Early history St Paul's Cathedral is built on the site where the first public Christian service in Melbourne was conducted in 1835. The block was then a government reserve far from the centre of town to the west, and used as a corn market. By 1848 the site was then adjacent to the first
Princes Bridge across the Yarra River, and the prominent site was granted to the Anglican Church. The
bluestone Church of St Paul the Apostle was consecrated in 1852. Colonial artist
Samuel Thomas Gill sketched St Paul's Church in 1854. A lithographic print titled 'St. Paul's Church Melbourne 1854' is part of his
Sketches in Victoria album and was digitised by the National Library of Australia in 2021. Nearly 30 years later with the huge growth of the city and Swanston Street becoming a major thoroughfare, the diocese decided to build a grand cathedral on the site to supersede the 1839
St James Old Cathedral located in the western end of the CBD. The English architect
William Butterfield, known for his distinctive interpretation of the
Gothic Revival, was commissioned to design the new cathedral. To fit the block, the cathedral is orientated in line with the central city grid, on the north–south axis, rather than facing east, the traditional direction. The foundation stone was laid in 1880 by the
Governor of Victoria,
John, Earl of Hopetoun (later Marquess of Linlithgow), in the presence of the Rt Revd
Charles Perry,
Bishop of Melbourne. On 22 January 1891 the cathedral (without the spires) was consecrated by the Rt Revd Field Flowers Goe, Bishop of Melbourne. The building work was marked by disputes between Butterfield and the church authorities in Melbourne, leading to Butterfield's resignation in 1884. The job was then awarded to a local architect,
Joseph Reed, who completed the building generally faithfully to Butterfield's design and who also designed the attached chapter house in matching style in 1889. The
pipe organ was commissioned from the English builder
T. C. Lewis, one of the most prominent organ builders of the 19th century. File:St Pauls Church Melbourne 1854.jpg|Lithographic print of the first St Paul's Church Melbourne 1854 by S. T. Gill File:Melbourne in 1862 from Princes Bridge.jpg|1862 lithograph of Melbourne from Princes Bridge, showing the first St Paul's Church File:Butterfields st pauls cathedral melbourne design.jpg|William Butterfield's original design for St Paul's Cathedral
20th and 21st centuries For nearly 40 years, without the
spires, the cathedral presented as a rather solid, horizontal mass, but was nevertheless the subject of postcards and photographs. In the early 1920s, having determined not to complete Butterfield's design, it was decided to hold a competition for the design of new spires. The winner, announced in Feb 1925, was John Barr, of
Sydney, with a traditional Gothic Revival style, and the central spire much taller than the original design. Construction started in July 1926, using a stone from the Sydney area that was different to the original Barabool stone. The central tower was named the Moorhouse Spire, and reached its full height of 312 ft (95m) in 1932, and on 30 April 1933 a service of thanksgiving was held for its completion. The architects were Gawler & Drummond, and the works were done in 1926. The 1960s saw extensive work completed to the exterior of the cathedral and in 1989 the
organ was restored with the help of a major
National Trust appeal. Further major restoration works were completed in 2009 with significant repairs to the spires, the installation of a coloured glass lantern in the Moorhouse Tower and coloured glass doors and a glass walled airlock at the Great West door. The growth of multi-storey buildings in central Melbourne during the later 20th century robbed St Paul's of its claims to height, but with the retail heart height limit of 40m, it has retained its dominance of the immediate area. For about 30 years it was however somewhat dominated by the 16-storey
Gas & Fuel buildings built along Flinders Street to the east in 1967, but demolished in 1997 to make way for
Federation Square. By the 1990s the constant traffic vibration in central Melbourne led to concerns about the structural soundness of the cathedral, particularly its spires. A public appeal, led by the then Dean of Melbourne,
David Richardson, raised A$18 million to restore the spires and improve the interior of the building. The seven-year restoration project was completed in 2009, under the guidance of Falkinger Andronas Architects and Heritage Consultants (now Andronas Conservation Architecture). The restoration works were undertaken by Cathedral Stone and were acknowledged by the
Australian Institute of Architects, the Victorian Chapter Heritage Architecture Award 2009 and the Lachlan Macquarie National Award for Heritage Architecture 2009. As part of the work, stone heads of former
dean David Richardson and philanthropist Dame
Elisabeth Murdoch, created by Melbourne sculptor Smiley Williams and carved by
stonemason Daryl Gilbert, were added to the spires and new
dalle de verre glass was created by Janusz and Magda Kuszbicki for the west doors and the "Eighth Day"
lantern in the Moorhouse Tower. Besides Sunday and weekday
Eucharists the cathedral "maintains the English tradition" of a daily
choral Evensong, being the only Australian Anglican cathedral to do so. == Architecture ==