Westmacott studied with his father, also named
Richard Westmacott, at his studio in
Mount Street, off
Grosvenor Square in London before going to Rome in 1793 to study under
Antonio Canova. Westmacott devoted all his energies to the study of
classical sculpture, and throughout his life his real sympathies were with pagan rather than with Christian art. Within a year of his arrival in Rome he won the first prize for sculpture offered by the
Florentine Academy of Arts, and in the following year he gained the papal gold medal awarded by the
Academy of St Luke with his bas-relief of
Joseph and his brothers. On returning to England in 1797, he set up a studio, where
John Edward Carew and
Musgrave Watson gained experience. Westmacott had his own foundry at
Pimlico, in London, where he cast both his own works, and those of other sculptors, including
John Flaxman's statue of Sir
John Moore for Glasgow. Late in life he was asked by the
Office of Works for advice on the casting of the relief panels for
Nelson's Column. '' (1822) on the
Wellington Monument at
Hyde Park Corner, London. Westmacott exhibited at the
Royal Academy between 1797 and 1839. His name is given in the catalogues as "R. Westmacott, Junr." until 1807, when the "Junr." was dropped. He was elected an associate of the Royal Academy in 1805, and a full academician in 1811. He was professor of sculpture at the academy from 1827 until his death. In 1852 when contacted by the
Corporation of London about a possible sculpture commission, Westmacott replied that he had not been active as a sculptor for some years. ==Works==