After completing his education he wanted to become an actor in the
Hindi film industry at Bombay, so moved closer to the city. He took a school teacher's job in
Dapoli, about 200 kilometres from Mumbai. He eventually joined the film industry in 1948 as an assistant director starting with Satish Nigam in
Raj Kapoor starrer
Sunhere Din, subsequently he worked with directors like
Gyan Mukherjee, and
Phani Majumdar at
Bombay Talkies, in
Tamasha,
Baadbaan and
Dhobi Doctor. Eventually he got his break as an independent director when Samanta directed his first feature film,
Bahu in 1954, starring Karan Dewan, Usha Kiron, Shashikala and
Pran and after the success for his next few films,
Inspector (1956),
Sheroo (1956),
Detective (1957) and
Hill Station (1957), he started his own production company,
Shakti Films, in 1957, and the first release of his independent banner was the murder-mystery
Howrah Bridge, with
Ashok Kumar and
Madhubala as the lead, with its crooning number 'Aaiye Meherbaan' with music by
O. P. Nayyar, sung by
Asha Bhosle in a notable
Geeta Dutt style, and picturised on Madhubala became a rage, and the film a breakthrough hit; this was a turning point. With
Insaan Jaag Utha (1959) starring
Sunil Dutt and
Madhubala, he wanted to shift to making films on social themes, but when it was unsuccessful, he shifted back to making entertainers for another decade, for returning to social themes, with
Aradhana (1969). On some of his films, his brother and wife were producers. He also produced some of the films that his son,
Ashim Samanta, directed. In 1985, Shakti Films established 'Aradhana Sound Service', a digital audio post-production facility which works both for
Bollywood as well as Hollywood films. He was recovering from a stroke he had suffered two months ago. ==Legacy==