Beginnings '' The studio was formed in the early 1980s as
Daicon Film by university students
Hideaki Anno,
Yoshiyuki Sadamoto,
Hiroyuki Yamaga,
Takami Akai,
Toshio Okada,
Yasuhiro Takeda and
Shinji Higuchi. Their first project was
an animated short for the 20th Annual
Japan National SF Convention, also known as
Daicon III, held in 1981 in
Osaka, Japan. The short film is about a girl who fights monsters, robots, and spaceships from early science fiction TV shows and films (including
Ultraman,
Gundam,
Space Runaway Ideon,
Space Battleship Yamato,
Star Trek,
Star Wars, and
Godzilla) until she finally reaches a desert plain and pours a glass of water on a dried-out
daikon radish, which immediately resurrects itself, grows into a huge spaceship, and beams her aboard. Though the short had an ambitious scope, the animation was rough and low-quality. The group made a much bigger splash with the short they produced for the 22nd Annual Japan National SF Convention,
Daicon IV, in 1983. Starting with a better animated recap of their original 1981 short, the short then moves to the girl as a grown woman, wearing a
bunny suit and fighting an even wider range of science fiction creatures (including various Mobile Suits from the
Gundam series,
Darth Vader, a
Xenomorph, a
Macross Valkyrie, a
Pern dragon,
Aslan, a
Klingon battle cruiser,
Spider-Man, and a pan across a vast array of hundreds of other characters) while surfing through the sky on the sword
Stormbringer. The action was all set to the
Electric Light Orchestra song "
Twilight", though the group's failure to properly license the song would prevent the short's official release on DVD (and make the limited
laserdisc release of the Daicon shorts very rare and highly sought after items). The Daicon IV short firmly established Daicon Film as a talented new anime studio; albeit small and with only ¥20 million (about US$200,000). The studio changed its name to Gainax in 1985, basing the term "Gainax" on an obscure
Tottori Prefecture term for "giant", with the English suffix
-x added because it sounded "good and was international". Gainax's first work as a commercial entity was
Royal Space Force: The Wings of Honneamise, released in 1987. Although critically acclaimed,
Honneamise had a tepid commercial reaction (Gainax attempted to develop
a sequel beginning in March 1992, but was unable to do it due to lack of funds). The next release, the 1988
OVA Gunbuster, was a commercial success and put Gainax on a stabler footing to produce works like
Nadia and
Otaku no Video. During this period, Gainax also produced a number of items such as
garage kit and adult video games (a major earner which kept Gainax afloat on occasion, though they were sometimes banned).
Evangelion , Tokyo, . The studio since moved to a modest two-story premises in Mitaka, before moving again to another premises. In 1995, Gainax produced perhaps their best known series, the commercially successful and critically lauded
Neon Genesis Evangelion. In the wake of ''Evangelion's
success, however, Gainax was audited by the National Tax Agency at the urging of the Tokyo Regional Taxation Bureau on suspicion of committing tax evasion on the massive profits accruing from various Evangelion
properties. It was later revealed that Gainax had concealed ¥1.56 billion worth of income (thereby failing to pay ¥560 million due in corporate taxes) which it had earned between the release of Evangelion'' and July 1997 by paying closely related companies various large fees, ostensibly to pay for animation expenses, but then immediately withdrawing 90% of the sums from the other company's accounts as cash and storing it in
safe deposit boxes (leaving 10% as a reward for the other company's assistance).
Yasuhiro Takeda later defended Sawamura's actions as being a reaction to Gainax's perpetually precarious finances and the shaky accounting procedures internally: Sawamura understood our financial situation better than anyone, so when
Evangelion took off and the money really started rolling in, he saw it as possibly our one and only opportunity to set something aside for the future. I guess he was vulnerable to temptation at that point, because no one knew how long the
Evangelion goose would keep laying golden eggs. I don't think he purposely set out with the goal of evading taxes. It was more that our level of accounting knowledge wasn't up to the task of dealing with revenues on such a large scale.
21st century , Tokyo since 2013. In 2016, Gainax moved to a room in an apartment in
Musashino, Tokyo. In 2004, Gainax marked their 20th anniversary with the production of
Diebuster, the sequel to
Gunbuster. Gainax had later success with the television anime series
Gurren Lagann (2007) and
Panty & Stocking with Garterbelt (2010). In August 2011, Gainax was sued by
A.D. Vision, which claimed Gainax's refusal to accept an
option payment for the perpetual live-action rights to
Evangelion was a breach of contract and had resulted in losing an opportunity to produce the film with a major studio. A.D. Vision asked to be awarded the live-action rights to
Evangelion and any accruing
legal fees. In 2012, Gainax announced it would be producing its first live-action television series, ''EA's Rock
, with director Nobuhiro Yamashita. At the 2013 Tokyo Anime Fair, Gainax announced that they would be producing the film Blue Uru'', with
Hiroyuki Yamaga as director and screenwriter and
Yoshiyuki Sadamoto as character designer. In March 2015, a new studio and museum called
Fukushima Gainax was opened in
Miharu, Fukushima. In 2016, Gainax was sued by
Studio Khara for ¥100 million in unpaid royalties from an agreement that Khara would earn royalties from income received on works and properties that founder
Hideaki Anno had worked on. The suit alleged that Gainax delayed on paying royalties and incurred a large debt with Khara, which had loaned ¥100 million in August 2014, but had yet to receive payment on the loan. In 2017 the suit was ruled on by a judge at the
Tokyo District Court which ordered Gainax to pay the full amount in debt owed to Khara. Further, it was reported that Gainax was not expected to appeal the ruling. Gainax president Hiroyuki Yamaga posted a public apology on the Gainax website stating the company was now undergoing restructuring. In December 2019, Anno claimed no one from Gainax had yet contacted him personally with any kind of apology or explanation. In August 2018, it was announced that Fukushima Gainax had been acquired by Kinoshita Group Holdings on July 26, making it Kinoshita's new subsidiary. Fukushima Gainax changed its studio name to
Gaina and relocated to
Koganei, Tokyo on August 9. In December 2019, representative director Tomohiro Maki was arrested on allegations of quasi-forcible indecency on an aspiring voice actress. Maki had been appointed representative director in October, but had been a board director of the company since 2015 and previously served as head of Gainax International, a separate company that trained voice actors and other talents, at the time of the alleged incidents.
Decline, bankruptcy and dissolution Maki's arrest caused Gainax to cease production while still being saddled with debt. Gainax's largest creditor, Hideaki Anno's Khara, arranged to restructure the company's board and audit its finances. In December 2020, it was reported that Tomohiro Maki has been sentenced to 2.5 years in prison for committing indecent acts. In the midst of the restructuring work, Gainax was sued by a debt collection company which had purchased debt from other creditors. The company was formally dissolved on December 11, 2025. In a statement, Hideaki Anno recapitulated the mismanagement by Gainax's co-founders and thanked Yasuhiro Kamimura for his meticulous handling of financial issues which allowed the studio's works to be transferred to their "rightful owners" instead of being scattered among debt collection companies. ==Filmography==