Terence Crawford (actor)

Terence Michael Crawford He achieved a Masters of Creative Arts (Hons) from James Cook University in 2000. His play The Fatherless, adaptation of Chekhov's Ivanov, formed part of his thesis. His PhD thesis, from University of Sydney in 2015, was entitled "Real Human in this Fantastical World: Political, Artistic and Fictive concerns of actors in rehearsal: an ethnography". ==Acting career==

Crawford has acted with many of Australia's major theatre companies, as well as in television programs and films, including The Babadook and Stateless. He was part of State Theatre Company of South Australia for five years. In 2017 and 2018, he toured Australia, and to the Auckland and Singapore Arts Festivals, playing O'Brien in Headlong, Almeida Theatre, and Nottingham Playhouse's production of Duncan MacMillan and Robert Icke's adaptation of George Orwell's 1984. ==Academia==

Crawford has held head of acting positions at Theatre Nepean (New South Wales), Theatre Training & Research Programme (Singapore; now Intercultural Theatre Institute) He has also been a director at the Western Australian Academy of Performing Arts and a guest at L'École Internationale de Théâtre Jacques Lecoq (Paris). In 2014 Crawford was appointed adjunct professor at the J.M. Coetzee Centre for Creative Practice, University of Adelaide. As well as teaching acting, Crawford has taught play-writing, dramaturgy, and directing at undergraduate and postgraduate levels. ==Other roles and recognition==

In 2016, Crawford stood for election to the South Australian Senate for the Arts Party. He plays guitar and has written many songs with songwriting partner Richard Davies as well as on his own. These songs have featured in various theatrical and musical contexts, and are played by his band, Almost Evelyn, which includes Max Garcia-Underwood on vocals and guitar and Nicola Grant on vocals. They have played live around Adelaide pubs, including The Wheatsheaf, were featured on Triple J Unearthed, and in 2021 they released an eponymous EP. ==Selected publications==

• Dimensions of Acting: An Australian Approach Currency Press 2011; • Trade Secrets: Australian Actors and Their Craft Currency Press 2005; • "The Castanet Club: History, provenance and influence". Australasian Drama Studies, No. 66, Apr 2015: [225]-252. ISSN: 0810–4123. • "Feudal positions and the pathology of contentment: Sites of disconnection for Australian theatre actors". About Performance, No. 13, 2015: 23–43. ISSN: 1324–6089. • "Finding the light: Acting as an artistic and social project" Fusion Journal, no. 15, 2019, pp. 6–17. • "Real Human in this Fantastical World: Political, Artistic and Fictive Concerns of Actors in Rehearsal: An Ethnography" ==References==