She started her career as a singer in 1911 in a theater where she sang the
criolla Mercedes of
Manuel Corona. Her first guitar teacher was the cigar-roller José Díaz. Manuel Corona continued her musical education by explaining such things as the different methods for first and second guitar, and eventually taught her his compositions. She formed a duo with
Rafael Zequeira from 1916 until 1924 when he fell ill and died. They made over a hundred recordings together in New York, most of which have not survived. Then she met
Carlos Godinez, a composer, who taught her more about the guitar; the friendship lasted until his death in 1950. She then formed the
Sexteto Occidente in 1925 with Miguel García as first voice, clavé and Director (because he knew most about music),
Ignacio Piñeiro on double bass, Julio Torres Biart on tres, Manuel Reinoso on bongo and Francisco Sánchez on maracas. They were a group of talented musicians who would have sparkling careers. She joined
Lorenzo Hierrezuelo as a duo in 1935, and this duo lasted for 27 years. For much of this time Hierrezuelo ran his duo with Vera alongside his partnership with
Compay Segundo (Francisco Repilado), as the duo
Los Compadres. One of her best compositions, the
habanera Veinte años, has been performed by a number of Cuban artists;
Sólo pienso en ti, a
bolero–
son, is also well-known. In 1945 she was contracted to Circuito CMQ for the radio program
Cosas de Ayer. In the 1950s, she appeared in the TV program
El Casino de la Alegría and in the 1960s she received public tributes on her retirement in 1962. == Legacy ==