Jackson began work on the audiobook
E.T. the Extra-Terrestrial in June 1982about two months after he began recording his sixth studio album
Thriller. Quincy Jones served as the producer for both projects, in addition to working as the narrative writer for the audiobook. During the recording of the narration, Jackson became so upset when E.T. died in the story that he wept. Jones and Spielberg both felt that trying to record the part again would not change the pop star's emotional reaction and decided to leave Jackson's crying in the finished recording. Jackson biographer Lisa D. Campbell wrote that Jones had learned this during the recording of "
She's Out of My Life" (from the
Off the Wall album), where the singer also broke down in tears. Speaking about the character, Jackson commented the following: "He's in a strange place and wants to be acceptedwhich is a situation that I have found myself in many times when travelling from city to city all over the world. He's most comfortable with children, and I have a great love for kids. He gives love and wants love in return, which is me. And he has that super power which lets him lift off and fly whenever he wants to get away from things on Earth, and I can identify with that. He and I are alike in many ways." Several of the contributors to the
E.T. the Extra-Terrestrial storybook album had worked with Jackson in the past.
Rod Temperton, who had written several songs featured on
Off the Wall and
Thriller, wrote the music for "Someone in the Dark".
Freddy DeMann and Ron Weisner, former managers of the Jacksons, served as the production coordinators for the album.
Bruce Swedien engineered
E.T. the Extra-Terrestrial, a task he had performed on
Off the Wall and
Thriller and would go on to perform for the next albums of Jackson. Dick Zimmerman photographed Jackson for the
Thriller album cover, before again capturing the singer for the accompanying poster to the
E.T. the Extra-Terrestrial album. Once the recording and engineering aspects of production had been completed,
MCA Records (the distributor of the album) pressed more than a million copies of the audiobook. In 1982 a journalist for
Billboard wrote that it was one of the "most ambitious" projects MCA Records had taken on to date. ==Content==