dhanalakshmi Ayyer, author of Satyavati: Blind Ambition, introduces Satyavati as "the embodiment of the driving force of womanhood, with motherly ambition blinding her vision at every turn" and further says that "[i]n a way, Satyavati exemplifies what Rudyard Kipling succinctly put": The Woman that God gave him, every fibre of her frame Proves her launched for one sole issue, armed and engined for the same, And to serve that single issue, lest the generations fail, The female of the species must be deadlier than the male. For Satyavati the end matters, not the means. Satyavati's life goal and ambition was to ensure the succession of Santanu's lineage and inheritance of his fortune by her sons but ironically (Ayyer comments), Bhishma – whose right to the throne Satyavati snatches – outlives her children in life and in fame. Her actions (and decisions) create a generation encompassed by a greed which ultimately leads to its annihilation. Ayyer concludes that "Satyavati's story teaches the new generation women that determination and commitment are different from avarice and calculation. One should know where greed takes over from ambition." Pradip Bhattacharya, author of Of Kunti and Satyawati: Sexually Assertive Women of the Mahabharata, praises Satyavati's handling of her encounter with the sage Parashara. He notes that although young, she tackles the persistent sage with great maturity and presence of mind. Bhattacharya remarks, "With a maturity and frankness that astonishes us even in the twenty-first century, she points out that coitus ought to be mutually enjoyable." She is not deluded by the belief that the sage will marry her and asks for virginity to ensure her future status in society. Bhattacharya further comments on the sequence of her requests: the bodily fragrance to make the sexual act pleasant for both, the veil of mist to keep the act a secret, virginal status for her future and fame for her child – securing his fame and after practical aspects are sorted out, "eternally feminine" boons of lifelong youth and fragrance. Bhattacharya says: "Modern-day women could well wish that they were half as confident, clear-headed and assertive of their desires and goals as Satyavati." He further praises her "characteristic far-sightedness", when she ensures the future of her children with Santanu by disposing of the crown prince Bhishma. She brings her illegitimate son, Vyasa, onto the scene to father sons with her dead son's widows – turning the renowned "lunar dynasty, into the lineage of a dasa (slave) maiden". ==Notes==