Legendary origins There is common consensus that the
Norman cathedral was constructed on the site of an ancient
Celtic church, but there is little consensus on the original church's age, importance or size.
Lucius of Britain Welsh tradition associates the church's founding with
Lucius, the legendary 2nd-century
King of the Britons and the first Christian convert in Britain. Lucius was believed to have beseeched Pope (
Eleutherius) to convert him to Christianity. The Pope's response was to send a Christian mission to Britain, which would include the building of Britain's first church. The
Welsh Triads relate this tradition to Llandaff, stating that Lucius "made the first Church at Llandaf, which was the first in the Isle of Britain." another triad lists "the three archbishoprics of the Isle of Britain" and states that "the first was Llandaf, of the gift of Lleirwg (Lucius), the son of Coel, the son of Cyllin, who first gave lands and civil privileges to such as first embraced the faith in Christ." Although the Lucius legend is now considered to be pseudo-history, it was recounted by
Nennius,
Bede and
Geoffrey of Monmouth, and seems to have been widely accepted in the medieval period. Four names are associated with the task of executing the Pope's wishes; these include the early Welsh saints
Fagan,
Deruvian and
Elvan. Fagan is sometimes named as "the first Bishop of Llandaff" while all three became patrons of churches and villages throughout the diocese.
Iolo Morgannwg also linked these early figures to Llandaff, writing extensively on this supposed early foundation. In the
Iolo Manuscripts, he credits Fagan as the second Bishop of Llandaff (succeeding Dyfan, a figure Iolo conflates with Deruvian).
Saint Dubricius In their writings on Lucius of Britain, both
Geoffrey of Monmouth and
Iolo Morganwg state that the original Christian community at Llandaff was re-established by
Saint Dyfrig (Dubricius) and his successor,
Saint Teilo. The most notable legends surrounding these two state that Saint Dyfrig was made Archbishop by
Saint Germanus of Auxerre while he travelled through Britain to oppose the Pelagian heresy, and link both saints with
King Arthur. The Normans considered Dyfrig and Teilo as the cathedral's founders and they, along with their successor
Oudoceus, are the modern cathedral's
patron saints.
Norman cathedral , relocated to St David's Chapel in 1984 The Normans occupied
Glamorgan early in the
Norman conquest, appointing
Urban their first bishop in 1107. He began construction of the cathedral in 1120 and had the remains of Saint
Dyfrig transferred from
Bardsey. After the death of Urban, it is believed the work was completed some time in the last years of Bishop Nicholas ap Gwrgant, who died in 1183. The cathedral was dedicated to Saints Peter and Paul, Dubricius, Teilo and Oudoceus. Bishop
Henry de Abergavenny organised the Llandaff
Cathedral chapter circa 1214. He appointed fourteen
prebends, eight priests, four deacons and two sub-deacons. De Abergavenny also made changes to Llandaff's episcopal seal, giving more detail to the figure of the bishop depicted on it and adding the phrase "by the grace of God" to its inscription. The west front dates from 1220 and contains a statue of St Teilo. By 1266, the structure that Urban began had been altered; the cathedral was dedicated again in 1266. The Lady Chapel was built by
William de Braose, bishop from 1266 to 1287. It was built at the rear of the church constructed by Urban and the old choir area was removed in order to build the chapel. From this time on, it seemed as if the cathedral was in a constant state of repair or alterations at a slow pace. After the Lady Chapel had been completed, the two bays of the north choir aisle were rebuilt. Severe damage was done to the church in 1400 during the rebellion of
Owain Glyndŵr; his forces also destroyed the
Bishop's Palace at Llandaff. The damage was extensive enough to cause
Bishop Blethyn to notify his fellow clergymen in 1575 that he believed the cathedral to possibly be damaged beyond repair. Most of the other damage was repaired, most notably by
Bishop Marshall, whose
reredos partly survives. The northwest tower, the one without a spire, was added by
Jasper Tudor and is now named after him. He assumed the lordship of Cardiff after the accession to the throne of his nephew, King
Henry VII of England. Late medieval tombs include that of
Sir David Mathew of Llandaff (1400–1484). Sir David ap Mathew was appointed "Grand
Standard Bearer of England", by
King Edward IV, for saving his life at the
Battle of Towton 1461 during the
Wars of the Roses.
Post-medieval to Victorian period 's 1610 map of Wales During the
English Civil War, the cathedral was overrun by Parliamentarian troops. Along with other destruction, the troops seized the books of the cathedral library, taking them to
Cardiff Castle, where they were burned along with many copies of the
Book of Common Prayer. Among those invited to the castle to warm themselves by the fire on that cold winter day, were the wives of some sequestered clergymen. Also during this time of unrest, a man named Milles, who claimed to be a practising
Puritan, appropriated portions of the cathedral for his own gain. Milles set up a
tavern in the cathedral, used part of it as a
stable, turned the choir area into a pen for his
calves and used the
font as a
trough for his pigs. The southwest tower suffered major damage in the
Great Storm of 1703 and by 1720, was in a state of collapse. The damage to the cathedral was so extensive that the church seriously considered removal of the
see to Cardiff in 1717.
Thomas Hancorne, a
jacobite prominent in
High Church circles, was prebendary of Llandaff from 1718 to 1731. Between 1720 and 1723 a series of storms damaged the cathedral further, bringing down sections of the roof. The collapse of 1723 forced worship services to be confined to the Lady Chapel and closed the western entrance of the cathedral entirely. Thirty years after the cathedral roof collapsed, the chapter asked an architect,
John Wood, the Elder, to prepare estimates and plans to restore the cathedral. In 1734 work began on a new cathedral, designed by Wood. Wood produced an Italian temple style edifice, working only on the eastern portion of the building, while leaving the remaining western half in ruins. What Wood was trying to build at Llandaff was not Italian, but a recreation of
Solomon's Temple. Another sixteen years passed before the chapter solicited funds to repair the western half of the building. Wood's plans were to replace the western entrance of the cathedral with a tower and rustic porch. No changes were made to the western entrance until Wyatt and Prichard began their work in 1841, when the damage to the western portion of the structure was repaired and all traces of the Italian temple work by Wood had been removed from the cathedral. During the 19th century the bishop began to reside in Llandaff for the first time in centuries; no bishops of the see resided in Llandaff for almost 300 years. In 1836 there was another unsuccessful attempt to transfer the see—this time to
Bristol. After the attempt at transferring the see, the office of Dean was restored to Llandaff; the position had not been filled in 700 years. The office of
Dean was separated from that of the
Archdeacon of Llandaff in November 1843. The restoration of the Dean's office was the beginning of better times for the cathedral. The new Dean,
William Bruce Knight, was instrumental in bringing about the much-needed restorations. Enough restoration had been completed to allow the cathedral to be reopened for worship on 16 April 1857. The see of
Gloucester lent their cathedral choir for this service, making it possible to hear choral music in Llandaff Cathedral for the first time since 1691. The restoration done up to this point was to remove all traces of the Italian temple and to repair damages caused by the attempt to transform the cathedral by Wood. Arches with beautiful moulding were hidden by walls,
Sedilia were removed from their original positions and reredos had been covered with plaster or hidden with walls. A meeting was held after the service and a detailed restoration plan was announced at the meeting along with a list for those wishing to donate to the work. The Prince of Wales (later
Edward VII) and
John Crichton-Stuart, 3rd Marquess of Bute were among those who pledged donations sufficient to allow the restoration work to continue immediately. The cathedral was extensively restored, the tower rebuilt and a spire added. Much of the restoration work was completed by local architect
John Prichard between 1843 and 1869. A
triptych by
Dante Gabriel Rossetti was designed for use as a
reredos, and a new
stained glass window,
Shipwreck of St Paul, was designed by
Ford Madox Brown. Sir
Edward Burne-Jones designed the porcelain panels
Six Days of Creation in St Dyfrig's Chapel. From 1691 until around 1860 there had been no choir at the cathedral. There was also no organ for some time. Browne Willis' 1719 account describes the ruins of an organ given to the cathedral by Lady Kemysh of
Cefn Mably found in the organ loft at that time. In 1860,
Alfred Ollivant, who was then Bishop of Landaff, published a book,
Some Account of the Condition of the Fabric of Llandaff Cathedral, from 1575 to the present time, intended to raise funds to restore the cathedral's choir and to purchase a new organ. A
cathedral school of some type has existed since the 9th century. Dean Vaughan reorganised the school in 1888. Since 1978 the cathedral school has accepted female pupils. The top of the spire also had to be reconstructed and there was also some damage to the organ. memorial chapel Major restorations and reconfigurations were carried out under architect
George Pace of
York, and the building was back in use in June 1958.
Elizabeth II attended a service celebrating the completion of the restoration on 6 August 1960. Pace presented two options to replace the
pulpitum which was not part of the cathedral restoration done earlier by Pritchard. One was for a
baldacchino having four columns with a suitable painting beneath it. The other was for a double wishbone arch topped by a hollow drum to house the division of the organ. The figure of "Christ in Glory" would be installed on the west face of the drum. This proposal was accepted by the Dean and the cathedral chapter. They approached the War Damage Commission about whether funds initially meant for replacement of stained glass damaged in the bombing could be used for art in other media. This permission helped to finance the
Majestas figure. In February 2007 the cathedral suffered a severe
lightning strike. Particular damage was caused to the electrics of the
organ, which was already in poor condition. The instrument was not able to be used after the lightning damage. ==Architecture==