in a Japanese rental shop, 2008 Arguably mass-produced
pornography in Japan may have begun as early as the
Edo period (1603–1868), as
erotic artwork referred to as
shunga that was typically produced with
woodblock prints in the 1,000's. These
erotic images were declared
obscene and banned in 1772 by the
Tokugawa shogunate, although they continued to be produced underground in smaller numbers. Softcore pornographic theatrical films known as
pink films dominated the domestic cinema in Japan from the mid-1960s through the mid-1980s. In contemporary times Japanese pornography has gained a worldwide following and is frequently translated and exported to other cultures because of its large spectrum of themes and media. Pornography in Japan has in recent times expanded into new mediums such as video games (
eroge) manga and animation (
hentai) in addition to the more common film and historic mediums. A 2020 survey by the cabinet office found that a number of Japanese women said they had been forced into appearing in pornographic films by unscrupulous production companies. Some had signed “modelling” contracts but were later pressured into posing nude or having sex on camera.
Shunga Most
shunga are a type of
ukiyo-e, the main artistic genre of woodblock printing in Japan. Although scarce, there are however extant erotic painted handscrolls which predate the Ukiyo-e movement. Translated literally, the Japanese word
shunga means
picture of spring; "spring" being a common euphemism for sex in Japan. The ukiyo-e movement as a whole sought to express an idealisation of contemporary urban life and appeal to the new
chōnin class. Following the aesthetics of everyday life,
Edo period shunga varied widely in its depictions of sexuality. In the Edo period it was enjoyed by rich and poor, men and women, despite being out of favour with the shogunate. Almost all ukiyo-e artists made shunga at some point in their careers, and it did not detract from their prestige as artists.
Film In the years since the end of
World War II, eroticism has gradually made its way into Japanese cinema. The first kiss to be seen in Japanese film—discreetly half-hidden by an umbrella—caused a national sensation in 1946. Foreign films throughout the 1950s introduced female nudity into international cinema and were imported to Japan without problem. Nevertheless, until the early 1960s, graphic depictions of nudity and sex in Japanese film could only be seen in single-reel "stag films," made illegally by underground film producers such as those depicted in
Imamura's film
The Pornographers (1966). Mainstream pornography did not arrive in Japan until the advent of
Pink film. Pink film was theatrical film which featured soft core, suggestive themes and later full-on nudity and sexual acts. The first wave of the
Pink film in Japan was contemporary with the similar U.S.
sexploitation film genres, the "nudie-cuties" and "roughies". Nudity and sex officially entered Japanese cinema with
Satoru Kobayashi's controversial and popular independent production
Flesh Market (
Nikutai no Ichiba, 1962), which is considered the first true
pink film. In the 1970s, some of Japan's major studios, facing the loss of their theatrical audience, took over the
pink film. With their access to higher production-values and talent, some of these films became critical and popular successes. When ownership of
VCRs first became widespread in the early 1980s, AVs (adult videos) made their appearance and quickly became highly popular. As early as 1982 the AVs had already attained an approximately equal share of the adult entertainment market with theatrical erotic films. Since then the market for pink films has decreased tremendously and a majority of Japanese seeking pornography go to AVs. Although the pink film genre has declined dramatically since the advent of AVs on VCR the genre is significant in that it paved the way for true pornography in Japan as well as for multiple other genres of Japanese pornographic film including:
hamedori,
roshutsu, and
Japanese bondage. Other Japanese pornography genres include: group sex (with gang bang as a subgenre), lesbian, and fetishes (particularly foot fetishes).
Lotion play is a popular element in Japanese pornography.
Hentai and seijin manga (adult cartoons) The genre of erotica known to the West as
hentai (erotic cartoons or drawings) was invented in Japan; They are used in erotic
manga (Japanese
comic books, graphic novels) and
anime (Japanese animation). The word "
hentai" has a negative connotation in Japanese and usually means "sexually
perverted", with those in Japan more often referring to hentai as "seijin" or "adult" manga/anime. The adult manga/anime medium carries its own distinct subgenres as well.
Futanari or sexual attraction to androgynous people is an extensive subgenre of seijin manga.
Bakunyū is the subgenre that features females with very large breasts. In Japan
lolicon refers to an attraction to underage girls. Outside Japan lolicon generally refers to the genre of seijin manga wherein childlike female characters are depicted in an erotic manner. Lolicon's male equivalent,
shotacon is similarly used in the West to refer to the genre of manga and anime in which pre-pubescent or pubescent male characters are depicted in a suggestive or erotic manner.
International reception Japanese pornography has gained a worldwide following and is frequently translated and exported to other cultures because of its large spectrum of themes and media. However, critics state that the
lolicon genre of seijin manga, wherein childlike females are depicted in an erotic way, contributes to
sexual abuse of children. Several countries have attempted to criminalize lolicon's sexually explicit forms as a type of
child pornography,
Canada,
Australia,
New Zealand,
Sweden, the
Philippines and
Ireland are among those that have done so. ==Prostitution==