The building was a combination of the old
Gothic and the more modern
French architecture styles. Little wood was used in the construction and the building was fireproof. For the first two stories, the material used was gray
granite with a dash of pink running through it. Above that was used pressed
brick and terra cotta. This harmonized nicely with the granite, taking on a tone and color the same, with the exception that it is a darker pink. The frontage on La Salle Street was , while on Monroe Street, it was . In shape, the building was somewhat novel for its day, likened to the letter "H". It consisted of two immense wings united by a middle portion, or viaculum. On LaSalle Street was a court long and wide, and on Monroe Street, a similar one of the same length and deep. Facing the "grand entrance" and arranged in a semi-circle were eight elevators, and from the front court rose two grand stairways leading clear to the top of the building. A central hall extended north and south on each floor and a transverse one also extended into the wings. The lower courts and halls were resplendent with
marble mosaic paving, while plain marble was used in the upper halls. In height, the temple was a
skyscraper, extending thirteen stories. A pleasing effect was gained by causing the building line to retreat at the tenth story where the immense roof, containing three stories, commenced, breaking as it ascended, into gothic
turrets. On the granite around the entrance were carved the coats of arms of the various States of the Union. Upon the corner stone was engraved the national legend of the WCTU, "For God, for Home and Native Land, 1890." On the reverse was the WCTU monogram and beneath, "organized 1874". On the lower floor were located three banks and a memorial hall, known as Willard Hall, named in honor of Frances Willard. The audience room could seat 800 people without the
galleries and was entirely shut off from the rest of the building as though it were not in it. The entrance was through a wide hall opening off Monroe Street. It was an
amphitheatre in shape and in the center was a fountain. Nearly every window in it was a memorial one, and from numerous
pedestals rose the
busts of persons who had been involved in the cause of temperance. The hall and the entrance leading to it were used as tablets on which to inscribe the names of those who subscribed the sum of or more to the building fund. A record of the work done in each State in the Union was kept in a large vault opening off the hall. ==Notable people==