Budget Because of the show's limited budget, Spider-Man's costume only has webbed areas on his head, arms and boots; the rest is plain, except for the spiders on his chest and back. The series relied on reused stock animation, including Spider-Man swinging across the New York City skyline and Peter removing his shirt to reveal his spider suit. Character movement was also minimized. The second and third seasons were produced on a reduced budget by Krantz Films under Ralph Bakshi. The cost-cutting is most apparent in the third season, with two episodes reusing almost all the footage from two
Rocket Robin Hood episodes (notably the season-three
Rocket Robin Hood episode, "Dementia 5") and remaking previous episodes with minimal changes. Several stories during this time were written by noted science fiction/fantasy author
Lin Carter. An error in Spider-Man's costume appeared throughout season one, with the spider on his costume having only six legs. By season two, new drawings of the costume showed an eight-legged spider, but reused footage from season one continued that season's error. The second- and third-season episodes had a darker tone, with dark-colored settings, psychedelic images and atmospheric music. Bakshi explored Peter's everyday life as a soft-spoken college student, such as his failure to make the football team in "Criminals in the Clouds" and becoming a star pitcher for the baseball team in "Diamond Dust." He dated a variety of women who were either concealing secrets ("Home") or waited angrily for him while Spider-Man saved the city from destruction ("Swing City"). Peter's most consistent love interest was Susan Shaw, who first appeared in "Criminals in the Clouds" and continued to appear in season-two and -three episodes, even though her appearance changed from episode to episode. Bakshi provided the first origin story for Spider-Man presented on television, "The Origin of Spider-Man," which actually used chunks of Stan Lee's dialogue from
The Spectacular Spider-Man #1 - specifically, "In the Beginning," published in July 1968, a few months before the episode aired.
Music The show's
theme song has been covered by many bands such as the
Ramones,
Aerosmith and
Michael Buble. Its
lyrics were written by
Academy Award winner
Paul Francis Webster, with music composed by
Bob Harris. It was performed by the
Billy Van Singers and Laurie Bower Singers. The catchy song is recognized by its opening line, "Spider-Man, Spider-Man, does whatever a spider can." The 2002 and 2004 film versions included Jayce Bartok and Elyse Dinh, respectively,
busking the song. Both films have the song at the end of the credits; the 2002 adaptation featured the original 1967 recording (along with a re-recording by
Aerosmith on the soundtrack), and 2004's
Spider-Man 2 features a re-recording by
Michael Bublé. 2007's
Spider-Man 3 features a performance of the song by a
marching band at a public rally for Spider-Man. In 2014's
The Amazing Spider-Man 2, Peter uses a version of the theme as his
ringtone. In 2017's
Spider-Man: Homecoming, an orchestral version plays over the Marvel Studios title card sequence. In 2018's
Spider-Man: Into the Spider-Verse, the theme is briefly played at the beginning, when the original Peter Parker says he "had an excellent theme song." The original
Spider-Man theme song recording was remixed by UK-based electronic music group
Apollo 440 as the theme song for the 2000
Spider-Man video game by
Activision and
Neversoft Entertainment. The show's
incidental music uses jangling
surf guitar, brass lines and jazzy scoring. The first season's score was original by
Ray Ellis, with season two and three utilizing other music from the
KPM,
Capitol, Conroy and Josef Weinberger
libraries by
Syd Dale,
Alan Hawkshaw,
Johnny Hawksworth and
David Lindup. In 2002, the Winnipeg jazz rock band Volume released a CD,
The Amazing Spider-Band, adapting the background music. MIDI musician Vaughn Smith (Moxxi) has also released some adaptations to
YouTube and elsewhere. In 2007, the radio station
WFMU did a radio show featuring songs from the cartoon alongside the original masters from KPM, later released as a podcast. ==Broadcast schedule==