Political career Addison returned to England at the end of 1703. For more than a year he remained unemployed, but the
Battle of Blenheim in 1704 gave him a fresh opportunity to distinguish himself. The government, specifically
Lord Treasurer Godolphin, commissioned Addison to write a commemorative poem about the battle, and he produced
The Campaign, which was received with such satisfaction that he was appointed Commissioner of Appeals in Halifax's government. His next literary venture was an account of his travels in Italy,
Remarks on several parts of Italy, &c., in the years 1701, 1702, 1703, published in 1705 by
Jacob Tonson. In 1705, with the
Whigs in power, Addison was made Under-Secretary of State and accompanied Lord Halifax on a diplomatic mission to Hannover, Germany. A biography of Addison states: "In the field of his foreign responsibilities Addison's views were those of a good Whig. He had always believed that England's power depended upon her wealth, her wealth upon her commerce, and her commerce upon the freedom of the seas and the checking of the power of France and Spain." In 1708 and 1709, Addison was a Member of Parliament for the borough of
Lostwithiel. He was soon appointed secretary to the new
Lord Lieutenant of Ireland,
Lord Wharton. Under the direction of Wharton, he was an MP in the
Irish House of Commons for
Cavan Borough from 1709 until 1713. In 1710, he represented
Malmesbury, in his home county of
Wiltshire, holding the seat until his death in 1719.
Magazine founder Addison met
Jonathan Swift in Ireland and remained there for a year. Later, he helped form the
Kitcat Club and renewed his friendship with Richard Steele. In 1709, Steele began to publish the
Tatler, and Addison became a regular contributor. In 1711, they began
The Spectator; its first issue appeared on 1 March 1711. This paper, which was originally a daily, was published until 20 December 1714, interrupted for a year by the publication of
The Guardian in 1713. His last publication was
The Freeholder, a political paper, in 1715–16.
Plays He wrote the
libretto for
Thomas Clayton's opera
Rosamond, which had a disastrous premiere in London in 1707. In 1713, Addison's tragedy
Cato was produced, and was received with acclamation by both Whigs and
Tories. He followed this effort with a comedic play,
The Drummer (1716).
Cato , in the role of Cato, revived at Covent Garden in 1816, drawn by
George Cruikshank In 1712, Addison wrote his most famous work,
Cato, a Tragedy. Based on the last days of
Marcus Porcius Cato Uticensis, it deals with conflicts such as individual liberty versus government tyranny,
Republicanism versus
Monarchism, logic versus emotion, and Cato's personal struggle to retain his beliefs in the face of death. It has a prologue written by
Alexander Pope and an epilogue by
Samuel Garth. The play was a success throughout the British Empire. It continued to grow in popularity, especially in America, for several generations. It is cited by some historians as a literary inspiration for the
American Revolution, being known to many of the
Founding Fathers. General
George Washington sponsored a performance of Cato for the
Continental Army during the difficult winter of 1777–78 at
Valley Forge. According to
John J. Miller, "no single work of literature may have been more important than
Cato" for the leaders of the American revolution. Scholars have identified the inspiration for several famous quotations from the American Revolution in
Cato. These include: •
Patrick Henry's famous ultimatum: "
Give me liberty or give me death!" :(Supposed reference to Act II, Scene 4:
"It is not now time to talk of aught/But chains or conquest, liberty or death."). •
Nathan Hale's valediction: "I regret that I have but one life to give for my country." :(Supposed reference to Act IV, Scene 4:
"What a pity it is/That we can die but once to serve our country."). The poet referred to is Addison and the passage quoted is from
Cato (V.i. II): "Through what variety of untried being, through what new scenes and changes must we pass!" Though the play has fallen from popularity and is now rarely performed, it was popular and often cited in the eighteenth century, with Cato being an example of republican virtue and
liberty, for example in''
Cato's Letters'' (although there is no direct evidence of the play inspiring the titling of the letters). The action of the play involves the forces of Cato at
Utica, awaiting the attack of Caesar immediately following his victory at
Thapsus (46 BC). The noble sons of Cato, Portius and Marcus, are both in love with Lucia, the daughter of Lucius, an ally of Cato. Juba, prince of
Numidia, one of Cato's warriors, loves Cato's daughter Marcia. Meanwhile, Sempronius, a senator, and Syphax, a general of the Numidians, are conspiring secretly against Cato, hoping to prevent the
Numidian army from supporting him. In the final act, Cato commits suicide, leaving his followers to make their peace with the approaching army of Caesaran easier task after Cato's death, since he was Caesar's most implacable enemy.
Hymns Addison wrote the popular church
hymn "The Spacious Firmament on High", publishing it in
The Spectator in 1712. It is commonly sung either to the tune known as "LONDON (Addison's)" by John Sheeles, written c. 1720, or to "CREATION" by
Joseph Haydn, 1798. He also produced a version of Psalm 23, "The Lord my pasture shall prepare", usually sung to the tune SURREY. ==Marriage and death==