The Beatles The Beatles asked engineer
Glyn Johns to mix an LP from their January 1969 recordings. Johns selected take two of "Teddy Boy" from 24 January for his first mix of
Get Back. Authors Doug Sulpy and Ray Schweighardt view this selection as "poor judgement" on the engineer's part. Johns mixed the track for stereo on 10 March 1969 at
Olympic Sound Studios. Bootleg copies of the mix circulated under titles such as
Hot as Sun and
Kum Back. In October 1969, Ernie Santosuosso obtained a version of Johns'
Get Back and reviewed it for
The Boston Globe, writing of "Teddy Boy" that "'Mama, Don’t Worry, Your Teddy Boy’s Here' offers a persistent repetition of theme larded with square dance calls and deft guitar chord changes." As there was no footage of the Beatles playing "Teddy Boy" in the
Let It Be film, Johns removed it from his second version of
Get Back, replacing it with "
Across the Universe" and "
I Me Mine". Lewisohn writes that it is also possible that on 4 January 1970 McCartney told Johns that he was about to re-record the song for his solo album. Due to the Beatles' dissatisfaction with Johns' two attempts, Lennon passed the
Get Back tapes on to
Phil Spector. Although Johns omitted "Teddy Boy" from the LP, Spector, assisted by engineers
Peter Brown and
Roger Ferris, made two mixes of the song on 25 March 1970. He kept one at its full length and edited another down from 7:30 to 3:10. This mix, which Sulpy and Schweighardt describe as a "butchered version", has never been officially released. A later mix included on the 1996 compilation album
Anthology 3 comprises three portions of the 28 January take joined to two segments of the 24 January take.
McCartney In his album review for the
Chicago Tribune, Robb Baker wrote that "'Teddy Boy' exists only as a bad example of the story song genre that McCartney usually does so well." Jared Johnson of
The Morning Call said that the Beatles' version as heard on bootlegs had "substance, force and conviction", while "The finished product, though more refined, is shallow and superficial, threatened with fading away into nothingness." According to Santosuosso, the song "tells of filial alienation from a widowed mother who falls in love again. The recurring refrain is the guts of this song." ==Personnel==