Taxidermy

's taxidermy kit, private collection Tanning and early stuffing techniques Preserving animal skins has been practiced throughout human history. For example, embalmed animals have been found with Egyptian mummies. Although embalming incorporates lifelike poses, it is not considered taxidermy. In the Middle Ages, crude examples of taxidermy were displayed by astrologers and apothecaries. The earliest methods of preservation of birds for natural history cabinets were published in 1748 by René-Antoine Ferchault de Réaumur in France. Techniques for mounting were described in 1752 by M. B. Stollas. There were several pioneers of taxidermy in France, Germany, Denmark, and England. For a while, clay was used to shape some of the soft parts, but this made specimens heavy. By the 18th century, a majority of towns had a tannery business. It was around the same time, with the work of Jean-Baptiste Bécœur in particular, that taxidermy became a more serious practice. Louis Dufresne, a taxidermist at the in France, rediscovered Bécœur's taxidermy process using arsenical soap and made it known through an article in the ''Nouveau dictionnaire d'histoire naturelle'' (1803–1804). This technique enabled the museum to build an immense collection of taxidermy birds. In the 19th century, some hunters took their trophies to upholstery shops, where the upholsterers would sew up the animal skins and stuff them with rags and cotton. The term "stuffing" or a "stuffed animal" evolved from this crude form of taxidermy. Professional taxidermists prefer the term "mounting" to "stuffing". More sophisticated cotton-wrapped wire bodies supporting sewn-on cured skins soon followed. Dufresne's methods spread to England in the early 19th century, where updated and non-toxic methods of preservation were developed by some of the leading naturalists of the day, including Rowland Ward and Montague Brown. Ward established one of the earliest taxidermy firms, Rowland Ward Ltd. of Piccadilly. However, the art of taxidermy remained relatively undeveloped, and the specimens remained stiff and unconvincing. Taxidermy as art in Amarillo, Texas The golden age of taxidermy was during the Victorian era, when mounted animals became a popular part of interior design and decor. English ornithologist John Hancock is considered to be the father of modern taxidermy. An avid collector of birds, which he had shot personally, he began modeling them with clay and casting in plaster. For the Great Exhibition of 1851 in London, he mounted a series of stuffed birds as an exhibit. They generated much interest among the public and scientists alike who considered them superior to earlier models, and they were regarded as the first lifelike and artistic specimens on display. A judge remarked that Hancock's exhibit "... will go far towards raising the art of taxidermy to a level with other arts which have hitherto held higher pretensions". Hancock's display sparked great national interest in taxidermy, and amateur and professional collections for public view proliferated rapidly. Displays of birds were particularly common in middle-class Victorian homes – even Queen Victoria amassed an impressive bird collection. Taxidermy was also increasingly used by the bereaved owners of dead pets to 'resurrect' them. Anthropomorphic taxidermy 's Rabbit School, 1930s In the late 19th century, a style known as anthropomorphic taxidermy became popular. A 'Victorian whimsy', mounted animals were dressed as people or displayed as if engaged in human activities. An early example of this genre was displayed by Herman Ploucquet, from Stuttgart, Germany, at the Great Exhibition in London. The best-known practitioner in this genre was the English taxidermist Walter Potter, whose most famous work was The Death and Burial of Cock Robin. Among his other scenes were "a rat's den being raided by the local police rats ... [a] village school ... featuring 48 little rabbits busy writing on tiny slates, while the Kittens' Tea Party displayed feline etiquette and a game of croquet." Apart from the simulations of human situations, he had also added examples of bizarrely deformed animals such as two-headed lambs and four-legged chickens. Potter's museum was so popular that an extension was built to the platform at Bramber railway station. Other Victorian taxidermists known for their iconic anthropomorphic taxidermy work are William Hart and his son Edward Hart. They gained recognition with their famous series of dioramas featuring boxing squirrels. Both William and Edward created multiple sets of these dioramas. One 4-piece set of boxing squirrel dioramas (circa 1850) sold at auction in 2013 for record prices. The four dioramas were created as a set (with each diorama portraying the squirrels at a different stage during their boxing match); however, the set was broken up and each was sold separately at the same auction. The set was one of a number they created over the years featuring boxing squirrels. and the work of artist Sarina Brewer, known for her Siamese twin squirrels and flying monkeys partaking in human activities. Rogue taxidermy , exhibited in the Zoological Museum, Copenhagen Rogue taxidermy (sometimes referred to as "taxidermy art" or "botched taxidermy") is a form of mixed media sculpture. Rogue taxidermy art references traditional trophy or natural history museum taxidermy, but is not always constructed out of taxidermied animals; Additionally, rogue taxidermy is not necessarily figurative, as it can be abstract and does not need to resemble an animal. "Rogue taxidermy" describes a wide variety of work, including work that is classified and exhibited as fine art. The Minneapolis-based group was founded by artists Sarina Brewer, Scott Bibus, and Robert Marbury as a means to unite their respective mediums and differing styles of sculpture. The definition of rogue taxidermy set forth by the individuals who formed the genre (Brewer, Bibus, and Marbury) is: "A genre of pop-surrealist art characterized by mixed media sculptures containing conventional taxidermy-related materials that are used in an unconventional manner". Interest in the collective's work gave rise to an artistic movement referred to as the Rogue Taxidermy art movement, or alternately, the Taxidermy Art movement. Apart from describing a genre of fine art, (e.g.; sideshow gaffs of conjoined "freak" animals and mounts of jackalopes or other fictional creatures) In addition to being the impetus for the art movement, the inception of the genre also marked a resurgence of interest in conventional (traditional) forms of taxidermy. ==Methods==

Traditional skin-mount and Blue Wildebeest from Namibia The methods taxidermists practice have been improved over the last century, heightening taxidermic quality and lowering toxicity. The animal is first skinned in a process similar to removing the skin from a chicken prior to cooking. This can be accomplished without opening the body cavity, so the taxidermist usually does not see internal organs or blood. Depending on the type of skin, preserving chemicals are applied or the skin is tanned. It is then either mounted on a mannequin made from wood, wool, and wire, or a polyurethane form. Clay is used to install glass eyes and can also be used for facial features like cheekbones and a prominent brow bone. Modeling clay can be used to reform features as well; if the appendage was torn or damaged, clay can hold it together and add muscle detail. Forms and eyes are commercially available from a number of suppliers. If not, taxidermists carve or cast their own forms. Animal specimens can be frozen, then thawed at a later date to be skinned and tanned. Numerous measurements are taken of the body. A traditional method that remains popular today involves retaining the original skull and leg bones of a specimen and using these as the basis to create a mannequin made primarily from wood wool (previously tow or hemp wool was used) and galvanised wire. Another method is to mould the carcass in plaster, and then make a copy of the animal using one of several methods. A final mould is then made of polyester resin and glass cloth, from which a polyurethane form is made for final production. The carcass is then removed and the mould is used to produce a cast of the animal called a 'form'. Forms can also be made by sculpting the animal first in clay. Many companies produce stock forms in various sizes. Glass eyes are then usually added to the display, and in some cases, artificial teeth, jaws, tongue, or for some birds, artificial beaks and legs can be used. Freeze-dried mount damage to a freeze-dried taxidermy mount of a rattlesnake An increasingly popular trend is to freeze-dry the animal. For all intents and purposes, a freeze-dried mount is a mummified animal. The internal organs are removed during preparation; however, all other tissue remains in the body. (The skeleton and all accompanying musculature is still beneath the surface of the skin) The animal is positioned into the desired pose, then placed into the chamber of a special freeze-drying machine designed specifically for this application. The machine freezes the animal and also creates a vacuum in the chamber. Pressure in the chamber helps vaporize moisture in the animal's body, allowing it to dry out. The rate of drying depends on vapor pressure. (The higher the pressure, the faster the specimen dries.) Vapor pressure is determined by the temperature of the chamber; the higher the temperature, the higher the vapor pressure is at a given vacuum. Reproduction mount Some methods of creating a trophy mount do not involve preserving the actual body of the animal. Instead, detailed photos and measurements are taken of the animal so a taxidermist can create an exact replica in resin or fiberglass that can be displayed in place of the real animal. No animals are killed in the creation of this type of trophy mount. One situation where this is practiced is in the world of sport fishing where catch and release is becoming increasingly prevalent. Reproduction mounts are commonly created for (among others) trout, bass, and large saltwater species such as the swordfish and blue marlin. Another situation where reproduction trophies are created is when endangered species are involved. Endangered and protected species, such as the rhinoceros, are hunted with rifles loaded with tranquilizer darts rather than real bullets. While the animal is unconscious, the hunter poses for photos with the animal while it is measured for the purpose of creating a replica, or to establish what size of prefabricated fiberglass trophy head can be purchased to most closely approximate the actual animal. The darted animal is not harmed. The hunter then displays the fiberglass head on the wall in lieu of the real animal's head to commemorate the experience of the hunt. Re-creation mount species, Archaeopteryx, created with the wings and feathers of an extant variety of grouse. Re-creation mounts are accurate life-size representations of either extant or extinct species that are created using materials not found on the animal being rendered. They utilize the fur, feathers, and skin of other species of animals. According to the National Taxidermy Association: "Re-creations, for the purpose of this [competition] category, are defined as renderings which include no natural parts of the animal portrayed. A re-creation may include original carvings and sculptures. A re-creation may use natural parts, provided the parts are not from the species being portrayed. For instance, a re-creation eagle could be constructed using turkey feathers, or a cow hide could be used to simulate African game". A famous example of a re-creation mount is a giant panda created by taxidermist Ken Walker that he constructed out of dyed and bleached black bear fur. Study skins A study skin is a taxidermic zoological specimen prepared in a minimalistic fashion that is concerned only with preserving the animal's skin, not the shape of the animal's body. As the name implies, study skins are used for scientific study (research), and are housed mainly by museums. A study skin's sole purpose is to preserve data, not to replicate an animal in a lifelike state. A study skin's preparation is extremely basic. After the animal is skinned, fat is methodically scraped off the underside of the hide. The underside of the hide is then rubbed with borax or cedar dust to help it dry faster. The animal is then stuffed with cotton and sewn up. Mammals are laid flat on their belly. Birds are prepared lying on their back. Study skins are dried in these positions to keep the end product as slender and streamlined as possible so large numbers of specimens can be stored side-by-side in flat file drawers, while occupying a minimum amount of space. Since study skins are not prepared with aesthetics in mind they do not have imitation eyes like other taxidermy, and their cotton filling is visible in their eye openings. File:2013-03 Naturkundemuseum Berlin Taxidermie Eichhörnchen Sciurus vulgaris anagoria 0.JPG|1. Measurements are collected File:2013-03 Naturkundemuseum Berlin Taxidermie Eichhörnchen Sciurus vulgaris anagoria 1.JPG|2. Animal is Skinned. Notes on internal organs are recorded File:2013-03 Naturkundemuseum Berlin Taxidermie Eichhörnchen Sciurus vulgaris anagoria 2.JPG|3. Skin is stuffed with cotton File:2013-03 Naturkundemuseum Berlin Taxidermie Eichhörnchen Sciurus vulgaris anagoria 3.JPG|4. Completed study skin is labeled with a data tag ==Taxidermists==

• Carl Akeley (1864–1926), the father of modern taxidermy • Jean-Baptiste Bécœur (1718–1777), French ornithologist, taxidermist, and inventor of arsenical soap • Harry Ferris Brazenor (1863–1948), 19th-century British taxidermist • James Dickinson, MBE (1959–), retired British taxidermist, known for his restorations of existing specimens • John Edmonstone (c. 1790-?), British-Guyanese taxidermist who taught Charles Darwin the art of taxidermy in 1825 • William Temple Hornaday (1854–1937), American zoologist, conservationist, and taxidermist who was the first director of the Bronx Zoo • Martha Maxwell (1831–1881), American naturalist, taxidermist, and artist who was the first female naturalist to obtain and taxidermy her own specimens • Charles Johnson Maynard (1845–1929), American naturalist, ornithologist, and taxidermist who discovered many new species and authored many notable publications • Charles Willson Peale (1741–1827), American painter, Revolutionary War veteran, inventor, naturalist, and polymath who organized the first U.S. scientific expedition in 1801 • Walter Potter (1835–1918), Victorian era British creator of iconic whimsical anthropomorphic taxidermy dioramas • Jules Verreaux (1807–1873), French botanist, ornithologist, and taxidermy collector and trader • James Rowland Ward (1848–1912), British taxidermist and founder of Rowland Ward Limited, known for its furniture and household items made of animal parts • Carl Cotton (1918–1971), the first African American taxidermist at the Field Museum == See also ==