The
Shiji is around 526,500
Chinese characters in length, making it four times longer than
Thucydides'
History of the Peloponnesian War and longer than the
Hebrew Bible. Sima Qian conceived and composed his work in self-contained units, with a good deal of repetition between them. His manuscript was written on
bamboo slips, with 24 to 36 characters each, and assembled into bundles of around 30 slips. Even after the manuscript was allowed to circulate or be copied, the work would have circulated as bundles of bamboo slips or small groups.
Endymion Wilkinson calculates that there were probably between 466 and 700 bundles, whose total weight would have been , which would have been difficult to access and hard to transport. Later copies on silk would have been much lighter, but also expensive and rare. Until the work was transferred to paper many centuries later, circulation would have been difficult and piecemeal, which accounts for many of the errors and variations in the text. Sima Qian organized the chapters of the
Shiji into five categories, which each comprise a section of the book.
"Basic Annals" The "Basic Annals" (
běnjì ) make up the first 12 chapters of the
Shiji, and are largely similar to records from the ancient Chinese court chronicle tradition, such as the
Spring and Autumn Annals. The first five cover either periods, such as the
Five Emperors, or individual dynasties, such as the
Xia,
Shang, and
Zhou dynasties. The last seven cover individual rulers, starting with the
First Emperor of Qin and progressing through the first emperors of the
Han dynasty. In this section, Sima chose to also include
de facto rulers of China, such as
Xiang Yu and
Empress Dowager Lü, while excluding rulers who never held any real power, such as
Emperor Yi of Chu and
Emperor Hui of Han.
"Tables" Chapters 13 to 22 are the "Tables" (
biǎo ), which comprise one genealogical table and nine other chronological tables. They show reigns, important events, and royal lineages in table form, which Sima Qian stated that he did because "the chronologies are difficult to follow when different genealogical lines exist at the same time." Each table except the last one begins with an introduction to the period it covers.
"Treatises" The "Treatises" (
shū , sometimes called "Monographs") is the shortest of the five
Shiji sections, and contains eight chapters (23–30) on the historical evolution of ritual, music,
pitch pipes, the calendar, astronomy, sacrifices, rivers and waterways, and financial administration.
"Hereditary Houses" The "Hereditary Houses" (
shìjiā ) is the second largest of the five
Shiji sections, and spans chapters 31 to 60. Within this section, the earlier chapters are very different in nature than the later chapters. Many of the earlier chapters are chronicle-like accounts of the leading states of the
Zhou dynasty, such as the states of
Qin and
Lu, and two of the chapters go back as far as the
Shang dynasty. The later chapters, which cover the Han dynasty, contain biographies.
"Ranked Biographies" The "Ranked Biographies" (
lièzhuàn , usually shortened to "Biographies") is the largest of the five
Shiji sections, covering chapters 61 to 130, and accounts for 42% of the entire work. The 69 "Biographies" chapters mostly contain biographical profiles of about 130 outstanding ancient Chinese men, ranging from the moral paragon
Boyi from the end of the Shang dynasty, to the legendary founder of
Taoism,
Laozi, to some of Sima Qian's near contemporaries. About 40 of the chapters are dedicated to one particular man, but some are about two related figures, while others cover small groups of figures who shared certain roles, such as assassins, caring officials, or Confucian scholars. Unlike most modern biographies, the accounts in the "Biographies" give profiles using anecdotes to depict morals and character, with "unforgettably lively impressions of people of many different kinds and of the age in which they lived." The "Biographies" have been popular throughout Chinese history, and have provided a large number of set phrases still used in modern Chinese. ==Style==