Starship Titanic

Starship Titanic is a graphic adventure game played from a first-person perspective. The player moves on the eponymous ship by clicking on locations indicated by the cursor and advancing to the next frame after a blurred transition (although this can be avoided by holding down shift during clicks). The mouse can also be used to pick up and store items in your inventory and interact with onscreen objects. In the beginning of the game, the player is given a device called Personal Electronic Thingy (PET), which serves as a toolbar on the bottom of the screen. The PET has five modes: Chat-O-Mat, a text parser through which the player can talk with characters by inputting text; Personal Baggage, the inventory in which the player can add or withdraw items; Remote Thingummy, a set of functions to interact with objects and locations; Designer Room Numbers, which indicates the player's current location; and Real Life, an options menu with settings and a game save/load system. Much of the gameplay involves solving puzzles by using items with other items or with objects and characters onscreen. Another significant aspect of the game involves talking with characters in the game, namely the bots that work in the ship and a parrot, by inputting prompts in the Chat-O-Mat mode. Additionally to conversation with characters through interpreting of user input, the parser often provides hints or explanations that come in the form of pre-recorded speech, which can help the player in progressing in the game. The main objective of the game is to locate the missing parts of the ship's broken intelligence system in order to repair the starship. In order to advance within the game, the player must upgrade from the standard third class level to first class and thus gain access to areas that are restricted when the game begins. The game also requires the player to transport items throughout the ship through the Succ-U-Bus, a system of tubes that transfer objects placed in them to other parts of the ship; these tubes can be found in many areas of the ship. The player also needs to use the parrot to solve certain puzzles. A talking bomb can be found in the game and unwillingly armed by the player; if that happens, the player has to either disarm it or distract it during countdown to prevent it from exploding. == Plot ==

Starship Titanic begins in the player character's house on Earth, which is partially destroyed when the eponymous cruise ship crash-lands through the roof. Fentible, the "DoorBot," informs the player that the ship and its crew have malfunctioned and need help to return to normal. Once the ship is taken back to space, the player meets Marsinta, the "DeskBot," who makes a third-class reservation for them, and Krage, the "BellBot." The player begins the journey as a third-class passenger and, as a result, cannot access many areas of the ship reserved for higher-class passengers until they obtain a second-class promotion and eventually convince Marsinta to upgrade them to first class after managing to alter her personality. Through backstory revealed in the ship's email system, the player learns that Brobostigon and Scraliontis, two associates of the ship's creator, Leovinus, double-crossed him and deliberately provoked a "Spontaneous Massive Existence Failure" by hiding the body parts of the ship's humanoid intelligence system, Titania, in various locations within the ship, as well as planting a scuttling bomb in an effort to destroy the ship and profit from its insurance. However, both men perished in the attempt, and the player discovers their dead bodies on the ship. After exploring the vessel and solving puzzles, the player eventually finds all of Titania's body parts and awakens her, repairing the sabotaged ship and allowing it to be navigated. The player then accesses the bridge and navigates the ship back to their home on Earth. Throughout the game, the player encounters other bots, including Nobby, the "LiftBot," Fortillian, the "BarBot," and D'Astragaaar, the "Maitre d'Bot." The player also meets a parrot that accompanies them throughout most of the journey. After returning to Earth, the player gets a message from Leovinus (played by Douglas Adams) who announces that he has decided to retire on Earth as a fisherman and to find a wife. Depending on if the bomb was disarmed, one of two endings occurs: • If the bomb wasn't disarmed, the ship takes off and explodes in midair. • If the bomb was disarmed, the ship simply takes off and the player is informed by Leovinus that, by galactic salvage laws, they now own the Starship Titanic. == Development ==

Background Douglas Adams first imagined the Starship Titanic in Life, the Universe and Everything, the third entry in ''The Hitchhiker's Guide to the Galaxy'' series, where it is briefly mentioned in the book's 10th chapter. Adams describes the ship—named after the famous ocean liner—as a "majestic and luxurious cruise-liner" that "did not even manage to complete its very first radio message—an SOS—before undergoing a sudden and gratuitous total existence failure". Before making Starship Titanic, Adams had previously served as a designer for Infocom's 1984 text-based game ''The Hitchhiker's Guide to the Galaxy, which was based on his successful science fiction series of the same name, and had been an advocate for "new media". Since working with Infocom, Adams had expressed interest in returning to game design, and feared that he was spending too much time by himself writing. Commenting on the gameplay of Myst and its sequel Riven'', Adams said that "nothing really happens, and nobody is there. I thought, let's do something similar but populate the environment with characters you can interact with", In 1996 Adams co-founded The Digital Village, a company intended to handle his future endeavours in film, print and new media. Adams first discussed founding the company with Robbie Stamp, a producer at Central Independent Television in the early 1990s, and they did so along with Stamp's boss at Central, Richard Creasey; literary agent Ed Victor was also one of the company's founders. Ian Charles Stewart, one of the founders of Wired, joined the enterprise shortly thereafter. In 1996 Simon & Schuster Interactive reached a deal with the company to finance Starship Titanic, whose budget was estimated at $2 million. Development of the game began Summer 1996. Around 40 people worked on the game's development. Additional dialogue was written by D. A. Barham. Adams had devised a story concept to add an additional gameplay element where players would be able to enter the ship's data system as a "full realtime, flyable environment" and control how information flows through the vessel, but the idea was abandoned because, according to Adams, it was "a bridge too far". Adams aimed to develop a text parser-based dialogue system as opposed to the drop-down conversation menus of contemporary adventure games, in which player have limited dialogue options. The bots in the game understood around 500 words of vocabulary and were capable of conversing with the player as well as each other. According to Westecott, the developers' intention was "getting into characters" and cited games such as Myst and Mortal Kombat as contemporary games that lacked "proper interaction" with human characters. Williams and Millican modified VelociText into SpookiTalk in order to improve recognition of complicated sentence forms from players, as well as reducing repeated responses, and retaining a character's memory of an object or topic as a conversation progresses. Additional dialogue support was done by linguist Renata Henkes. Chichoni drew the initial sketches of the ship on a flight to Los Angeles on the day he and Molina joined the project. Adams described the ship's interior design as a mixture of the Ritz Hotel, the Chrysler Building, Tutankhamun's tomb and Venice. In order to make the design of the ship similar to Art Deco, Molina and Chichoni drew inspiration from 1950s American electrical appliances and modern architecture; to design the ship's external shape, they also drew from bones and dinosaur skeletons. Adams, Chichoni and Molina gave detailed briefings for the animators for each environment and character in the game. Modeling and animation for the 30 environments and 10 characters was done on Softimage 3D, version 3.5. Most environments were done separately. However, the center of the ship in particular also included other environments as it connects the first and second class canals, the top of the well and the central well; Darren Blencowe was responsible for modeling the ship's center. A total of six 3D artists worked on the game. while Cleese (who is credited as "Kim Bread") Actor Philip Pope was also involved, having voiced the Mâitre d'Bot. Adams himself also did voice acting for the game, voicing the Succ-U-Bus and Leovinus. The ambient music for the game was composed by Paul Wickens, who is also a member of Paul McCartney's touring band. Adams and Wickens were acquainted from school, but lost touch until Adams saw him performing with McCartney. Adams also wrote additional soundtrack himself, including the music in the Music Room puzzle, which was based on a tune he had written on the guitar years earlier. == Novel ==

A 1997 novelisation was written by Terry Jones as part of his involvement with the game development, the spinoff planned alongside the game. An audiobook version was also released, followed by an e-book version ten years later, and a radio dramatisation over twenty years later. ==Release==

In May 1996, Simon & Schuster Interactive announced a deal to co-publish Starship Titanic with The Digital Village. Simon & Schuster presented the game along with 11 other projects at E3 1997. Release was originally slated for September 1997, However, the game was delayed again, and in January 1998 Adams said the game "should be ready by March". Simon & Schuster made an initial April distribution of 200,000 copies to be shipped to 13 countries through seven international publishers. Zablac Entertainment secured the publishing rights in the United Kingdom, while NBG EDV Handels & Verlags AG acquired the rights in German, R&P Electronic Media did so in the Netherlands and Benelux territories, and HILAD in Australia and New Zealand. Apple, Inc. announced on 8 July 1998 that Starship Titanic, along with many other games, would be released for Macintosh computers in the future. The game was released for the Mac on 15 March 1999. Sonopress developed a DVD version of the game, which was released in the UK in May 1999. Sales for the game were financially disappointing. Simon & Schuster marketing VP Walter Walker estimated that the game had sold over 60,000 copies by the end of April, far below the expected number of 200,000. In the United States, it sold 41,524 copies and earned $1,841,429 by July; sales in that country rose to 150,000 copies by August 1999. According to the company's creative director Jeff Siegel, a DVD version of the game "did not really sell" despite being an alternative to the three-CD original release. According to Douglas Adams biographer Nick Webb, The Digital Village CEO Robbie Stamp sold the rights of Starship Titanic and all associated intellectual property to Thomas Hoegh's Arts Alliance in September 1998. The game's Windows version was re-released for modern PCs on digital download by GOG.com on 17 September 2015. == Reception ==

}} }} Starship Titanic received generally mixed reviews. Review aggregator GameRankings gives the game a score of 63.79% based on 19 reviews in the website. Adventure Gamerss Evan Dickens similarly praised the graphics and "beautiful" animation, but criticized the navigation and the parser, writing that the bots "won't understand or respond correctly to a single thing [the player asks]", and called it an "antiquated keyword-recognition system". He also described the puzzles as "contrived and unnecessary". IGN reviewer Chris Buckman gave the game a 4.9/10 score, criticizing the lack of a backstory, the movement sequences and navigation, and the obscurity of the puzzles. Writing for PC Gamer US, Stephen Poole called Starship Titanic "an uninspiring and ultimately tedious adventure." He criticized the parser as unhelpful and thought there are few characters to interact with, although he praised the puzzles as "involved and challenging" and compared them to those of classic adventure games. David Wildgoose of PC Powerplay gave the game a 71% rating, writing that the parser is "a refreshing change to the predictable keyword or menu conversation systems" of most contemporary games, and praised the difficulty of the puzzles. However, Wildgoose thought the game was "a bit of a disappointment", believing that it should have been longer and expected it to be funnier. In a review for Computer Games Strategy Plus, Cindy Yans gave the game three and a half stars out of five. She also criticized the parser for failing to understand context in conversations, and called the navigation and item usage "cumbersome"; however, she praised Adams's humor, the animations and graphics. CNN's Brad Morris praised the game overall, but compared its graphics unfavorably to contemporary games such as Riven and Zork Nemesis, and said that "it is not a revolution in this genre". Stuart Clarke of The Sydney Morning Herald praised the graphics and the game overall, but said players will "do much scratching of the head and aimless wandering in circles before the mysteries of the Titanic are solved". GameSpots Ron Dulin gave the game a 7.1 score, criticizing the lack of a story but praising the humor, graphics and the presence of a text parser as "a nice nod to the days of old". Next Generation praised the text parser and wrote that as the game progresses, "it's impossible to get anywhere" without asking the bots questions, adding that "the humor of the answers alone makes it worth asking questions". Paul Presley of PC Zone gave the game a score of 91%, praising its atmosphere as "totally absorbing" and commended it for its humor and presentation as well. Alex Cruickshank of PC Magazine called it a "pleasantly entertaining adventure" and praised the graphics, gameplay and puzzles. Entertainment Weekly's Megan Harlan gave the game an A, praising the parser and the ability to converse with the bots, as well as their responses. Writing for USA Today, Jeffrey Adam Young rated it three and a half stars out of four, calling it a "hilarious blend of Monty Pythonesque humor and zany wordplay in a sci-fi setting" and praising it for its characters and script. New York Daily News reviewer Kenneth Li gave the game three and a half stars out of four, calling it "breathtaking" and praising the storyline; however, he offered minor criticism towards repetitive replies in the text parser. Joe Brussel of Adventure Classic Gaming rated the game four stars out of five, writing that the puzzles are "entertaining but not too hard" and praised the voice acting and graphics, although he wrote the story is "a little shortsighted". The game received two nominations for the BAFTA Interactive Awards in the categories of Comedy and Interactive Treatment in October 1998, and was nominated for PC Adventure Game of the Year at the 2nd Annual Interactive Achievement Awards. Likewise, the editors of The Electric Playground nominated Starship Titanic for their 1998 "Best Adventure Game" award, which ultimately went to Grim Fandango. However, it was given a Codie award in 1999 for "Best New Adventure/Role Playing Game" by the Software and Information Industry Association. == Legacy ==

In a 2015 article, Kotaku contributor Lewis Packwood wrote that "perhaps the Starship Titanic's most enduring legacy" is a forum in the older version of the game's official website, which was developed by The Digital Village's web developer Yoz Grahame. The starship's fictional construction company Star-Struct Inc. , "a wholly-owned subsidiary" of the fictional travel agency Starlight Lines Corp., contained an "employee forum" that became popular months after it was created, entirely through user-generated content. Users role-played as fictional employees and characters in the ship, and created scenarios, storylines and in-jokes that developed over years. After The Digital Village closed, Grahame hosted the website himself and kept the domain alive. Shortly after Starship Titanic, The Digital Village (which was renamed to h2g2) developed an online guide based on ''Hitchhiker's Guide to the Galaxy'' called h2g2, which became a BBC domain after the company shut down in 2001. In 2011, the BBC sold h2g2 to Not Panicking Ltd. == References ==