AES3

The development of standards for digital audio interconnect for both professional and domestic audio equipment, began in the late 1970s in a joint effort between the Audio Engineering Society and the European Broadcasting Union, and culminated in the publishing of AES3 in 1985. The AES3 standard has been revised in 1992 and 2003 and is published in AES and EBU versions. Early on, the standard was frequently known as AES/EBU. Variants using different physical connections are specified in IEC 60958. These are essentially consumer versions of AES3 for use within the domestic high fidelity environment using connectors more commonly found in the consumer market. These variants are commonly known as S/PDIF. ==Related standards and documents==

IEC 60958 IEC 60958 (formerly IEC 958) is the International Electrotechnical Commission's standard on digital audio interfaces. It reproduces the AES3 professional digital audio interconnect standard and the consumer version of the same, S/PDIF. The standard consists of several parts: • IEC 60958-1: General • IEC 60958-2: Software Information Delivery Mode • IEC 60958-3: Consumer applications • IEC 60958-4: Professional applications • IEC 60958-5: Consumer application enhancement AES-2id AES-2id is an AES information document published by the Audio Engineering Society for digital audio engineering—Guidelines for the use of the AES3 interface. This document provides guidelines for the use of AES3, AES Recommended Practice for Digital Audio Engineering, Serial transmission format for two-channel linearly represented digital audio data. This document also covers the description of related standards used in conjunction with AES3 such as AES11. The full details of AES-2id can be found in the standards section of the Audio Engineering Society web site.. ==Hardware connections==

The AES3 standard parallels part 4 of the international standard IEC 60958. Of the physical interconnection types defined by IEC 60958, two are in common use. IEC 60958 type I Type I connections use balanced, three-conductor, 110-ohm twisted pair cabling with XLR connectors. Type I connections are most often used in professional installations and are considered the standard connector for AES3. The hardware interface is usually implemented using RS-422 line drivers and receivers. IEC 60958 type II IEC 60958 Type II defines an unbalanced electrical or optical interface for consumer electronics applications. The precursor of the IEC 60958 Type II specification was the Sony/Philips Digital Interface, or S/PDIF. Both were based on the original AES/EBU work. S/PDIF and AES3 are interchangeable at the protocol level, but at the physical level, they specify different electrical signalling levels and impedances, which may be significant in some applications. BNC connector AES/EBU signals can also be run using unbalanced BNC connectors a with a 75-ohm coaxial cable. The unbalanced version has a very long transmission distance as opposed to the 150 meters maximum for the balanced version. The AES-3id standard defines a 75-ohm BNC electrical variant of AES3. This uses the same cabling, patching and infrastructure as analogue or digital video, and is thus common in the broadcast industry. ==Protocol==

:The low-level protocol for data transmission in AES3 and S/PDIF is largely identical, and the following discussion applies for S/PDIF, except as noted. AES3 was designed primarily to support stereo PCM encoded audio in either DAT format at 48 kHz or CD format at 44.1 kHz. No attempt was made to use a carrier able to support both rates; instead, AES3 allows the data to be run at any rate, and encoding the clock and the data together using biphase mark code (BMC). Each bit occupies one time slot. Each audio sample (of up to 24 bits) is combined with four flag bits and a synchronisation preamble which is four time slots long to make a subframe of 32 time slots. The 32 time slots of each subframe are assigned as follows: Two subframes (A and B, normally used for left and right audio channels) make a frame. Frames contain 64 bit periods and are produced once per audio sample period. At the highest level, each 192 consecutive frames are grouped into an audio block. While samples repeat each frame time, metadata is only transmitted once per audio block. At 48 kHz sample rate, there are 250 audio blocks per second, and 3,072,000 time slots per second supported by a 6.144 MHz biphase clock. Synchronisation preamble The synchronisation preamble is a specially coded preamble that identifies the subframe and its position within the audio block. Preambles are not normal BMC-encoded data bits, although they do still have zero DC bias. Three preambles are possible: • X (or M) : 11100010 if previous time slot was 0, 00011101 if it was 1. (Equivalently, 10010011 NRZI encoded.) Marks a word for channel A (left), other than at the start of an audio block. • Y (or W) : 11100100 if previous time slot was 0, 00011011 if it was 1. (Equivalently, 10010110 NRZI encoded.) Marks a word for channel B (right). • Z (or B) : 11101000 if previous time slot was 0, 00010111 if it was 1. (Equivalently, 10011100 NRZI encoded.) Marks a word for channel A (left) at the start of an audio block. The three preambles are called X, Y, Z in the AES3 standard; and M, W, B in IEC 958 (an AES extension). The 8-bit preambles are transmitted in the time allocated to the first four time slots of each subframe (time slots 0 to 3). Any of the three marks the beginning of a subframe. X or Z marks the beginning of a frame, and Z marks the beginning of an audio block. | 0 | 1 | 2 | 3 | | 0 | 1 | 2 | 3 | Time slots _____ _ _____ _ / \_____/ \_/ \_____/ \_/ \ Preamble X _____ _ ___ ___ / \___/ \___/ \_____/ \_/ \ Preamble Y _____ _ _ _____ / \_/ \_____/ \_____/ \_/ \ Preamble Z ___ ___ ___ ___ / \___/ \___/ \___/ \___/ \ All 0 bits BMC encoded _ _ _ _ _ _ _ _ / \_/ \_/ \_/ \_/ \_/ \_/ \_/ \_/ \ All 1 bits BMC encoded | 0 | 1 | 2 | 3 | | 0 | 1 | 2 | 3 | Time slots In two-channel AES3, the preambles form a pattern of ZYXYXYXY..., but it is straightforward to extend this structure to additional channels (more subframes per frame), each with a Y preamble, as is done in the MADI protocol. Channel status word There is one channel status bit in each subframe, a total of 192 bits or 24 bytes for each channel in each block. Between the AES3 and S/PDIF standards, the contents of the 192-bit channel status word differ significantly, although they agree that the first channel status bit distinguishes between the two. In the case of AES3, the standard describes, in detail, the function of each bit. • Byte 22: Channel status word reliability indication • bits 0–3: Reserved • bit 4: If set, bytes 0–5 (signal format) are unreliable. • bit 5: If set, bytes 6–13 (channel labels) are unreliable. • bit 6: If set, bytes 14–17 (sample address) are unreliable. • bit 7: If set, bytes 18–21 (timestamp) are unreliable. • Byte 23: CRC. This byte is used to detect corruption of the channel status word, as might be caused by switching mid-block. Embedded timecode SMPTE timecode data can be embedded within AES3 signals. It can be used for synchronization and for logging and identifying audio content. It is embedded as a 32-bit binary word in bytes 18 to 21 of the channel status data. The AES11 standard provides information on the synchronization of digital audio structures. the AES52 standard describes how to insert unique identifiers into an AES3 bit stream. SMPTE 2110 SMPTE 2110-31 defines how to encapsulate an AES3 data stream in Real-time Transport Protocol packets for transmission over an IP network using the SMPTE 2110 IP based multicast framework. SMPTE 302M SMPTE 302M-2007 defines how to encapsulate an AES3 data stream in an MPEG transport stream for television applications. Other formats AES3 digital audio format can also be carried over an Asynchronous Transfer Mode network. The standard for packing AES3 frames into ATM cells is AES47. ==See also==