The discoveries published by
Adolf Schulten in 1922 first drew attention to Tartessos and shifted its study from classical
philologists and antiquarians to investigations based on archaeology, although attempts at localizing a capital for what was conceived as a complicated culture in the nature of a centrally controlled kingdom ancestral to Spain were inconclusively debated. Subsequent discoveries were widely reported: in September 1923 archaeologists discovered a
Phoenician
necropolis in which human remains were unearthed and stones found with illegible characters. It may have been colonized by the Phoenicians for trade because of its richness in metals. A later generation turned instead to identifying and localizing "orientalizing" (eastern Mediterranean) features of the Tartessian material culture within the broader Mediterranean horizon of an "
Orientalizing period" recognizable in the
Aegean and
Etruria. , exhibited in the
Archaeological Museum of Seville J. M. Luzón was the first to identify Tartessos with modern
Huelva, based on discoveries made in the preceding decades. Since the discovery in September 1958 of the rich gold
treasure of El Carambolo in
Camas, Seville three kilometres west of
Seville, and of hundreds of artefacts in the
necropolis at La Joya,
Huelva, archaeological surveys have been integrated with philological and literary surveys and the broader picture of the Iron Age in the Mediterranean basin to provide a more informed view of the supposed Tartessian culture on the ground, concentrated in western
Andalusia,
Extremadura, and in southern
Portugal from the
Algarve to the
Vinalopó River in
Alicante.
Turuñuelo archaeological site , featuring the earrings characteristic of a Tartessian goldsmith's work. Significant discoveries were made at
Turuñuelo archeological site in
Guareña, where excavation began in 2015. The site was declared
bien de interés cultural (National heritage site) in May 2022. Two ornate stone busts, featuring details of
jewelry and
hairstyles which are thought to be the first facial representations of the Tartessian goddesses were discovered in 2023. These sculptures are somewhat similar to the
Lady of Elche sculpture from Alicante, which are dated between the 5th and 4th centuries BC, considerably earlier. Fragments of at least three other busts have also been recovered and one of them is attributed to a warrior because part of his helmet is preserved. In this region of southern Spain, the Tartessian culture was born around the 9th century B.C. as a result of hybridization between the Phoenician settlers and the local inhabitants. Scholars refer to the Tartessian culture as "a hybrid archaeological culture".
Metallurgy Alluvial tin was panned in Tartessian streams from an early date. The spread of a
silver standard in
Assyria increased its attractiveness (the tribute from Phoenician cities was assessed in silver). The invention of coinage in the seventh century BC spurred the search for bronze and silver as well. Henceforth trade connections, formerly largely in elite goods, assumed an increasingly broad economic role. By the
Late Bronze Age, silver extraction in
Huelva Province reached industrial proportions. Pre-Roman silver
slag is found in the Tartessian cities of Huelva Province. Cypriot and Phoenician metalworkers produced 15 million tons of pyrometallurgical residues at the vast dumps of Riotinto. Mining and smelting preceded the arrival, from the eighth century BC onward, of Phoenicians and then Greeks, who provided a stimulating wider market and whose influence sparked an "orientalizing" phase in Tartessian material culture ( BC) before Tartessian culture was superseded by the
Classic Iberian culture. "Tartessic" artefacts linked with the Tartessos culture have been found, and many archaeologists now associate the "lost" city with
Huelva. In excavations on spatially restricted sites in the center of modern Huelva, sherds of elite painted Greek ceramics of the first half of the sixth century BC have been recovered. Huelva contains the largest accumulation of imported elite goods and must have been an important Tartessian center.
Medellín, on the Guadiana River, revealed an important necropolis. (625-525 BC), found near Seville Elements specific to Tartessian culture are the Late Bronze Age fully evolved pattern-burnished wares and geometrically banded and patterns "Carambolo" wares, from the ninth to the sixth centuries BC; an "Early Orientalizing" phase with the first eastern Mediterranean imports, beginning circa 750 BC; a "Late Orientalizing" phase with the finest bronze casting and goldsmith work; gray ware turned on the fast
potter's wheel, local imitations of imported Phoenician red-slip wares. Characteristic Tartessian bronzes include pear-shaped jugs, often associated in burials, with shallow dish-shaped braziers having loop handles, incense-burners with floral motifs,
fibulas, both elbowed and double-spring types, and belt buckles. No pre-colonial necropolis sites have been identified. The change from a late Bronze Age pattern of circular or oval huts scattered on a village site to rectangular houses with dry-stone foundations and plastered
wattle and daub walls took place during the seventh and sixth centuries BC, in settlements with planned layouts that succeeded one another on the same site. At
Cástulo (
Jaén), a
mosaic of river pebbles from the end of the sixth century BC is the earliest mosaic in Western Europe. ==Timeline (10th-5th century BC)==