Big Comic played a pivotal role in the maturation of postwar manga, particularly in the emergence of
seinen manga during the late 1960s and 1970s. The magazine brought together diverse artistic currents: it featured contributors from the
gekiga tradition, such as Sanpei Shirato and
Shigeru Mizuki, as well as artists associated with
story manga, including Osamu Tezuka and the Fujiko team. Under the editorial direction of Konishi Yōnosuke,
Big Comic embraced the concept of the "quasi-novel" (
chūkan shōsetsu), aiming to bridge mass media and serious literature. This editorial vision helped elevate manga as a serious art form and positioned
Big Comic as a cornerstone of literary and artistic manga. While some critics of the time resisted what they saw as the commercialization of manga by major publishers,
Big Comic nonetheless became a platform for more mature, diverse, and experimental storytelling, influencing generations of artists and readers. ==List of works==