The following significant buildings are listed for their historical and architectural value:
Sanmon gate The
Sanmon (written 三門, sometimes 山門) gate is Taiseki-ji's "main front door" and has been designated as a Shizuoka prefectural cultural asset. It was built in 1717 with financial assistance from Lady Hiroko Konoe (also known as “Tennei-in”), the daughter of Imperial Princess Tsuneko and wife of sixth Shōgun
Tokugawa Ienobu. A Gohonzon transcribed by 25th High Priest Nichiyu Shonin is enshrined within its upper floor. At the time, she donated 300
ryō for its construction. Positioned next to public government roads, it was significantly
vandalized and defaced with
graffiti in 1997. It was recently restored, and its Gohonzon was ceremoniously re-enshrined within again on 15 January 2021.
Mutsubō The first was erected in 1290 as Taiseki-ji's first building. It has been rebuilt many times since, but the Gohonzon (object of veneration) it houses is attributed to temple founder Nikkō Shōnin dating from November 1332. It maintains its original design of having six rooms. The current structure, which uses much
keyaki heartwood, was completed in 1988. The High Priest of Nichiren Shoshu proceeds to the Mutsubō on concluding
Ushitora Gongyo in the Kyakuden (see below) to perform another gongyo recitation with young priests and acolytes.
Kyakuden s near the
Kyakuden The is one of the central structures where the majority of ceremonies are held, including Ushitora Gongyo by each successive High Priest every morning. It was built in 1465 and later rebuilt in 1998. The
Kyakuden was rebuilt as the , with the assistance of the
Soka Gakkai, a modern-style building inaugurated April 1964. That structure, was demolished in September 1995 and rebuilt as the current Kyakuden in 1998 with its wood-clad steel-framed edifice. The priesthood cited the Dai-Kyakuden's imposing ferroconcrete mass as incongruent with the architectural tone appropriate for a temple compound. The
Kyakuden is the site of
Ushitora Gongyo, a daylight prayer service officiated by the High Priest or his proxy. The Ozagawari Joza Gohonzon, original paper on 13 October 1290 ("Gohonzon of the Seat of the Dharma") was rendered into wood and carved on 15 June 1706, now enshrined on the central altar on the second floor of the Kyakuden. This 1706 wooden mandala is flanked by lifesize statues of Nichiren Daishonin (left) and Nikkō Shōnin (right) as a symbolic representation of “San—Po” or “Three Treasures style”, though the “Object of Worship” remains the central mandala. The two grand statues were carved in 1660 during the reign of 17th High Priest Nissei Shonin.
Mieidō rooster on an
Mieido Image Hall transom The
Mieido (image hall, 御影堂) is the
hondō (本堂) or main official hall of Taisekiji temple. It traces its history to a building called the Mido (Midō: 御堂) erected by Nikko Shonin when he founded Taisekiji in 1290. It takes its name from a lifesize image of Nichiren sculpted by Japanese Buddhist artisan
Echizen Hōkyō Kaikei, a carver of Buddhist images. This image was enshrined in the year 1388 in a building that was then replaced in 1522. The current, classical structure was erected in 1632 with donations from the Lady Manhime Ogasawara (Also known as
Kyōdai-in), who was the wife of Lord
Hachisuka Yoshishige of the
Tokushima Castle.. The building is designed similarly to a
Kabuki-za theater filled with various ornaments. In 1680 (
Enpō year), the Dai Gohonzon image was stored here for safekeeping. An enlarged statue of Nichiren is enshrined in front of the Mandala as the aesthetic of the building represents various Buddhist images. Several rounds of expansions, improvements, and repairs have been undertaken since then, and it was designated a prefectural
tangible cultural property by Shizuoka Prefecture after major repairs in 1971. The most recent overhaul was finished in November 2013. The seven-year project entailed completely breaking down and reassembling the building piece by piece. All the parts were catalogued, mapped, and their condition recorded. Damaged structural members were repaired or replaced, and decorative fixtures such as
transom carvings and other artwork, were painstaking restored. When the building was reassembled, aseismic structural augmentation (dampers) was installed to protect it from earthquake damage. New
gold leaf was applied to the indoor pillars, and all exposed surfaces were finished with
vermilion using traditional methods. The building is known for its decorative transoms that depict various Buddhist deities that are believed to occupy the
Treasure Tower of the Lotus Sutra. A decorative
Stupa is erected nearby the Mieido to commemorate the donations of Lady Manhime Ogasawara remains present to this day.
Hōandō The Enshrinement Hall, built in 2002, houses the
Dai Gohonzon of the High Sanctuary of the Essential Teaching, the supreme object of worship in Nichiren Shōshū. The Hōandō is built in the style of a
Kura storehouse to signify that the Nichiren Shoshu faith has not yet taken hold as the primary religion of the world's people. Nichiren Shoshu claims that Nichiren willed that the Dai Gohonzon is not to be made publicly accessible, but rather stored away and only viewed by those who have asked for and been granted an audience by the High Priest, until such time. Another interpretation of this is that, as different from all other Nichiren Shoshu altars, the one in the Hōandō has neither offerings of evergreens nor drums, and non-believers are not permitted entry. Handicapped believers and their attendants are given priority entry and seating within the building. On the high altar, the
Shumidan, of the Hōandō is a Buddhist
Stupa containing the ashes of Nichiren Daishonin (left), a grand
Butsudan housing the Dai Gohonzon (center), and another stupa containing a statue of Nichiren Daishonin carved by Izumi Ajari Nippō Shōnin from the same
camphorwood leftover plank that the Dai Gohonzon was inscribed on; while pious tradition claims that Nichiren approvingly characterized the statue as an exact image of himself. Taiseki-ji has traditionally regarded the Mieidō (see above) as the temple's
Hondō (main hall), but only its provisional main hall until wide propagation is achieved, when the building housing the Dai Gohonzon would take over that role. The Hōandō replaced the controversial name of the Shōhondō (正本堂: true
main hall), after its demolition in April 1998. (See below for details on demolished buildings)
Gohōzō and Hōanden The ("Treasure House") houses various religious scrolls and paintings, and other religious and historical records, relics, and artifacts. It possesses the original
Gosho documents of Nichiren conversing with the Buddhist deity
Hachiman, as well as a personal letter given to Lord Nanjo Tokimitsu while he was alive. In addition, all Gohonzons transcribed by Nichiren Shoshu priests are stored within this building, which are mostly taken out in April for the
Omushibarai Ceremony. In addition, it also features modest displays of cultural objects donated by pilgrims from countries where they have attracted converts. The Hōanden (奉安殿) building, where the Dai Gohonzon was once enshrined, stands behind it.
Gojunoto pagoda Completed on 12 June 1749 with the assistance of the Japanese
Edo government, this religious
pagoda was built with donations of 5,000 gold
Ryō given by the daughter of Imperial Princess Tsuneko. Her daughter, the Lady Hiroko Konoe (also known as Tennei-in), who was the wife of Ienobu Tokugawa, the sixth Tokugawa Shogun gave this donation with the solemn approval of Nichikan Shonin, the 26th High Priest. It has five stories representing the characters of 妙法蓮華經 (English: “Myo-Ho-Ren-Ge-Kyo”) measuring at 112 feet and faces west rather than the usual south, with a claim that Nichiren's Buddhism would spread from the East (Japan) to the Western lands; that is, back to the land of
Shakyamuni Buddha and to the rest of the world. This pagoda is the largest five-storied pagoda along the
Tōkaidō, the historical main highway along Japan's eastern seaboard from
Edo (today's
Tokyo) to
Kyoto. A Gohonzon transcribed by 31st High Priest Nichi-in Shonin is enshrined within, dated to 28 March 1749. In 1966, the pagoda was designated a national cultural treasure. In 2017, it was structurally reinforced and artistically restored. Its doors are ceremoniously opened once each year on February 16 to celebrate Nichiren's birthday for the “O-tanjo ceremony”, followed by the formal opening of its doors called the “O-tobiraki ceremony”.
Graves • On the left rear of the Pagoda is the 1945 grave and
Stupa of the first Soka Gakkai President
Tsunesaburo Makiguchi. • The second
Soka Gakkai president
Josei Toda is located at the left front of the pagoda. His ashes were moved from Jozai-ji temple (
Toshima, Tokyo), and re—interred here in 2001. • The debonair actor
Keiichirō Akagi (1939—1961) is also buried at the L-2 ward section of the head temple cemetery, nearby the Pagoda.
Daikōdō , built by the
Soka Gakkai on 1 March 1958. Scheduled for demolition after 2021. The
Daikōdō ("English: Grand Auditorium") was donated by
Soka Gakkai, with construction began in December 1956 and completed on 1 March 1958. It houses a so-called “Mannen-Kugo” aesthetic-style design which was originally dated and inscribed by
Nichiren himself in December 1274 and later co-signed by the Yoshihama Myohonji Temple located in
Kyonan,
Chiba prefecture. A wooden transcription image of this
Gohonzon was carved and signed by Taisekiji priest-sculptor named “Eritsu Hiki
Bhikkhu” (Claimed to be Mr. Takeshi Itamoto) in January 1687 (
Jōkyō year IV) assumingly in commemoration for the new incoming 30th High Priest Nitchu Shonin. Upon the completion of this grand auditorium in 1958, the 65th High Priest Nichijun Shonin decided to enshrine this wooden
Gohonzon within this building where it remains today. Presently, this Gohonzon is flanked by the two
Ihai memorial tablets of second High Priest
Nikkō Shonin and his successor, third High Priest
Nichimoku as an expressed style aesthetic that both disciples were once able to listen to Nichiren's preaching in correlation to the purpose of the building as an
Auditorium. It is in a dilapidated condition and scheduled for demolition and reconstruction after completion of the new Sanmon gate in 2021. The former highest lay leader of
Hokkeko believers (
Hokkeko Sokoto),
Jōsei Toda addressed youth adherents from this building on 16 March 1958. ==Demolished buildings==