In June 2017, Pascal said that Sony now intended to have their new Marvel-based films take place in "the same world" as
Spider-Man: Homecoming, describing them as "adjunct" to that world. She said that
Silver & Black would have connections with
Venom, and that there was potential for
Tom Holland's Spider-Man to appear in both films. By that point, Prince-Bythewood was writing a new draft of the script herself, and had begun planning the visuals and music for the film, which she hoped to begin casting for shortly. Prince-Bythewood was inspired by
Patty Jenkins' superhero film
Wonder Woman (2017), which had been released soon after she had signed on to direct
Silver & Black. Prince-Bythewood met with Jenkins several times to discuss
Wonder Woman, and to get advice on directing a big-budget female superhero film. In July,
Columbia Pictures president
Sanford Panitch explained that Sony was not interested in producing "conventional comic-book movies" and was looking to give each film in their MU a distinct style.
Silver & Black was considered a dark
buddy film, compared to
Thelma & Louise (1991) and
Midnight Run (1988). Prince-Bythewood wanted to explore "the story of two damaged women who are at war with each other but need each other to survive", and noted that both characters are haunted by the deaths of their parents in the comics. The film was officially set for release on February 8, 2019, with the villains
Chameleon,
Tombstone, and
Tarantula being considered. In December,
Ruth E. Carter joined as costume designer after doing so for Marvel's
Black Panther (2018), and
Kristi Zea signed on as production designer in January 2018. Also in January 2018, production on the film was expected to begin on March 5, 2018, and run through mid-June. Filming was set to primarily take place in
Atlanta, Georgia, under the working title
Tri-Border. Additional filming was set to take place in
Mexico, which was believed to be for scenes depicting the
Triple Frontier area bordering
Brazil,
Argentina, and
Paraguay. Lindsey Beer and Geneva Robertson-Dworet had written a new draft of the screenplay by mid-February 2018, which they had handed back to Prince-Bythewood to polish. At that point, Prince-Bythewood had developed looks for the film's sets and costumes, scouted locations, storyboarded action sequences, and begun working with the visual effects team. == Indefinite delay ==