From the premiere onwards the work has been highly regarded by critics.
The Manchester Guardian called the choreography "rare, brave and stimulating", with the reservation that the prominence of the concertante piano part in the score was not mirrored in a similarly prominent part for the prima ballerina.
The Observer thought the piece "charming and exciting".
The Times said: Later critics have regarded the work similarly highly. A V Coton of
The Daily Telegraph asserted in 1967 that
Symphonic Variations "remains [Ashton's] absolute and indisputable masterpiece – a perfect fusion of ideas about stylised dance, light, space, romantic-lyric music and heroic costume – which creates a spectacle that calls into question the value of almost every other ballet in the modern repertoire". John Percival of
The Times remarked of the same production, "Fittingly, the centrepiece of this programme was a revival of
Symphonic Variations … as many of us think the best work ever created for this company". In 2004, Cristina Franchi described it as "A pure classical dance work of great beauty and simplicity." ==Revivals==