Development In 1974, a friend of documentary filmmaker Paul Aratow suggested to him that the comic book
Sheena would make a good film. Aratow thought, "Something went off in my head – I realised that it was a most commercial idea, it had action and a sexy, mythic Earth goddess type who was actually one of the true comic-book heroines." Aratow bought the rights, set up a production company with Alan Rinzler, and succeeded in interesting Universal Pictures with
Raquel Welch attached to play the lead role of
Sheena. "At first it looked incredibly easy", Aratow says in the interview. "After only two months I had an office at the studio and Raquel Welch was going to play Sheena." Feldman had a poster designed illustrating his idea and showed it to
Mike Medavoy of
United Artists, who agreed to finance a new script. Michael Scheff and David Spector did a screenplay. Raquel Welch, who had been Universal's choice for the role, was still a possibility, but Feldman said, "at this point we have no actress in mind. I wouldn't say we wouldn't go to Raquel Welch, but I wouldn't want to rule out a worldwide search, either." "Girls today need superheroes", said Aratow. "I have a daughter, who is six, who needs someone to look up to. And I want Sheena to be that superhero. I also want Sheena to be a character that parents will want to send their kids to see, and the type of picture that parents can go see with their children." The first writer at Columbia was
Leslie Stevens. "Leslie took the story in a fantasy direction, involving a
Chariots of the Gods concept," said Aratow. "It was an interesting job, but it didn't meet with studio enthusiasm. Columbia didn't want to deal with Sheena as a magical phenomenon. The execs felt the basic material was already so fantastic, that the best way to play it was naturalistic. But they believed in the property enough to commission yet another script, and start all over again."
Tanya Roberts, who would play the role, said David Newman came up with the basis of the story. "I preferred his script, because it was the best in terms of character development," she said. The script was rewritten by
Dean Riesner, whom Roberts says, "totally changed David's script. It lost all its charm and romance. It was a mistake; it didn't work at all. Riesner may be good at action, but he isn't good at character development." Roberts says Semple "went back to David's original script. He switched things around a bit, added excitement, and speeded up the pace to make it more intense, but he never changed any of David's characters." Roberts said she tested against "about 15 models. They were very beautiful, but they couldn't act. Their tests were horrendous— they couldn't cry, they couldn't shout, they couldn't do anything...I felt very confident about getting the role. I have been in this business for 14 years, and have paid a lot of dues. I know what I'm capable of. I was the only one who could act, who looked right, who could do the stunts. I tested again in a blonde wig, and I got the part." The producer said they tested over 2,000 actresses, adding that
Farrah Fawcett and Cheryl Ladd "were discussed years ago, but they would be ridiculous in the role now. We never gave serious thought to Bergman. Mechsner's casting was entirely her own invention. And Danning was never seriously considered. She is wrong in terms of age and physical appearance. Frankly, I think Tanya is hotter than all of them — in addition to being stunningly beautiful and having the world's greatest body." Roberts' casting was announced in May 1983. She says she trained for 10 months for the role, but did not read any of the comic books in preparation, as she felt they were too campy. "I wanted her to be a real person in a real situation." she said.
Shooting Filming began August 21, 1983. ==Reception==