'',
Charlemagne is forced to abandon the siege of Pavia, about 1514,
Pavia,
Church San Teodoro. In
Pavia, where the memory of the
Lombard reasoning and the role of capital of the city characterized the urban identity for centuries, there are some testimonies of the siege, some contemporary, such as the sections of the first walls preserved in via dei Mulini, others, albeit later, very significant, such as the cycle of the stories of Saint
Theodore of Pavia frescoed in the right aisle of the
church of San Teodoro. The painting, commissioned in 1514 by the rector of the church Giovanni Luchino Corti to an anonymous Lombard artist, depicts some episodes in the life of the holy bishop of Pavia and in particular during the siege of 773-774, which significantly fails in the pictorial cycle.
Theodore in fact caused the
Ticino waters to swell, flooding the Frankish camp and forcing
Charlemagne to abandon the siege. In years in which the
wars of Italy created strong uncertainties about the future of the city and of the entire
duchy of Milan, the clients, by modifying the real outcome of the siege, intended to underline their strong identity and autonomy, as if the
Lombard kingdom had not ever really fallen. ) Always linked to the memory of the siege is the small church of Santa Sofia (
Torre d'Isola) located on a high terrace of Ticino a few kilometers west of the city, which according to a legend (based on the story handed down by the chronicler
Notker the Stammerer) was built by Charlemagne during the siege of Pavia in just one day in order to better attend the divine services. However, beyond the imaginative narration of the chronicler, a royal residence certainly arose in the church in the ninth century, in which
Louis II of Italy and then
Charles the Bald stayed first in the year 876. ==Notes==