Arnold was a relatively conservative composer of
tonal works, but a prolific and popular one. He acknowledged
Hector Berlioz as an influence, alongside
Gustav Mahler,
Béla Bartók and
jazz. Several commentators have drawn a comparison with
Jean Sibelius. Arnold's most significant works are sometimes considered to be his nine
symphonies. He also wrote a number of
concertos, including one for
guitar for
Julian Bream, one for
cello for
Julian Lloyd Webber, one for viola, two for
clarinet for
Frederick Thurston and
Benny Goodman, one for
harmonica for
Larry Adler and one – enthusiastically welcomed at its premiere during the 1969
Proms – for three hands on two pianos for the husband-and-wife team of
Cyril Smith and
Phyllis Sellick. His sets of dances – comprising two sets of
English Dances (
Opp. 27 and 33), along with one set each of
Scottish Dances (Op. 59),
Cornish Dances (Op. 91),
Irish Dances (Op. 126), and
Welsh Dances (Op. 138) – are mainly in a lighter vein and are popular both in their original orchestral guise and in later
wind and
brass band arrangements. The
English Dances also form the basis for
Kenneth MacMillan's short ballet
Solitaire, and one of them has been used as the theme music for the British television programme
What the Papers Say (the
Cornish Dances has provided the theme music for the television programmes of the cook
Rick Stein). Arnold also wrote some highly successful concert overtures, including
Beckus the Dandipratt (an important stepping stone in his early career), the strikingly scored ''
Tam o' Shanter (based on the famous Robert Burns poem), the rollicking A Grand Grand Overture
(written for a Hoffnung Festival and featuring three vacuum cleaners and a floor polisher, all in turn polished off by a firing squad in a mock 1812 manner), and the dramatic Peterloo Overture (commissioned by the Trades Union Congress to commemorate the historic massacre of protesting workers in Manchester). Another popular short work is his Divertimento for Flute, Oboe and Clarinet (Op. 37). Arnold is also known for his relatively large number of compositions and arrangements of his own compositions for brass band. In 1954, Beckus the Dandipratt'' was given a radio studio performance by the BBC Symphony Orchestra under
Leopold Stokowski, who was thanked by the composer for his "wonderful performance."
Film scores A successful composer for the cinema, Malcolm Arnold was credited with having written over a hundred
film scores for features and documentaries between 1947 and 1969. In 1957, Arnold won an
Academy Award for the music to
David Lean's film
The Bridge on the River Kwai. His two other collaborations with David Lean were
The Sound Barrier (1952) and ''
Hobson's Choice (1954). The Inn of the Sixth Happiness (1958) won Arnold an Ivor Novello Award. Also during the 1950s – an especially prolific period for Arnold – he provided a series of scores for major British and American feature films, such as The Captain's Paradise (1953), The Sea Shall Not Have Them (1954), The Night My Number Came Up (1955), The Constant Husband (1955), I Am a Camera (1955), 1984 (1956), Trapeze (1956), A Hill in Korea (1956), Dunkirk (1958), The Key (1958) and The Roots of Heaven'' (1958). He also wrote the music for the entire series of
St Trinian's films, including ''
The Belles of St Trinian's'' (1954), which was a particular favourite with the composer. The films' introductory theme has echoes of "Lili Marleen", the iconic wartime song. His 1960s scores included
The Angry Silence (1960),
Tunes of Glory (1960),
No Love for Johnnie (1961),
Whistle Down the Wind (1961),
The Inspector (1962),
The Lion (1962),
Nine Hours to Rama (1963),
Tamahine (1963),
The Chalk Garden (1964),
The Thin Red Line (1964),
Sky West and Crooked (1965),
The Heroes of Telemark (1965),
Africa Texas Style (1967) and
The Reckoning (1970). His last film score was for the movie
David Copperfield (1969). ==Legacy==