Critical response The album received mixed to negative reviews from music critics. At
Metacritic, which assigns a
normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 41, based on 8 reviews, making it the worst-reviewed album of 2013. the band's much-critiqued 1999 studio effort which saw Mustaine attempting to take a more commercial stand with the band's music. Many critics and fans named "Kingmaker" as a highlight, even those who took a generally dismissive view of the rest of the album. Positive comments did come from
AllMusic reviewer James Christopher Monger and
Brave Words & Bloody Knuckles reviewer Mark Gromen. Monger commented that the album had a few good songs ("Kingmaker", "Built for War" and "The Blackest Crow"), but commented that the remainder of the album "is so mired in midtempo drudgery and familiar hard rock (not thrash) tropes that it never really connects", giving the album a 2.5/5 star rating. Gromen showed more sympathy towards the album, and commented that although it is more of a rock record than recent albums such as
United Abominations or
Endgame, he felt that one song, "Built for War", had a "
Rust in Peace feel." Gromen did criticize "Burn!" for having mundane lyrics. Another generally positive review came from
Blabbermouth.net reviewer Ray Van Horn Jr., who gave the album a 7.5/10 score despite noting that he felt the album had numerous flaws. Specific praise was directed at many of Ellefson's bass parts, as well as much of the guitar solo work on the album. Van Horn declared that the album is no
Risk despite the insistence of other critics and fans, but expressed uncertainty as to which sonic direction the band might take in the future. Chad Bowar of
Loudwire had a mixed overall opinion on the album and mainly criticized the album for being more akin to
Risk and
The World Needs a Hero than other recent albums. Bowar gave reserved praise for the tracks "Kingmaker" and the band's cover of "Cold Sweat". Greg Pratt of
Exclaim! described much of the material on the album as being an attempt on Mustaine's part to both maintain credibility with his fanbase and score a radio hit at the same time, a result that Pratt concluded was impossible. Pratt took a negative view of several songs on the album, describing "Off the Edge" as "unlovable", "The Blackest Crow" as "an unfocused mess", and the title track as having a radio-oriented sound, much to his dislike. However, he did describe "Kingmaker" as "relentless", and commented that it sounded similar to material from
Countdown to Extinction (1992). Dean Brown of
PopMatters wrote a highly critical review of the album. He characterized the title track as a "ghastly attempt" at arena rock that "even
Bon Jovi would have thought twice about releasing as a B-side." Brown reacted positively to "Kingmaker", though noted that the song seems to "pillage" Black Sabbath's "
Children of the Grave". Many of the remaining songs on the album were criticized by Brown for being "cliché", "pathetic" and/or "awkward", among other things. This makes the album Megadeth's highest-charting album in the U.S. since
Youthanasia, which peaked at number four in 1994. The album dropped to number 39 on the
Billboard 200 in its second week. As of December 2015, the album has sold 86,000 copies in the United States. The album had further top ten success in Canada and Finland, where it hit number four, and Norway, where it hit number seven. Additionally, the album charted at number fifteen in Sweden, although elsewhere it did not manage to break into the top twenty. ==Track listing==