Early years Clarke was born on June 30, 1951, in Philadelphia. His mother sang opera around the house, belonged to a church choir, and encouraged him to study music. He started on accordion, then tried violin. But he felt awkward holding such a small instrument in his big hands when he was twelve years old and over six feet tall. No one wanted the acoustic bass in the corner, so he picked it up. He took lessons on the
double bass at the
Settlement Music School in Philadelphia, studying classical bass for five years under Eligio Rossi. He picked up
bass guitar in his teens so that he could perform at parties and imitate the rock and pop bands that girls liked. His recording debut was with
Curtis Fuller. He worked with
Joe Henderson and
Pharoah Sanders, then in 1972 with
Tony Williams Lifetime Experience,
Stan Getz,
Dexter Gordon, and
Art Blakey, followed by
Gil Evans,
Mel Lewis, and
Horace Silver. At the time, Corea was working with
Stan Getz putting together a new backing band for him and writing music for the group; these pieces first surfaced on two albums recorded in February/March 1972 in New York,
Captain Marvel (credited to Getz, released in 1975) and
Return to Forever (credited to Corea, issued in Europe in 1972). Clarke's playing and improvising was prominent on both albums; the band also played a couple of gigs with Getz in Europe. At this early stage, the band as separate from Getz was mostly a studio side project, but the members soon realized that it had potential as a regular live band, and so the band
Return to Forever had been born. The first edition of Return to Forever performed primarily
Latin-oriented music and used only acoustic instruments (except for Corea's Fender Rhodes piano). This band consisted of singer
Flora Purim, her husband
Airto Moreira (both Brazilians) on drums and percussion, Corea's longtime musical co-worker
Joe Farrell on
saxophone and
flute, and Clarke on bass. Their first album, titled
Return to Forever, was recorded for ECM Records in 1972. The second album,
Light as a Feather (1973), was released by
Polydor and included the song "
Spain". After the second album, Farrell, Purim and Moreira left the group to form their own band, and guitarist
Bill Connors, drummer
Steve Gadd and percussionist
Mingo Lewis were added.
Lenny White (who had played with Corea in
Miles Davis's band) replaced Gadd and Lewis on drums and percussion, and the group's third album,
Hymn of the Seventh Galaxy (1973), was released. Fusion was a combination of rock and jazz which they helped develop in the early 1970s. Clarke was playing a new kind of music, using new techniques, and giving the bass guitar a prominence it lacked. He drew attention to the bass guitar as a solo instrument that could be melodic and dominant in addition to being part of the
rhythm section. For helping to bring the bass guitar to the front of the band, Clarke cites
Jaco Pastorius,
Paul McCartney,
Jack Bruce, and
Larry Graham. After Return to Forever's second album,
Light as a Feather, Clarke received job offers from
Bill Evans,
Miles Davis, and
Ray Manzarek of the Doors, but he remained with Return to Forever until 1977. Clarke's second
self-titled album
Stanley Clarke (1974) featured
Tony Williams on drums,
Bill Connors on electric and acoustic guitar, and
Jan Hammer on synthesizer [Moog], electric piano, organ, and piano [acoustic]. While on tour, British guitarist
Jeff Beck was performing the song "Power" from that album, and this was the impetus for their meeting and Beck's introduction to Hammer. They toured together, and Beck appeared on some of Clarke's albums, including
Journey to Love (1975) and
Modern Man (1978). The album
School Days (
Nemperor Records, 1976) brought Clarke the most attention and praise he had received so far. With its memorable riff, the title song became so revered that fans called out for it during concerts.
Rock and funk in the
SMV Thunder Tour,
Stockholm Jazz Festival, 2009 Clarke has spent much of his career outside jazz. In 1979,
Ronnie Wood of the Rolling Stones formed
the New Barbarians with Clarke and
Keith Richards. Two years later, Clarke and keyboardist
George Duke formed the Clarke/Duke Project, which combined pop, jazz, funk, and R&B. They met in 1971 in Finland when Duke was with
Cannonball Adderley. They recorded together for the first time on Clarke's album
Journey to Love. Their first album contained the single "
Sweet Baby", which became a top 20 pop hit. They reunited for tours during the 1990s and
Pipes of Peace (1983).
The Stanley Clarke Band The Stanley Clarke Band is an American jazz band led by Clarke. He founded the band in 1985, with
Ruslan Sirota, Shariq Tucker, Cameron Graves, Beka Gochiashvili, Salar Nader, and Evan Garr. They released the album
Find Out!. With a new group, The Stanley Clarke Band released the album
The Stanley Clarke Band which won the
2011 Grammy Award for
Best Contemporary Jazz Album. Their album
The Message was released in 2018.
Career The band's first album
Find Out! was recorded at Sunset Sound Studios and was released in 1985 by
Sony. With a band composed of Stanley Clarke on bass,
Ronald Bruner Jr. on drums, and
Ruslan Sirota on keyboards, the Stanley Clarke Band released
The Stanley Clarke Band album. It was produced by
Lenny White and Stanley Clarke and featured pianist
Hiromi." The album
The Stanley Clarke Band won the Grammy Award for
Best Contemporary Jazz Album at the 53rd Annual Grammy Awards. Additionally, the track "No Mystery" was nominated for
Best Pop Instrumental Performance. The Stanley Clarke Band with Clarke, Bruner Jr., and Sirota released
The Message.
Discography •
Find Out! (
Sony BMG, 1985) •
The Rite of Strings (Gai Saber, 1995) •
The Stanley Clarke Band (
Heads Up, 2010) •
Up (
Mack Avenue, 2014) •
The Message (Mack Avenue, 2018) ==Other groups==