Writer Drew Mackie believed that the distinction between Raccoon and Tanooki forms could reflect the distinction between the real-life version of a tanuki and the
yokai bake-danuki. He argued that the ability to turn into a statue in Tanooki form helped distinguish the two. On the inclusion of Japanese mythological themes into
Super Mario Bros. 3, he believed that Miyamoto took pride in having done so, arguing that the fact that the Super Leaf and Tanooki Suit transformation sound was first featured in the then-Japan-only video game
The Mysterious Murasame Castle was meant to convey to the player "Hey, here is a thing from Japanese culture". Mackie noted that Arale wore a similar suit prior to the release of
Super Mario Bros. 3, stating that he couldn't find proof that she was a direct inspiration, but identified that Miyamoto had used her as inspiration for Mario's running animation in
Super Mario 64.
GameSpot,
Game Informer. Dan Ryckert of
Game Informer stated that while the Super Leaf was more common, the Tanooki Suit was superior to it in every way. He enjoyed the ability to fly, use the suit's tail to break blocks, and use the tail to fly; for the Tanooki Suit in particular, he found enjoyment in the ability to turn into a statue, which he said was not useful but something he liked to do anyway.
TheGamer writer Tristan Jurkovich stated that the Super Leaf deserves "mad props" for introducing flight to the series, adding that their love for raccoons also influenced their opinion that the Super Leaf and Tanooki Suit were the best power-ups. He also discussed how interesting the lore behind the Tanooki Suit power-up was.
Inverse writer Robin Bea believed that the Super Leaf redefined the
Mario series, finding the Raccoon power-up the most iconic one. She felt that the ability to fly was what made it so impactful, stating that the addition of flight into the series allowed the developers to build levels in new ways.
IGN writer Lucas M. Thomas believed that Mario had never been as popular as he was when the Super Leaf was introduced, calling the Raccoon Suit iconic. He felt that the Super Leaf inspired multiple later flight-based power-ups in the series, including the Cape Feather from
Super Mario World, Carrot from
Super Mario Land 2: 6 Golden Coins, and Wing Cap from
Super Mario 64. Thomas also argued that the marketing helped solidify Raccoon Mario as an icon, citing this form being featured on both the cover art for
Super Mario Bros. 3 and in the film
The Wizard, which depicts someone playing the game competitively. In 2011,
People for the Ethical Treatment of Animals (PETA) released a satirical
browser game protesting the appearance of the Tanooki Suit in
3D Land. The game, titled
Super Tanooki Skin 2D, features a bloody, skinned Tanooki chasing after Mario to get their fur back. The site for the game asserts that Mario is willing to "use any means necessary" to save
Princess Peach, including skinning a raccoon dog. The site also accuses Nintendo of sending the message that wearing
fur clothing is acceptable.
Nintendo later responded to this, stating: "Mario often takes the appearance of certain animals and objects in his games. These have included a frog, a penguin, a balloon and even a metallic version of himself. These lighthearted and whimsical transformations give Mario different abilities and make his games fun to play. The different forms that Mario takes make no statement beyond the games themselves."
Kotaku writer Brian Ashcraft felt that the campaign was designed to generate publicity for the organization, arguing that the Tanooki Suit was based on cultural mythology and that it does not involve harm to an animal, accusing PETA of lacking "consideration or sensitivity".
GamePro writer Yassin Chakhchoukh expressed similar skepticism in PETA's motives about whether it was just a marketing stunt. ==References==