"Still Alive" was met with universal acclaim.
USgamer writer Nadia Oxford called it "legendary".
Vice writer Jagger Gravning called it the most famous lyric-based video game song. A large majority of video game critics who awarded
Portal game of the year mentioned "Still Alive" as one of the game's qualities, while
Portal designer Chet Faliszek felt that it was part of why
Portal was special. Former
LucasArts employee and
Sinistar designer Noah Falstein felt that the song improved the game, and that more games should include such a fitting song. He praised McLain's performance as "pitch-perfect" and the song as "catchy".
IGN writer Ryan Geddes called it the best game-ending song of all time.
Mashable writer Kellen Beck found it one of the most recognizable. In the book
The Art of Videogames, author
Grant Tavinor wrote that while he was in hysterics by the song, he got the sense of artistic completion upon hearing it.
1UP.com's Alice Liang called the ending to
Portal "catchy, charming, surprising, and humorously bittersweet". Kyle Hilliard of
Game Informer included the song in a list of surprising musical numbers in video games, while fellow
Game Informer writer Michael Leri featured it in a list of "awesome" non-interactive credits sequences.
UGO writer Melissa Meli felt sick of the song due to how often they heard it, but still recognized the game's soundtrack as "one of the most endearing and original soundtracks in gaming history". Sara Goodwin of
The Mary Sue called it one of the best villain songs, calling it "pretty" and the lyrics "amazing and chilling".
Paste Magazine writer Nathan Spicer felt that it was a video game song that could be enjoyed regardless of someone's familiarity with
Portal. She debuted the song in live public performance at
Anime Midwest in
Chicago. The song was called the most memorable moment of 2007 by
Good Game, the
Australian Broadcasting Corporation television series. It received the 2008 "Best Original Vocal - Pop Song" award by the Game Audio Network Guild. Coulton experienced a surge in popularity after the release of
Portal. Valve hired him to work on the
soundtrack of the sequel,
Portal 2. The Press Start -Symphony of Games- performance received criticism from
Video Game Music Online author Cedille, who felt that the lyrics sounded "childish" when translated into Japanese, and that the singer gave a "faceless performance" that made it "painful and dreadful". Cedille was appreciative of the efforts made to demonstrate
Portal to Japanese audiences, but questioned the need to translate it into Japanese and feature a different singer. The Covey remix in "The Greatest Video Game Music 2" album was considered a weaker song in said album, with fellow
Video Game Music Online Jon Hammond finding the instrumental aspects nice, but feeling that Covey sounded like she was trying too hard to sing well, sacrificing the song's humor.
Video Game Music Online critic Oliver Jia felt that the original version of "Still Alive" was one of the most memorable video game themes, but felt that the performance on the Video Games Live Level 3 album ruined it due both to the fact that they used a live recording that sounded worse than other songs on the album, but also due to the crowd singing and clapping along, making it sound "overly cheesy and poorly done". ==In other media==