Sid Marcus began his animation career in 1925 at Associated Animators working on the
Mutt and Jeff cartoons. The studio closed by 1926 and Marcus began working at the Fleischer's. His animation can be seen in the 1930
Talkartoon Hot Dog. In 1930 he and Fleischer colleague
Dick Huemer were hired by
Charles Mintz to make a series of cartoons for
RKO in collaboration with
Art Davis. After one season of
Toby the Pup cartoons, the team began a new series of cartoons for
Columbia instead,
Scrappy. After Dick Huemer left the studio in 1933, Sid Marcus would take over direction of the Scrappy cartoons. In 1934, Sid Marcus directed the first
Color Rhapsody, and would direct all four entries of the short lived
Barney Google series. In 1941, Columbia let go of most of Screen Gems' staff, including Marcus, Davis and director
Lou Lilly, (Ben Harrison, Manny Gould and Allen Rose had been fired before) with story man
Frank Tashlin now in charge. Marcus' draft card from the time lists that he is employed at his own studio. By 1943, Marcus was once again at Screen Gems, this time as a story man. He worked on the
Li'l Abner,
Fox and Crow,
Flippy and
Phantasy cartoons. He would even direct two cartoons, in place of Paul Sommer. In 1945, director Bob Wickersham would leave the studio with Marcus taking over his role. The studio shut down in 1946. Marcus would then become Art Davis' story man at Warner Bros. where he wrote two cartoons:
Bye, Bye Bluebeard and
A Ham in a Role. Davis only finished one before his unit was disbanded in 1947 (
Bye, Bye Bluebeard),
Robert McKimson would complete the second (
A Ham in a Role). Marcus was let go when the unit disbanded. He would return to Warner's in the early 50's writing for McKimson. He was let go when the studio briefly shut down in 1953. In the late 1950s Marcus worked on
Joe Oriolo's
Felix the Cat TV series, directed on
Sam Singer's Courageous Cat and Minute Mouse in the early 1960s, directed at
Walter Lantz's studio from 1963 to 1966, directed at
Grantray-Lawrence Animation on
The Marvel Super Heroes and
Spider-Man (1967–1968), while freelancing stories for Walter Lantz and DePatie-Freleng. By 1969 he was working on
Here Comes the Grump at
DePatie–Freleng Enterprises where he would spend the rest of his career. His last credits were in 1979. == Filmography ==