'' In 1959, Mead was recruited to
Ford Motor Company's Advanced Styling Studio by
Elwood Engel. From 1960 to 1961, Mead worked in Ford Motor Company Styling in
Detroit, Michigan. Mead left Ford after two years to illustrate books and catalogues for companies including
United States Steel,
Celanese,
Allis-Chalmers and Atlas Cement. In 1970, he launched Syd Mead, Inc. in
Detroit with clients including
Philips Electronics. Through the 1970s and 1980s, Mead and his company provided architectural renderings, both interior and exterior, for clients including
Intercontinental Hotels, 3D International, Harwood Taylor & Associates, Don Ghia, Gresham & Smith and Philip Koether Architects. Beginning in 1983, Mead developed working relationships with
Sony,
Minolta,
Dentsu, Dyflex,
Tiger Corporation,
Seibu,
Mitsukoshi,
Bandai, NHK and
Honda. Mead's one-man shows began in 1973 with an exhibit at
documenta 6 in
Kassel,
West Germany. His work was later exhibited in Japan, Italy, California and Spain. In 1993, a digital gallery consisting of 50 examples of his art with interface screens designed by him became one of the first CD-ROMs released in Japan. In 2004, Mead co-operated with
Gnomon School of Visual Effects to produce a four-volume "how-to" DVD series titled
Techniques of Syd Mead. Regarding his work, Mead said, "the idea supersedes technique,"
In film Mead worked with major studios on the feature films:
Star Trek: The Motion Picture,
Blade Runner,
Tron,
2010,
Short Circuit,
Aliens,
Timecop,
Johnny Mnemonic,
Mission: Impossible III,
Elysium,
Tomorrowland and
Blade Runner 2049.
George Lucas and
Joe Johnston created the
AT-AT for the
Star Wars saga based on art by Mead from his U.S. Steel catalogues. Mead also contributed to the Japanese film
Solar Crisis. In the 1990s, Mead supplied designs for two Japanese
anime series,
Turn A Gundam and the unfinished
Yamato 2520. ==Personal life and death==