Local mail and rayon stamps The adoption of the federal constitution in 1848 made it practical to issue confederation-wide stamps, and the first of these came out in 1850 (the exact date is uncertain). All used the same basic design, a Swiss cross surmounted by a
posthorn, but there were a number of variations. The local-rate stamps had a value of 2½ rappen, with some inscribed "ORTS-POST" (
German) and "POSTE LOCALE" (
French). This was the first of many multi-language issues. For longer-distance mail, the 5-rappen stamp was inscribed "RAYON I" and the 10-rappen (for a greater distance) "RAYON II". Initially the stamps were issued with a black frame separating the white cross from the red background, but as a technically incorrect rendition of the Swiss arms, these were withdrawn. In 1852 a 15-rappen/centime value inscribed "RAYON III" was issued, using the same design as previously, but printed entirely in
vermilion. The "zone" (Rayon) system, in which the letter paid according to the distance travelled was later abolished: a fixed price took the mail to anywhere within Switzerland.
Helvetias The classical definitive Swiss stamps were issued between 1854 and 1862, and were known as the
Strubel Issues. They are the most popular specialization subject for most serious classical Swiss philatelists. Officially, these stamps are called The Imperforate Sitting Helvetia Issues of 1854–1862. These stamps feature a seated figure of
Helvetia wearing a laurel wreath. She holds a spear in her right arm, and her left arm is resting on a shield, emblazoned with the arms of the Helvetic Confederation. The effect given by the shape of the wreath around her embossed head caused many German speaking collectors to jokingly refer to the design as "Strubel", referring to the visual effect of Helvetia having "unkempt" or "frizzy" hair. The nickname for these issues stuck, and just about every collector of Swiss stamps now refers to them as "The Strubels". This series of stamps have many, different variations including differing inks, paper, and paper thickness. Colored silk threads were used as a security device in the papers used to print the definitive Swiss stamps of 1854–1862. All of the preceding issues were declared invalid on 1 October 1854, and replaced with the seated
allegorical figure "
Helvetia", the first of several issues known as "seated Helvetias". The figure was embossed but only the outline was colored, making it rather hard to pick out. This was the first issue to deal with the multiple languages of Switzerland; in addition to the word "FRANCO" at the top, the other three sides listed the denomination in rappen, centimes, and (
Italian) centesimi. The issue was also notable for the use of a colored
silk thread running horizontally through the
paper, as an anti-
counterfeiting measure. (In the illustration to the left, the thread is faintly visible about 1/3 of the distance from the bottom of the stamp, looking almost like a crease.) A number of values were printed between 1854 and 1862, ranging from 5 rappen to 1
franc, and philatelists distinguish them further by type of paper and color of thread. The commonest type surviving today is the 5-rappen brown on thick paper with a green thread, costing US$20 used; certain other types are rare, and the pale yellow-green shade of the 40-rappen value will go for $7,000 or more. A new design with more legible seated Helvetia appeared in 1862, now sporting a "
watermark" consisting of a cross inside an ellipse (not a true watermark because it was impressed into the paper after printing), and for the first time,
perforations. The units of currency disappeared, with "HELVETIA" inscribed at the top and "FRANCO" at the bottom. Initially printed on white wove paper, the stamps switched to
granite paper in 1881. (The paper has red and blue silk threads, clearly visible in the larger image of the stamp to the left.) The stamps continued in use until 1883; many of them are common and cheaply available today, although legitimate cancellations on the granite paper varieties are uncommon because of the short period of use. In 1882, the low value stamps (up to 15c) were numerals, while the higher values featured a "
Standing Helvetia". These continued in use, with a number of variations in color, perforation, and paper, until 1907. 1900 saw Switzerland's first
commemorative stamps, a set of three values issued for the 25th anniversary of the
Universal Postal Union, with an allegorical design featuring various symbols of communication.
20th century A new
definitive series in 1907 showed
William Tell's son holding a
crossbow and an apple pierced by an arrow for values below 10c, a bust of Helvetia for 10c to 15c values, and another seated Helvetia for higher values. The William Tell's son design (by
Albert Welti) went through several redrawings, including a temporary move of the
bowstring in front of the crossbow's stock. From 1914 on, a portrait of William Tell himself was used for values between 10c and 30c. Also in 1914, the first of many scenic stamps were issued. The 5fr depicted the
Rütli meadow, while the 3fr and 10fr stamps showed the
Mythen and
Jungfrau mountains, respectively. The first
semi-postal stamp was issued in 1913, but regular annual issues did not start until 1915. For many years an issue of 3-5 stamps came out on 1 December each year, until 1972. A set of three stamps in 1919 celebrated peace at the end of
World War I. Stamp printing experienced some difficulties during this period, and a variety of
surcharges were needed in 1915 and 1921. The UPU was noted on its 50th anniversary in 1924 with two stamps, one depicting its building in
Bern and the other the location of the
1874 Congress. In about 1930 Switzerland began to use "grilled gum", a light grill applied along the gum to counteract the tendency for gummed stamps to curl. The grill is most obvious on mint stamps, but is faintly visible on used stamps as well. This was abandoned around 1944. The next definitive series was a set of scenic views issued in 1934. The designs were
typographed, resulting in a vigorous albeit somewhat crude-looking appearance, and they were superseded by engraved versions of the same basic designs, beginning in 1936. Several commemorative issues appeared in the 1930s, then in 1941 came new definitives honoring Swiss military heroes. Another definitive set in 1945 marked the end of the war; the higher values of this were issued in small numbers, and are relatively expensive today. The definitive series of 1949 depicted achievements of Swiss technology. Since that time, Swiss stamps have generally followed a regular pattern; an issue of about four commemoratives on a single date in the spring, and a similar group in the fall, as well as a
Europa issue, usually in the spring. Starting in the 1980s, there have been additional themed issues; for instance, in 1993 an issue of four stamps featured works of art by Swiss women. == See also ==